{"id":7753,"date":"2014-02-07T00:00:00","date_gmt":"2014-02-06T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/saxofonhefte-unter-der-lupe\/"},"modified":"2024-09-23T11:44:36","modified_gmt":"2024-09-23T09:44:36","slug":"saxofonhefte-unter-der-lupe","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2014\/02\/saxofonhefte-unter-der-lupe","title":{"rendered":"Saxophone booklets under the magnifying glass"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Fotolia_7087020_XS.jpg\" alt=\"\" width=\"554\" height=\"415\" \/><figcaption class=\"wp-caption-text\">Photo: Kalle Kloldziej \/ fotolia.com<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>This year we are celebrating the 200th birthday of Adolphe Sax (1814-1894), the brilliant inventor of the saxophone. Since the first few original compositions in the middle of the 19th century (Singel\u00e9e, Kastner, Savari, G\u00e9nin, Demersseman etc.), numerous works have been written for this instrument. In recent decades in particular, a large number of compositions have been written in a wide variety of styles, as well as numerous teaching works and schools. In view of this pleasing wealth, it is often difficult for amateurs, students and music teachers to make a selection. The appearance of publications is usually the first thing that catches the eye and determines whether they are merely leafed through or examined in more detail. It would be desirable if publishers and authors attached more importance to visualization and layout, as this is helpful, inspiring and meaningful for the reception of literature at all levels.<\/p>\n<\/div>\n<div class=\"text-section\">\n<p><strong>Contemporary<\/strong><br \/>\nIn the new edition of the <em>Sakura variations <\/em>by Helmut Lachenmann for alto saxophone, percussion and piano is a good example of how a simple, beautifully printed and embossed score with plenty of space can arouse curiosity about foreign or familiar worlds of sound. The sight-reading introduction to the exotic Japanese folk song <em>Sakura (<\/em>first sung by the player) is immediately followed by the need to delve deeper into the functional-harmonic sound practice. It quickly becomes apparent that this occasional composition by Helmut Lachenmann is also easy to access due to its moderate level of difficulty. A wonderfully cheerful and serious piece of music that should not be withheld from advanced music students. Far too rarely are such gems of contemporary music performed in recitals!<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Lach.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Three further, recently published, serious compositions - published in a similarly simple appearance - should be mentioned here: Das <em>Marian triptych<\/em> by Martin Torp - a sonorous work for alto saxophone and organ that refers to New Testament scenes, G\u00fcnter Raphael's wide-ranging variation, rhythmically approaching jazz <em>Divertimento <\/em>for alto saxophone and violoncello op.74 and the solo piece <em>Jeux <\/em>by Gilbert Amy, which he arranged for soprano saxophone at the suggestion of Claude Delangle. (The original version was for one to four oboes.) All three works realize a specific quality of the instrument and enrich every concert program with their own musical language. Especially <em>Jeux <\/em>places high technical demands.<\/p>\n<\/div>\n<div class=\"text-section\">\n<div class=\"text-section\">\n<dl class=\"picture media photo large\">\n<dt><img decoding=\"async\" class=\"media photo large aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/B-11.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>The subtle pieces by Swiss composer Kevin Juillerat present themselves with a much more colorful cover <em>Et l'horizon frissonne<\/em> (\"Und der Horizont erschauert\" for alto or tenor saxophone solo) and <em>Miroitements<\/em> (\"Spiegelungen\" for alto or soprano saxophone and piano). These short pieces, which are committed to the titles, demand modern playing techniques such as multiphonics, subtones, quarter tones etc. They are well suited for first encounters with contemporary music, especially as the composer places particular emphasis on teaching the performance indications with introductory exercises and recommends suitable listening examples from other works. A somewhat more generous notation would have been useful here.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Juillerat-2Leduc.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<div class=\"text-section\">\n<p><strong>Tango and jazz<\/strong><br \/>\nTango music has been a perennial favorite in our region for years. It is therefore not surprising that many arrangements and new South American compositions are now available on the shelves. Particularly enjoyable to play are the <em>Tangos <\/em>for alto saxophone and piano by Roberto Pintos. The varied character pieces leave plenty of scope for musical interpretation and naturally demand rhythmic dexterity. The same publisher also published the famous Tango <em>Venetian blind<\/em> by Jacob Gade for saxophone quartet. Advanced players who want to devote themselves intensively to the tango in lessons should <em>The Tango Saxophone Book <\/em>by Bernardo Monk. This tango method with accompanying CD offers many technical, stylistic and improvisational exercises and gives an insight into the historical background of this music.<\/p>\n<\/div>\n<div class=\"text-section\">\n<div class=\"text-section\">\n<dl class=\"picture media photo large\">\n<dt><img decoding=\"async\" class=\"media photo large aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-intro\/website\/de\/rezensionen\/noten\/2014\/02\/saxofonhefte\/content\/09\/imageBinary\/CNEU.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<p><em>Jazz Club - Learn to play jazz<\/em> - by Andy Mayer and Christian Wegschneider is aimed at classical saxophonists who want to get to know jazz music through playing and not through the sometimes daunting theory, scales and knowledge of harmony. The solos, chords and rhythms are written out in the first part, and it is only in the second part that you are given the opportunity to play independently and creatively with play-alongs. The criticism voiced at the beginning about the graphic design of certain publications could be reiterated here, as the restlessness of the title page continues throughout the chapters in the density of the writing and music text, which sometimes makes getting started, which should be made easier, rather more difficult. However, the groovy CD tracks with various instrumental groups make up for this introduction to the world of jazz.<\/p>\n<div class=\"text-section\">\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/noten\/2014\/02\/saxofonhefte\/content\/08\/imageBinary\/Jazz.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Helmut Lachenmann, Sakura Variations, for alto saxophone, percussion and piano,score and parts, KM 2438, \u20ac 19.00, Breitkopf &amp; H\u00e4rtel, Wiesbaden 2013<\/em><\/p>\n<p><em>Martin Torp, Marian Triptych for alto saxophone and organ, EM 2198, \u20ac 12.00, Edition Merseburger 2013<\/em><\/p>\n<p><em>G\u00fcnter Raphael, Divertimento for alto saxophone and violoncello, EB 6320, \u20ac 17.50, Breitkopf &amp; H\u00e4rtel, Wiesbaden 2013<\/em><\/p>\n<p><em>Gilbert Amy, Jeux, for soprano saxophone, UE 36 075, \u20ac 18.95, Universal Edition, Vienna 2013<\/em><\/p>\n<p><em>Kevin Juillerat, Miroitements, pour saxophone alto (ou soprano) et piano, AL 30 651, ca. \u20ac 12.80, Alphonse Leduc, Paris 2013<\/em><\/p>\n<p><em>Kevin Juillerat, Et l'horizon frissonne, pour saxophone alto (ou t\u00e9nor) seul, AL 30 652, ca. \u20ac 11.40, Alphonse Leduc, Paris 2013<\/em><\/p>\n<p><em>Roberto Pintos, Tangos and other Rythms from South America for Alto Saxophone and Piano, D 05 483, \u20ac 17.95,Doblinger, Vienna 2013<\/em><\/p>\n<p><em>Jacob Gade, Jalousie, Tango for saxophone quartet, arr. by Friedemann Graef, score and parts, D 05 482, \u20ac 13.95, Doblinger, Vienna 2012<\/em><\/p>\n<p><em>Bernardo Monk, The Tango Saxophone Book, A Method for Playing Saxophone in Argentine Tango, ADV 7156, with CD, \u20ac 34.95, advanced music, Mainz (Schott) 2013<\/em><\/p>\n<p><em>Andy Mayerl and Christian Wegscheider, Jazzclub - Jazz spielend lernen, Bandleader, score, D450, \u20ac 21.80, Edition Dux, Manching 2012<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>A survey of recent saxophone publications in various styles and their appearance.<\/p>\n<p><\/strong><\/p>","protected":false},"author":1,"featured_media":7754,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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