{"id":74911,"date":"2026-08-31T13:28:38","date_gmt":"2026-08-31T11:28:38","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=74911"},"modified":"2026-08-31T16:28:34","modified_gmt":"2026-08-31T14:28:34","slug":"experimentelle-spieltechniken-auf-der-floete","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete","title":{"rendered":"Experimental Flute Studies"},"content":{"rendered":"<figure id=\"attachment_74949\" aria-describedby=\"caption-attachment-74949\" style=\"width: 2358px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-74949 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes.jpg\" alt=\"\" width=\"2358\" height=\"1574\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-1024x684.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-600x400.jpg 600w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-768x513.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-1536x1025.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-2048x1367.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-262x175.jpg 262w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-524x350.jpg 524w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-1198x800.jpg 1198w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes-920x614.jpg 920w\" sizes=\"(max-width: 2358px) 100vw, 2358px\" \/><figcaption id=\"caption-attachment-74949\" class=\"wp-caption-text\">Gergely Ittz\u00e9s. Photo: Courtesy of the source<\/figcaption><\/figure>\n<p><em>The Flute Expedition<\/em> by Hungarian flutist Gergely Ittz\u00e9s contains a collection of contemporary etudes designed to encourage exploratory play on the instrument. Particular attention is paid to sounds and playing techniques that, while not part of classical flute playing, are nonetheless part of the instrument\u2019s overall sonic spectrum. With 42 imaginative miniature studies in two volumes, Ittz\u00e9s offers a step-by-step introduction to techniques such as multiphonics, special breathing effects, glissandos, microtonality, and unusual timbres that push the boundaries of what is possible on this instrument. Each piece includes detailed explanations and notation notes in a comprehensive key.<\/p>\n<p>Ittz\u00e9s conceived <em>The Flute Expedition<\/em> as a bridge between traditional flute technique and modern\/experimental playing. As he notes in the preface, thanks to this approach, players also gain knowledge that will benefit them\u2014directly or indirectly\u2014when performing traditional works. Rather than treating \u00abnormal\u00bb and \u00abextended\u00bb sounds separately, the work presents them as part of a unified musical language.<\/p>\n<h3>\u00abAn unusually large number of moves\u00bb<\/h3>\n<p>The first volume introduces new playing techniques and includes, for example, No. 2 <em>Overtone Prelude<\/em> and No. 5 <em>Ear-breaker,<\/em> that alternate between overtones based on the same or different fundamental tones. No. 24 <em>Elegy in C<\/em> is also based on overtones\u2014those above low C\u2014and uses only intervals that lie within the harmonic structure. In No. 7 <em>Tapping and Plucking<\/em> Various flutter and pizzicato effects are used. No. 10 is an interesting combination <em>Gregor's Chorale, <\/em>where voice and \u00abpseudo-multiphonics\u00bb are used in octaves to create polyphonic lines reminiscent of Gregorian chant. No. 28 <em>Tremor<\/em> is dedicated to timbral trills and makes use of microtonal trills and flutter tonguing, while No. 29 <em>Gills <\/em>introduces the technique of circular breathing.<\/p>\n<p>The author strongly recommends that players not begin the second volume until they have worked through the first volume, as not all explanations are repeated. The second volume requires a transverse flute with open holes and a B-flat footjoint. As he himself writes, Ittz\u00e9s uses \u00aban unusually large number of fingerings\u00bb and several types of fingering notation: in addition to numerical fingering notation, he also employs acoustic fingering notation and graphic fingering notation. Both volumes are suitable for advanced flutists as well as composers seeking to explore the instrument\u2019s sonic possibilities.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-74951 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/00_crit_note_Ittzes-228x300.jpg\" alt=\"\" width=\"228\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/00_crit_note_Ittzes-228x300.jpg 228w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/00_crit_note_Ittzes-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/00_crit_note_Ittzes-133x175.jpg 133w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/00_crit_note_Ittzes-266x350.jpg 266w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/00_crit_note_Ittzes-300x395.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/00_crit_note_Ittzes.jpg 379w\" sizes=\"(max-width: 228px) 100vw, 228px\" \/><\/p>\n<p><em>Gergely Ittzes, *The Flute Expedition*, 42 imaginative studies exploring extended techniques and unusual sounds on the flute; Vol. 1, Nos. 1\u201321, ED 23693; Vol. 2, Nos. 22\u201342, ED 23843; \u20ac29.00 each, Schott, Mainz<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>In the two volumes of his \u00abFlute Expedition,\u00bb Gergely Ittz\u00e9s introduces players to advanced playing techniques and unusual sounds. He also builds a bridge to the traditional repertoire.  <\/p>","protected":false},"author":58087,"featured_media":74949,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,2693,29],"tags":[1676,5804],"class_list":["post-74911","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-noten-neuerscheinungen","category-rezensionen","tag-floete","tag-gergely-ittzes"],"acf":{"author":"Claudia Weissbarth"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Experimentelle Fl\u00f6tenstudien - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"In den beiden B\u00e4nden seiner \u00abFlute Expedition\u00bb bringt Gergely Ittz\u00e9s den Spielenden erweitere Spieltechniken und ungew\u00f6hnliche Kl\u00e4ge n\u00e4her.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Experimentelle Fl\u00f6tenstudien - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"In den beiden B\u00e4nden seiner \u00abFlute Expedition\u00bb bringt Gergely Ittz\u00e9s den Spielenden erweitere Spieltechniken und ungew\u00f6hnliche Kl\u00e4ge n\u00e4her.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-31T11:28:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-31T14:28:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"935\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Fabian Renz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Fabian Renz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete\"},\"author\":{\"name\":\"Fabian Renz\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/d5e2affbc30912ae581f457f8993d034\"},\"headline\":\"Experimentelle Fl\u00f6tenstudien\",\"datePublished\":\"2026-08-31T11:28:38+00:00\",\"dateModified\":\"2026-08-31T14:28:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete\"},\"wordCount\":428,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/Gergely-Ittzes.jpg\",\"keywords\":[\"Fl\u00f6te\",\"Gergely Ittz\u00e9s\"],\"articleSection\":[\"Noten\",\"Noten\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete\",\"name\":\"Experimentelle Fl\u00f6tenstudien - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/Gergely-Ittzes.jpg\",\"datePublished\":\"2026-08-31T11:28:38+00:00\",\"dateModified\":\"2026-08-31T14:28:34+00:00\",\"description\":\"In den beiden B\u00e4nden seiner \u00abFlute Expedition\u00bb bringt Gergely Ittz\u00e9s den Spielenden erweitere Spieltechniken und ungew\u00f6hnliche Kl\u00e4ge n\u00e4her.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/Gergely-Ittzes.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/Gergely-Ittzes.jpg\",\"width\":1400,\"height\":935,\"caption\":\"Screenshot\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/neuerscheinungen\\\/noten-neuerscheinungen\\\/2026\\\/08\\\/experimentelle-spieltechniken-auf-der-floete#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Experimentelle Fl\u00f6tenstudien\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/d5e2affbc30912ae581f457f8993d034\",\"name\":\"Fabian Renz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"caption\":\"Fabian Renz\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/fabian-renz\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Experimentelle Fl\u00f6tenstudien - Schweizer Musikzeitung","description":"In den beiden B\u00e4nden seiner \u00abFlute Expedition\u00bb bringt Gergely Ittz\u00e9s den Spielenden erweitere Spieltechniken und ungew\u00f6hnliche Kl\u00e4ge n\u00e4her.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete\/","og_locale":"en_US","og_type":"article","og_title":"Experimentelle Fl\u00f6tenstudien - Schweizer Musikzeitung","og_description":"In den beiden B\u00e4nden seiner \u00abFlute Expedition\u00bb bringt Gergely Ittz\u00e9s den Spielenden erweitere Spieltechniken und ungew\u00f6hnliche Kl\u00e4ge n\u00e4her.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2026-08-31T11:28:38+00:00","article_modified_time":"2026-08-31T14:28:34+00:00","og_image":[{"width":1400,"height":935,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes.jpg","type":"image\/jpeg"}],"author":"Fabian Renz","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Fabian Renz","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete"},"author":{"name":"Fabian Renz","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/d5e2affbc30912ae581f457f8993d034"},"headline":"Experimentelle Fl\u00f6tenstudien","datePublished":"2026-08-31T11:28:38+00:00","dateModified":"2026-08-31T14:28:34+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete"},"wordCount":428,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes.jpg","keywords":["Fl\u00f6te","Gergely Ittz\u00e9s"],"articleSection":["Noten","Noten","Rezensionen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete","name":"Experimentelle Fl\u00f6tenstudien - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes.jpg","datePublished":"2026-08-31T11:28:38+00:00","dateModified":"2026-08-31T14:28:34+00:00","description":"In den beiden B\u00e4nden seiner \u00abFlute Expedition\u00bb bringt Gergely Ittz\u00e9s den Spielenden erweitere Spieltechniken und ungew\u00f6hnliche Kl\u00e4ge n\u00e4her.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/Gergely-Ittzes.jpg","width":1400,"height":935,"caption":"Screenshot"},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/neuerscheinungen\/noten-neuerscheinungen\/2026\/08\/experimentelle-spieltechniken-auf-der-floete#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Experimentelle Fl\u00f6tenstudien"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/d5e2affbc30912ae581f457f8993d034","name":"Fabian Renz","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","caption":"Fabian Renz"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/fabian-renz"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/74911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/58087"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=74911"}],"version-history":[{"count":8,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/74911\/revisions"}],"predecessor-version":[{"id":74953,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/74911\/revisions\/74953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/74949"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=74911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=74911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=74911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}