{"id":7617,"date":"2014-12-04T00:00:00","date_gmt":"2014-12-03T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/jazzig-oder-doch-klassisch\/"},"modified":"2024-09-26T10:28:41","modified_gmt":"2024-09-26T08:28:41","slug":"jazzig-oder-doch-klassisch","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2014\/12\/jazzig-oder-doch-klassisch","title":{"rendered":"Jazzy - or classical?"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/470767_original_R_by_Guenter-Havlena_pixelio.de_.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">First, second or third wife? Photo: G\u00fcnter Havlena \/ pixelio.de<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>The shortest piece of the four booklets is self-confidently called <em>untitled, but lovely<\/em>. The composer Mathias R\u00fcegg (*1952) decides neither in the preface nor in the musical text, just as George Gershwin did a hundred years ago, how his music should be played, \"classical\" or \"jazzy\" phrasing. Gershwin demanded \"classical\", but played (together with his bands) anything but classical in his own recordings. R\u00fcegg expresses his openness: \"Composers (like me) make suggestions and do not attach any importance to being faithful to the original.\"<\/p>\n<p>A review of his two pieces reveals an exceptional sense of humor: the three parts of the bassoon composition that merge into one another <em>farmers &amp; wives<\/em> are entitled \"first wife\", \"second wife\" and \"third wife\" - whereby the third part contains many elements of a reprise of the first. Everyone should interpret this as they wish! Behind the \"second wife\" is an inspired recitativo, which should also be played \"with a lot of gentle tone\" (sic!).<\/p>\n<p>An unpretentious miniature in the style of Satie is the slow waltz, the aforementioned <em>untitled, but lovely <\/em>for oboe and piano, the end of which gains considerably when played on the cor anglais - this is not provided for in the score, but can be heard in the recording of the dedicatee. It is worthwhile approaching R\u00fcegg's music with great care and intensity, then it will have an intimate and often ambiguous effect!<img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Rueegg.jpg\" alt=\"Image \" \/><\/p>\n<p><em>Mathias R\u00fcegg, farmers &amp; wives (1995), for bassoon and piano, D 05 563, \u20ac 15.95, Doblinger, Vienna 2012<\/em><\/p>\n<p><em>Mathias R\u00fcegg, untitled, but lovely (1995), for oboe and piano, D 05 266, \u20ac 13.95, Doblinger, Vienna 2012<\/em><\/p>\n<\/div>\n<div class=\"text-section\">\n<p>Designed as a multi-part series, the <em>Bagatelles<\/em> by Jean-Fran\u00e7ois Michel (*1957) and \"give free rein to humor, parody or mockery\". The composer thus joins the French tradition of the lucid, clear and tonal musical language of neoclassicism of Henri Tomasi or Jean Fran\u00e7aix, for example. Both the ten-minute bassoon and oboe bagatelles are easily accessible to interested amateur musicians and, played with tonal refinement, can unfold lyrically and virtuosically to great effect. The slow middle movements are particularly noteworthy: A baroque-like Siciliana (bassoon) and an Adagio misterioso (oboe) provide intense and touching moments.<img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Bagatelles-Fagott.jpg\" alt=\"Image \" \/><\/p>\n<p><em>Jean-Fran\u00e7ois Michel, 3 Bagatelles (2011), for oboe and piano, OB 12, Fr. 15.00. Editions Bim, Vuarmarens 2012<\/em><\/p>\n<p><em>Jean-Fran\u00e7ois Michel, 3 Bagatelles (2013), for bassoon and piano, FG6, Fr. 15.00, Editions Bim, Vuarmarens 2013<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Short pieces for oboe and bassoon by Mathias R\u00fcegg and Jean-Fran\u00e7ois Michel. Not all untitled, but all with humor.<\/p>\n<p><\/strong><\/p>","protected":false},"author":1,"featured_media":7618,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7617","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jazzig \u2013 oder doch klassisch? - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2014\/12\/jazzig-oder-doch-klassisch\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jazzig \u2013 oder doch klassisch? - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Kurze St\u00fccke f\u00fcr Oboe und Fagott von Mathias R\u00fcegg und Jean-Fran\u00e7ois Michel. Nicht alle ohne Titel, aber alle mit Humor.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2014\/12\/jazzig-oder-doch-klassisch\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-12-03T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-26T08:28:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/470767_original_R_by_Guenter-Havlena_pixelio.de_.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"369\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2014\\\/12\\\/jazzig-oder-doch-klassisch#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2014\\\/12\\\/jazzig-oder-doch-klassisch\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Jazzig \u2013 oder doch klassisch?\",\"datePublished\":\"2014-12-03T23:00:00+00:00\",\"dateModified\":\"2024-09-26T08:28:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2014\\\/12\\\/jazzig-oder-doch-klassisch\"},\"wordCount\":416,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2014\\\/12\\\/jazzig-oder-doch-klassisch#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/470767_original_R_by_Guenter-Havlena_pixelio.de_.jpg\",\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2014\\\/12\\\/jazzig-oder-doch-klassisch\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2014\\\/12\\\/jazzig-oder-doch-klassisch\",\"name\":\"Jazzig \u2013 oder doch klassisch? 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