{"id":7875,"date":"2013-09-03T00:00:00","date_gmt":"2013-09-02T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/schoepferin-gegen-alle-widerstaende\/"},"modified":"2024-09-18T15:21:44","modified_gmt":"2024-09-18T13:21:44","slug":"schoepferin-gegen-alle-widerstaende","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2013\/09\/schoepferin-gegen-alle-widerstaende","title":{"rendered":"Creator against all odds"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Mel1.jpg\" alt=\"\" width=\"554\" height=\"385\" \/><figcaption class=\"wp-caption-text\">Mel Bonis portrayed by Charles-Auguste Corbineau \/ wikimedia commons<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>M\u00e9lanie Bonis' piano improvisations were considered a nuisance by her petty-bourgeois Parisian parents, but - encouraged by C\u00e9sar Franck - she was allowed to attend the Conservatoire Sup\u00e9rieur, but had to abandon her successful studies before the end because her parents did not approve of her love affair with fellow student Am\u00e9d\u00e9e Hettich. Married to the rich widower Albert Domange, 25 years her senior, with five sons, to whom she gave another four children, she had little time for music. Nevertheless, she was able to publish several works under the pseudonym Mel Bonis (women composers were not taken seriously at the time; she had to finance some editions herself) with Leduc and Eschig. Towards the turn of the century, Hettich encouraged her to return to intensive, even prize-winning music-making (she even became secretary of the Soci\u00e9t\u00e9 des Compositeurs). She was able to keep their daughter a secret until 1914. During the First World War, she became involved in helping orphans and prisoners of war. Despite depression, she continued to compose tirelessly until the end of her life. Her 300 works for piano, organ, chamber ensemble, voice and orchestra are on a par with Faur\u00e9 and Chausson, but were unjustly forgotten.<\/p>\n<p>For the three-movement <em>Suite <\/em>from 1926, the manuscript of which was found in the family archive, the composer was inspired by her life in the country: I <em>Jour de f\u00eate<\/em> surprises with sparkling, syncopated upbeat motifs in which the two instruments follow each other. A more vocal intermezzo is concluded by a gallop. II <em>Sous la ram\u00e9e<\/em> is an extended reverie, floating confidently between the keys. III <em>Cort\u00e8ge champ\u00eatre <\/em>returns to the C major of I with many imaginative modulations, reminiscent of a light-footed parade of majorettes. Musically demanding, this suite gives the performers much pleasure.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/BonisKlein.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Mel Bonis, Suite pour violon et piano op. 114, edited by Eberhard Mayer and Ingrid Mayer, first publication, fue 4390, \u20ac 22.00, Furore-Edition, Kassel 2012<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Mel Bonis used rural impressions in her Suite for violin and piano. Her entire, extensive oeuvre is worth rediscovering.  <\/strong><\/p>","protected":false},"author":1,"featured_media":7876,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7875","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sch\u00f6pferin gegen alle Widerst\u00e4nde - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2013\/09\/schoepferin-gegen-alle-widerstaende\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sch\u00f6pferin gegen alle Widerst\u00e4nde - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"In ihrer Suite f\u00fcr Violine und Klavier verarbeitete Mel Bonis l\u00e4ndliche Impressionen. 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