{"id":7837,"date":"2013-09-29T00:00:00","date_gmt":"2013-09-28T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/7837\/"},"modified":"2024-09-23T10:49:12","modified_gmt":"2024-09-23T08:49:12","slug":"7837","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2013\/09\/7837","title":{"rendered":"Cheerful theme theft"},"content":{"rendered":"
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Fr\u00f6hlich's birthplace Brugg in the 1820s. Source: Swiss National Library\/wikimedia commons<\/a><\/figcaption><\/figure>\n
\n

While Norbert Burgm\u00fcller (1810-1836), who died in the same year, has been in the Monuments of Rhenish music <\/em>is in good hands with a complete edition of his four string quartets, Friedrich Theodor Fr\u00f6hlich (1803-1836) from Aargau still has a hard time in this respect. Of the five contributions to the genre, which are among his main instrumental works, only the Quartet in E major, written in Berlin in 1827\/28, is available in print. It was edited from the autograph and provided with a preface by Carola Gloor, a Bruges music student and cellist. Her Matura thesis dedicated to Fr\u00f6hlich earned her the special prize with the rating \"outstanding\" Swiss Youth in Science: Culture<\/em> of the 47th National Competition after revising the text with string quartet expert Antonio Baldassare.<\/p>\n

The first edition (score and parts), published in only 280 copies, is based on Carola Gloor's transcription of Fr\u00f6hlich's manuscript using the Sibelius music notation program. Published in the well-known engraving quality of Amadeus Verlag, run by violist Bernhard P\u00e4uler, the four-movement work represents a significant enrichment of the early Romantic quartet repertoire.<\/p>\n

If Fr\u00f6hlich had presented this work to his Berlin teachers Karl Friedrich Zelter and Bernhard Klein, they would hardly have agreed with the many idiosyncrasies. However, they considerably increase the appeal of the formally and tonally unconventional composition. Although it does not contain a development section, the first movement is in sonata form. In the Adagio, complicated rhythms and differently phrased sextuplets complicate the interplay. The particularly imaginative finale, written in free rondo form, quotes from the first movement for long stretches and surprises with recitative-like insertions and an effective fugato.<\/p>\n

The editor and her academic advisor apparently missed the fact that the gently swaying main theme of the first movement in six-eighths time is not an invention of Fr\u00f6hlich's. It comes from Felix Mendelssohn Bartholdy's Piano Sonata in E major op. 6, first published in 1826. The same composer, whom Fr\u00f6hlich appreciated more than he successfully contacted in Berlin, also left his mark on the Scherzo. The combination of long chains of semiquavers with staccato accompaniment quavers in the lower register can already be found in his Capriccio in F sharp minor op. 5 for piano, printed in 1826.<\/p>\n

What was long known as Fr\u00f6hlich's Missa I <\/em>turned out one day to be an only slightly altered copy of a mass by Johann Gottlieb Naumann (1741-1801). Once again, Fr\u00f6hlich stands out as a cheerful plagiarist, although this in no way diminishes the value of the work as a whole with regard to the short main theme of the string quartet.<\/p>\n<\/div>\n

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\"Image<\/dt>\n<\/dl>\n<\/div>\n
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Friedrich Theodor Fr\u00f6hlich: String Quartet in E major, edited by Carola Gloor, BP 1842, Fr.68.00, Amadeus Verlag, Winterthur 2012<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

A string quartet by the Swiss Romantic composer Friedrich Theodor Fr\u00f6hlich appears in print for the first time.<\/strong><\/p>","protected":false},"author":1,"featured_media":58339,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"\nFr\u00f6hlicher Themenklau - 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