{"id":7982,"date":"2022-03-29T00:00:00","date_gmt":"2022-03-28T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/bienengleiche-bewegungen\/"},"modified":"2024-09-30T14:43:03","modified_gmt":"2024-09-30T12:43:03","slug":"bienengleiche-bewegungen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2022\/03\/bienengleiche-bewegungen","title":{"rendered":"Bee-like movements"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/swingthing.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">SwingThing. Photo: zVg<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>If she had a time machine, Dela H\u00fcttner would travel back to the 1930s and 1940s. First and foremost to experience the heyday of swing live, as the singer revealed in an interview. This fondness for the genre is even reflected in the name of her band: SwingThing. On his album <em>branches<\/em> the quintet from Baden and Zurich focuses not least on the dialog between H\u00fcttner's elastic vocals, Adrian Mira's multifaceted clarinet playing and Thomas Goralski's piano.<\/p>\n<p>Although swing serves as the band's reference and starting point, they are only too happy - and with verve - to swarm out into other jazz variants, klezmer or even folk. SwingThing prefer to move like bees: sometimes they feast on chanson, sometimes on balladesque jazz. And in between, they even indulge in the influences of literary greats such as Emily Dickinson or Paul Verlaine.<\/p>\n<p>The song from the repertoire of Josephine Baker <em>Mayari<\/em> begins with a lascivious cabaret sound, but soon turns to French vocals with a thickly applied accent and shortly afterwards sprinkles in a bluesy guitar solo. Meanwhile <em>I'm Nobody<\/em> at Duke Ellington's <em>Five o'Clock Drag<\/em> serves, Dela H\u00fcttner's <em>Quiet Love<\/em> initially as a bedtime song, only to increasingly turn out to be a melancholy serenade.<\/p>\n<p>The ten tracks in total are like a continuous look into a kaleidoscope: a slight twist and the result is a change. SwingThing not only succeeds in bringing their music into a natural flow, but also in constantly driving it forward and developing it further. This results in a release that is visibly captivating. <em>Branches<\/em> is less convincing with offensive means and instead with sophisticated arrangements, subtle grooves and a musicality that is imbued with power and warmth at the same time.<img decoding=\"async\" class=\"size-full wp-image-53064 aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/03\/121_272_Branches-180.jpg\" alt=\"\" width=\"180\" height=\"180\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/03\/121_272_Branches-180.jpg 180w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/03\/121_272_Branches-180-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/03\/121_272_Branches-180-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/03\/121_272_Branches-180-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/03\/121_272_Branches-180-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/03\/121_272_Branches-180-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/03\/121_272_Branches-180-96x96.jpg 96w\" sizes=\"(max-width: 180px) 100vw, 180px\" \/><\/p>\n<p><em>Swing Thing: Branches. Dela H\u00fcttner, vocals; Adrian Mira, clarinet; Mischa Frey, double bass; Samir B\u00f6hringer, drums; Thomas Goralski, hammond\/piano; Mario Mauz, guitar. Ship of Fools NAR 2020152<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>With the album \"branches\", the quintet SwingThing dedicates itself to a sound that is as variable as it is subtle. Their music, which is characterized by swing, jazz and klezmer, has a captivating power.  <\/strong><\/p>","protected":false},"author":1,"featured_media":7983,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-7982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Michael Gasser"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bienengleiche Bewegungen - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2022\/03\/bienengleiche-bewegungen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bienengleiche Bewegungen - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Mit dem Album \u00abbranches\u00bb widmet sich das Quintett SwingThing einem ebenso variablen wie subtilen Sound. Dabei zeigt sich ihre von Swing, Jazz und Klezmer gepr\u00e4gte Musik von mitreissender Kraft.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2022\/03\/bienengleiche-bewegungen\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-03-28T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-30T12:43:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/swingthing.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"369\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/03\\\/bienengleiche-bewegungen#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/03\\\/bienengleiche-bewegungen\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Bienengleiche Bewegungen\",\"datePublished\":\"2022-03-28T23:00:00+00:00\",\"dateModified\":\"2024-09-30T12:43:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/03\\\/bienengleiche-bewegungen\"},\"wordCount\":331,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/03\\\/bienengleiche-bewegungen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/swingthing.jpg\",\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/03\\\/bienengleiche-bewegungen\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2022\\\/03\\\/bienengleiche-bewegungen\",\"name\":\"Bienengleiche Bewegungen - 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