{"id":75035,"date":"2026-09-02T10:58:16","date_gmt":"2026-09-02T08:58:16","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=75035"},"modified":"2026-09-02T13:07:38","modified_gmt":"2026-09-02T11:07:38","slug":"schostakowitschs-dritte-ehefrau","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau","title":{"rendered":"Shostakovich's third wife"},"content":{"rendered":"
\"\"
Composer Dmitri Shostakovich with his wife Irina, who is 28 years his junior. Photo: Courtesy of the publisher<\/figcaption><\/figure>\n

This slim volume sparks interest in the final period of Shostakovich\u2019s life, which is arguably the least well-documented. His third wife, Irina Antonovna\u201428 years his junior\u2014was by his side for the last 13 years of his life. Even today, at the age of 91, she is still working on his estate. That is why it is worth reading these conversations with her, conducted by Russian journalist Elena Yakovich in 2021, which also touch on the background story in a few sections.<\/p>\n

Irina was three years old when her father was arrested by Stalin\u2019s henchmen and sentenced to eight years in prison; her mother died that same year. Her descriptions of her childhood in blockaded Leningrad, which was under siege for more than two years, are striking. The fact that, as a seven-year-old orphan, she came to live in the house where the composer Shostakovich resided was a strange coincidence that repeated itself twenty years later when, as a literary editor at the Soviet Composers\u2019 Publishing House, she edited libretto texts and attended meetings where Shostakovich was also present. She was then commissioned to write the libretto for his operetta Moscow, Cheryomushki<\/em> (Op. 105, 1958) and, if necessary, to correct it.<\/p>\n

An Unromantic Marriage<\/h3>\n

Irina recounts how they got married in 1962 in a reserved manner, without romanticizing the story. For her, it was a realistic, unpoetic, and strictly professional relationship, the emotional side of which she only gradually came to realize. She attended several world premieres with him and thus also experienced the difficulties surrounding the 13th Symphony Babi Yar<\/em>. For the \u00abThaw\u00bb\u2014the period of Khrushchev\u2019s de-Stalinization campaign\u2014was coming to an end. The years leading up to Shostakovich\u2019s death were once again marked by Stalin-like repression. Irina was now a patient source of support to him in his daily life, which was hampered by heart attacks and falls but nevertheless burdened by public duties, travel, and performances.<\/p>\n

Some events described in the scholarly literature are clarified through the statements contained herein\u2014such as the forged signature on the open letter from Sakharov\u2019s opponents. However, she never puts herself in the spotlight and, since Dmitri\u2019s death in 1975, has been working tirelessly to organize his estate and to bring about a complete edition of his works.<\/p>\n

\"\"<\/p>\n

Elena Yakovich: Just the Two of Us. Irina Antonovna Shostakovich \u2013 My Life with Dmitri Shostakovich, 120 pp., \u20ac20.00, Jaron, Berlin 2025, ISBN 978-3-89773-185-1<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Journalist Elena Yakovich interviewed Irina Antonovna, whose accounts shed a nuanced light on the events of the composer\u2019s final years. <\/p>","protected":false},"author":58087,"featured_media":75036,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[2673,5817],"class_list":["post-75035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-dmitri-schostakowitsch","tag-irina-schostakowitsch"],"acf":{"author":"Jakob Knaus"},"yoast_head":"\nSchostakowitschs dritte Ehefrau - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Schostakowitschs dritte Ehefrau - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die Journalistin Elena Yakovich hat Gespr\u00e4che mit Irina Antonowna gef\u00fchrt, die Ereignisse aus dem letzten Lebensabschnitt des Komponisten in einem differenzierten Licht zeigen.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-02T08:58:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-02T11:07:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/schosta.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1324\" \/>\n\t<meta property=\"og:image:height\" content=\"984\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Fabian Renz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Fabian Renz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau\"},\"author\":{\"name\":\"Fabian Renz\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/d5e2affbc30912ae581f457f8993d034\"},\"headline\":\"Schostakowitschs dritte Ehefrau\",\"datePublished\":\"2026-09-02T08:58:16+00:00\",\"dateModified\":\"2026-09-02T11:07:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau\"},\"wordCount\":390,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/schosta.jpg\",\"keywords\":[\"Dmitri Schostakowitsch\",\"Irina Schostakowitsch\"],\"articleSection\":[\"B\u00fccher\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau\",\"name\":\"Schostakowitschs dritte Ehefrau - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/schosta.jpg\",\"datePublished\":\"2026-09-02T08:58:16+00:00\",\"dateModified\":\"2026-09-02T11:07:38+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/schosta.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/schosta.jpg\",\"width\":1324,\"height\":984},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/buecher-rezensionen\\\/2026\\\/09\\\/schostakowitschs-dritte-ehefrau#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Schostakowitschs dritte Ehefrau\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/d5e2affbc30912ae581f457f8993d034\",\"name\":\"Fabian Renz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"caption\":\"Fabian Renz\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/en\\\/author\\\/fabian-renz\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Shostakovich's Third Wife - Swiss Music Journal","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau\/","og_locale":"en_US","og_type":"article","og_title":"Schostakowitschs dritte Ehefrau - Schweizer Musikzeitung","og_description":"Die Journalistin Elena Yakovich hat Gespr\u00e4che mit Irina Antonowna gef\u00fchrt, die Ereignisse aus dem letzten Lebensabschnitt des Komponisten in einem differenzierten Licht zeigen.","og_url":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2026-09-02T08:58:16+00:00","article_modified_time":"2026-09-02T11:07:38+00:00","og_image":[{"width":1324,"height":984,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/schosta.jpg","type":"image\/jpeg"}],"author":"Fabian Renz","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Written by":"Fabian Renz","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau"},"author":{"name":"Fabian Renz","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/d5e2affbc30912ae581f457f8993d034"},"headline":"Schostakowitschs dritte Ehefrau","datePublished":"2026-09-02T08:58:16+00:00","dateModified":"2026-09-02T11:07:38+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau"},"wordCount":390,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/schosta.jpg","keywords":["Dmitri Schostakowitsch","Irina Schostakowitsch"],"articleSection":["B\u00fccher","Rezensionen"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau","name":"Shostakovich's Third Wife - Swiss Music Journal","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/schosta.jpg","datePublished":"2026-09-02T08:58:16+00:00","dateModified":"2026-09-02T11:07:38+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/schosta.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/schosta.jpg","width":1324,"height":984},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/buecher-rezensionen\/2026\/09\/schostakowitschs-dritte-ehefrau#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Schostakowitschs dritte Ehefrau"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Swiss Music Newspaper","description":"The leading interdisciplinary monthly newspaper in Switzerland for musical issues.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Swiss Music Newspaper","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/d5e2affbc30912ae581f457f8993d034","name":"Fabian Renz","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","caption":"Fabian Renz"},"url":"https:\/\/www.musikzeitung.ch\/en\/author\/fabian-renz"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/75035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/users\/58087"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/comments?post=75035"}],"version-history":[{"count":6,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/75035\/revisions"}],"predecessor-version":[{"id":75379,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/posts\/75035\/revisions\/75379"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media\/75036"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/media?parent=75035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/categories?post=75035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/en\/wp-json\/wp\/v2\/tags?post=75035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}