{"id":76387,"date":"2026-10-19T11:00:54","date_gmt":"2026-10-19T09:00:54","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=76387"},"modified":"2026-10-16T13:40:24","modified_gmt":"2026-10-16T11:40:24","slug":"komponistinnen-erweitern-das-chorrepertoire","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/2026\/10\/komponistinnen-erweitern-das-chorrepertoire","title":{"rendered":"Female composers are expanding the choral repertoire"},"content":{"rendered":"<figure id=\"attachment_76537\" aria-describedby=\"caption-attachment-76537\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-76537 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel.jpg\" alt=\"\" width=\"1400\" height=\"961\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-300x206.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-1024x703.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-768x527.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-1536x1054.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-2048x1406.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-255x175.jpg 255w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-510x350.jpg 510w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-1166x800.jpg 1166w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/Fanny_Hensel-920x631.jpg 920w\" sizes=\"(max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-76537\" class=\"wp-caption-text\">Fanny Hensel. Photo: Wikimedia Commons<\/figcaption><\/figure>\n<p>The three editions from Carus-Verlag presented here are prime examples of the welcome rediscovery of female composers and enrich the choral repertoire with works of great musical and historical significance.<\/p>\n<p>With Fanny Hensel's <em>Garden Songs<\/em> Op. 3 is a meticulous Urtext edition of a Romantic choral cycle that impresses with its subtle interpretation of the text, tonal diversity, and editorial precision. With Marianna von Martines\u2018 <em>Second Mass<\/em> A melodious, relatively easy-to-perform work of the Viennese Classical period is made available in a scholarly edition, thereby further establishing one of the most significant female composers of the 18th century in the performance repertoire.<\/p>\n<p>The Anthology <em>Choral Music Composed by Women<\/em> provides a cross-epochal overview of the diverse works of female composers. It brings together well-known names with rewarding rediscoveries and offers choir directors valuable inspiration for creating varied and contemporary programs. Together, the three publications demonstrate how editorial quality and the expansion of the repertoire can go hand in hand.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-76380 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354897-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354897-216x300.jpg 216w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354897-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354897-126x175.jpg 126w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354897-252x350.jpg 252w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354897-300x416.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354897.jpg 408w\" sizes=\"(max-width: 216px) 100vw, 216px\" \/><\/p>\n<p><em>Fanny Hensel: *Gartenlieder*, Op. 3, 6 Songs for Mixed Choir, ed. by Lorenz Adamer, conductor\u2019s score, 9.308\/00, \u20ac15.00, Carus, Stuttgart<\/em><\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-76379 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_356047-233x300.jpg\" alt=\"\" width=\"233\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_356047-233x300.jpg 233w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_356047-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_356047-136x175.jpg 136w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_356047-272x350.jpg 272w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_356047-300x387.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_356047.jpg 388w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/><\/p>\n<p><em>Marianna von Martines: Seconda Messa, ed. by Joseph Taff; conductor\u2019s score, 27.907\/00, \u20ac60.00; piano reduction, 27.907\/03, \u20ac18.00; Carus, Stuttgart<\/em><\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-76381 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354894-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354894-212x300.jpg 212w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354894-8x12.jpg 8w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354894-124x175.jpg 124w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354894-247x350.jpg 247w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354894-300x425.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/10\/363936_354894.jpg 400w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/p>\n<p><em>Choral Music Composed by Women, 47 compositions for SATB choir, some with piano or organ, edited by Franziska de Gilde, Mary Ellen Kirchens, and Jan Schumacher, Chorbuch 2.251\/00, \u20ac24.00, Carus, Stuttgart<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>With Fanny Hensel\u2019s \u00abGartenlieder,\u00bb Marianna von Martines\u2019 \u00abSeconda Messa,\u00bb and a choral collection featuring works by female composers, mixed choirs now have new programming options. <\/p>","protected":false},"author":58093,"featured_media":76537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[2693,29],"tags":[3963,3971,5882],"class_list":["post-76387","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-neuerscheinungen","category-rezensionen","tag-fanny-hensel","tag-komponistinnen","tag-marianna-martines"],"acf":{"author":"Markus Utz"},"yoast_head":"<!-- This site is optimized with the Yoast SEO 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