{"id":7447,"date":"2015-12-03T00:00:00","date_gmt":"2015-12-02T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/aus-finnlands-seen-und-waeldern\/"},"modified":"2024-09-30T14:31:23","modified_gmt":"2024-09-30T12:31:23","slug":"aus-finnlands-seen-und-waeldern","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2015\/12\/aus-finnlands-seen-und-waeldern","title":{"rendered":"From Finland's lakes and forests"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/41723243_844cf9a1d8_z.jpg\" alt=\"\" width=\"554\" height=\"415\" \/><figcaption class=\"wp-caption-text\">Winter Sibelius monument in Helsinki. Photo: Sami Uskela, flickr commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Today, Jean Sibelius (1865-1957) is known almost exclusively as the great symphonist who cast a long and powerful shadow over the musical history of his native Finland. Yet his oeuvre is far more diverse. It includes songs, choirs and piano music in equal measure. The latter is generally believed to include the well-known <em>Valse Triste <\/em>op. 44 (1904) - but it is an arrangement of a number that was written a year earlier as incidental music for the play Kuolema.<\/p>\n<p>This strangely distorted reception pervades almost the entire oeuvre. We are therefore all the more grateful for the edition of all his works, supervised by a competent team of scholars in Helsinki, which has been published step by step by Breitkopf &amp; H\u00e4rtel (incidentally, a publisher favored by Sibelius himself). This major project became necessary for several reasons: Not all the works are available in print, many editions have long been out of print, and countless printing errors have been stubbornly handed down to this day. At the same time, unknown works are also coming back into focus.<\/p>\n<\/div>\n<div class=\"text-section\">\n<p>This is particularly true of the piano music - a surprising aspect of Sibelius' oeuvre, as it is characterized entirely by short and entertaining character pieces. As you might have guessed, they were written primarily for financial reasons, but soon turned sour for the composer. Thus, with regard to the <em>Ten piano pieces <\/em>op. 58 (1909), an initial creative euphoria first gave way to strong doubts (\"because I am not familiar with this piano technique\") and then to the constraints of my wallet: \"Finances are forcing me to compose piano pieces.\" What is astonishing is the high compositional quality of all these Bread works published in various operas. The burden associated with them cannot be felt at any point - this applies in particular to the current selection of 18 pieces from the years 1887 to 1920, compiled in a handy booklet. The rediscovery of these gems is definitely worthwhile.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Sibelius-klein.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>The facsimile of <em>Luonnotar <\/em>op. 70 (1913), a tone poem for soprano and orchestra whose musical significance has been underestimated. This edition, printed to the highest standards, comprises the autograph score and the piano reduction made by Sibelius himself, supplemented by an instructive foreword by Timo Virtanen. Published as a special volume of the complete edition, it is not only a welcome gift for the jubilee year, which in some places has hardly been noticed.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Sibelius-Luonnotartif.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"text-section\">\n<p>Fortunately, the complete edition itself was not tempted by this occasion to produce a shirt-sleeved output - only the male choirs a cappella and the two <em>Sc\u00e8nes historiques<\/em>. It is therefore fitting that the publisher has published a study score of the tone poem, first printed in 2006, for little money. <em>Skogsr\u00e5et <\/em>(The Wood Nymph); an early creation from 1893\/95 and perhaps for this very reason of a certain charm.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Sibelius-Skograet.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Jean Sibelius, Piano Pieces. 18 selected pieces, EB 8855, \u20ac 15.90, Breitkopf &amp; H\u00e4rtel, Wiesbaden 2015 <\/em><\/p>\n<p><em>id., Complete Works (JSW), published by the National Library of Finland and the Sibelius Society of Finland, special volume facsimile edition of Luonnotar op. 70. SON 626, \u20ac 79.00<\/em><\/p>\n<p><em>id., Skogsr\u00e5et. Tone poem for orchestra, edited by Tuija Wicklund, study score, PB 5564-07, \u20ac 13.90<br \/>\n<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>There are several new editions to mark the 150th birthday of Jean Sibelius. But the publishers are in no hurry. - Fortunately!<br \/><\/strong><\/p>","protected":false},"author":1,"featured_media":7448,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aus Finnlands Seen und W\u00e4ldern - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2015\/12\/aus-finnlands-seen-und-waeldern\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aus Finnlands Seen und W\u00e4ldern - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Zum 150. 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