{"id":7891,"date":"2013-06-05T00:00:00","date_gmt":"2013-06-04T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/7891\/"},"modified":"2024-09-17T11:01:14","modified_gmt":"2024-09-17T09:01:14","slug":"7891","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2013\/06\/7891","title":{"rendered":"New violin sonatas sometimes jazzy, sometimes spherical"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Ruegaus.jpg\" alt=\"\" width=\"554\" height=\"405\" \/><figcaption class=\"wp-caption-text\">Mathias R\u00fcegg. Excerpt from the magazine cover<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>When one picks up the violin to sight-read new music, one is extremely pleased when difficult-looking music flows well in the hand and a logical structure becomes visible when looking over the score; this happened to me conspicuously in the works of R\u00fcegg and Wolfgang.<\/p>\n<p>Mathias R\u00fcegg, the Swiss jazz arranger, was the founder and director of the Vienna Art Orchestra. He now teaches at the music academies in Vienna and Zurich and is increasingly composing chamber music. Here he wrote a three-movement jazz sonata lasting a quarter of an hour. Ten increasing variations on a harmonic scheme are followed by a thoughtful blues with an impressionistic gesture, which is rhythmically framed in between. The motorically fast finale with interesting time changes and shifts in accent is concluded by a six times eight-bar \"turn around\", which looks like a chaconne. In the <a href=\"http:\/\/www.vao.at\/v2\/display.php?id=119\">Listen in<\/a> one is briefly reminded of Grappelli here and there, but this only points to the roots of this characterful, dynamically differentiated music, which is exciting to play for both instruments.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Reugkl.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Mathias R\u00fcegg, three questions - one answer, for violin and piano, D 33205, \u20ac 24.95, Doblinger, Vienna 2011<\/em><\/p>\n<\/div>\n<div class=\"text-section\">\n<p>Californian Gernot Wolfgang has developed from computer programmer to jazz guitarist, film composer and creator of new music. He is inspired by nature, which he fights to preserve. His <em>Rolling Hills &amp; Jagged Ridges<\/em> is expressively captured with spherical sounds, but within a tonal framework. A rhythmic, repetitive echo duet and angular ridges emerging from the fog are presented with virtuosity. A contemplative violin cadenza with wandering pizzicati leads into misty motifs in the piano. The spikes emerge once again in dramatically underscored unison, then the piano mist calms the violin to floating harmonics until the twelve-minute piece ends with a rapid ascent. <a href=\"http:\/\/www.youtube.com\/watch?v=-aKTw7B3wVk\">Audio sample<\/a><\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Violinekl.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Gernot Wolfgang, Rolling Hills &amp; Jagged Ridges, for Violin and Piano D 19970, \u20ac 19,90, Doblinger, Vienna 2011<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Nothing is more classical than the combination of violin and piano. But the repertoire here is unusual.<\/strong><\/p>","protected":false},"author":1,"featured_media":7892,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Neue Violinsonaten mal jazzig, mal sph\u00e4risch - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2013\/06\/7891\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Neue Violinsonaten mal jazzig, mal sph\u00e4risch - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Nichts ist klassischer als die Kombination von Geige und Klavier. Das Repertoire ist hier aber ungew\u00f6hnlich.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2013\/06\/7891\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-06-04T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-17T09:01:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Ruegaus.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"405\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2013\\\/06\\\/7891#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2013\\\/06\\\/7891\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Neue Violinsonaten mal jazzig, mal sph\u00e4risch\",\"datePublished\":\"2013-06-04T23:00:00+00:00\",\"dateModified\":\"2024-09-17T09:01:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2013\\\/06\\\/7891\"},\"wordCount\":319,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2013\\\/06\\\/7891#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Ruegaus.jpg\",\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2013\\\/06\\\/7891\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2013\\\/06\\\/7891\",\"name\":\"Neue Violinsonaten mal jazzig, mal sph\u00e4risch - 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