{"id":7918,"date":"2013-04-02T00:00:00","date_gmt":"2013-04-01T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/7918\/"},"modified":"2024-09-16T16:59:10","modified_gmt":"2024-09-16T14:59:10","slug":"7918","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/noten-rezensionen\/2013\/04\/7918","title":{"rendered":"Approaches to Liszt"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_58129\" aria-describedby=\"caption-attachment-58129\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-58129 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/800px-Liszt_weimar.jpg\" alt=\"\" width=\"800\" height=\"532\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/800px-Liszt_weimar.jpg 800w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/800px-Liszt_weimar-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/800px-Liszt_weimar-600x400.jpg 600w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/800px-Liszt_weimar-768x511.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/800px-Liszt_weimar-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/800px-Liszt_weimar-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/04\/800px-Liszt_weimar-526x350.jpg 526w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-58129\" class=\"wp-caption-text\">Liszt monument at the Liszt House in Weimar. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Liszt_weimar.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">Rudolf Klein, wikimedia commons<\/a><\/figcaption><\/figure>\n<p>To mark the Liszt Year 2011, the Doblinger publishing house invited composers from a wide range of styles to write a statement about the composer in the form of a short piano piece. The result was a collection of ten compositions which could not be more different and which, of course, usually tell us more about the composers themselves than about Liszt ...<\/p>\n<p>There is Johannes Berauer's poetic-pathetic <em>but the birds still sing<\/em> or Rainer Bischof's parodistic (or already sarcastic?) <em>Dreamed out<\/em>: A <em>Liebestraum No. 3<\/em>which mutates into a nightmare. Radical then the <em>Late work <\/em>by Bernd Richard Deutsch for prepared piano. Witty and grateful to play Tristan Schulzes <em>For Franz, the Lisztian<\/em>as well as the <em>Fugato <\/em>by Wolfram Wagner, which heats up the opening theme of Liszt's first piano concerto. Johanna Doderer, the only female composer in this group, writes a short dance of death that whets the appetite for more. Then, somewhat poorly <em>D\u00e9dicace tardive <\/em>by Peter Planyavsky. A soft-pop nocturne in the style of Richard Clayderman, which does not betray the level of this otherwise so original musician.<\/p>\n<p>The highlight of the collection is probably<em> A personal view on the 4th movement of Liszt's Dante Symphony<\/em> by Mathias R\u00fcegg. In just six pages, the composer whips us through a rollercoaster of emotions and styles with fire and wit. The master himself would probably have approved!<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/REZ_res_klassik_n_Liszt.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Liszt to: Hommage to Franz Liszt, pieces by Johannes Berauer, Rainer Bischof, Bern Richard Deutsch, Johanna Doderer, Peter Planyavsky, Mathias R\u00fcegg, Helmut Schmidinger, Tristan Schulze, Erich Urbanner, Wolfram Wagner, D 01684, \u20ac 20.65, Doblinger, Vienna 2011 <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Of the ten contemporary piano pieces that deal with Franz Liszt in \"Listen to ...\", the one by Mathias R\u00fcegg is perhaps the most successful. <\/strong><\/p>","protected":false},"author":1,"featured_media":58129,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[],"class_list":["post-7918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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