{"id":8058,"date":"2020-03-24T00:00:00","date_gmt":"2020-03-23T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/orchestrale-wucht\/"},"modified":"2024-10-04T10:35:13","modified_gmt":"2024-10-04T08:35:13","slug":"orchestrale-wucht","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2020\/03\/orchestrale-wucht","title":{"rendered":"Orchestral power"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Merel_Quartett_DEF_HiRes04-c-Hannes-Heinzer.jpg\" alt=\"\" width=\"554\" height=\"368\" \/><figcaption class=\"wp-caption-text\">Merel quartet. Photo: Hannes Heinzer<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>The Merel Quartet has already successfully explored the music of Felix Mendelssohn Bartholdy (and his sister Fanny) for an album (Genuin 11204: Felix: String Quartet in F minor op. 80; Four Pieces for String Quartet op. 81; Fanny: String Quartet in E flat major). The Swiss ensemble has now been joined by the young English Castalian String Quartet to record the Octet op. 20.<\/p>\n<figure id=\"attachment_58834\" aria-describedby=\"caption-attachment-58834\" style=\"width: 554px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"wp-image-58834 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2020\/03\/Castalian-Quartet.jpg\" alt=\"\" width=\"554\" height=\"369\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2020\/03\/Castalian-Quartet.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2020\/03\/Castalian-Quartet-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2020\/03\/Castalian-Quartet-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2020\/03\/Castalian-Quartet-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2020\/03\/Castalian-Quartet-525x350.jpg 525w\" sizes=\"(max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-58834\" class=\"wp-caption-text\">Castalian Quartet. Photo: zVg<\/figcaption><\/figure>\n<p>In the first string quartet in E flat major op. 12, however, the Merel Quartet is still among itself. The four perform the fast middle section of the Canzonetta as an elf dance, the Andante espressivo has great breath. And in the finale, Mary Ellen Woodside (violin 1), Edouard M\u00e4tzener (violin 2), Alessandro D'Amico (viola) and Rafael Rosenfeld (violoncello) combine lightness with a dramatic effect that creates a real pull. Only in the opening movement does the quartet take too many liberties in terms of agogic, so that the pulse is lost a little in the numerous small delays when quaver figures are played out too much or caesuras introduce new sections.<\/p>\n<p>Together with Sini Simonen (violin 1), Daniel Roberts (violin 2), Charlotte Bonneton (viola) and Christopher Graves (cello), the octet creates a tonally balanced, narrative interpretation that ranges from fragile intimacy to orchestral power. The composer wanted the octet to play \"in the style of a symphonic orchestra\". The fusion of the two ensembles into a single, flexible body of sound is impressively successful. The way the tension in the development section of the first movement reverberates and the recapitulation is heralded in the rush of semiquavers chasing through the voices - that's great! A highly emotional Andante and an airy Scherzo are followed by a somewhat rumbling cello introduction and an extremely fast Presto finale that celebrates virtuosity and leaves a strong impression despite minor rhythmic inaccuracies.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2020\/04\/merel\/content\/01\/imageBinary\/04_crit_cd_Rudiger.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Felix Mendelssohn Bartholdy: String Quartet No. 1 in E flat major op. 12 and Octet in E flat major op. 20, Merel Quartet &amp; Castalian String Quartet, Solo Musica SM 293<\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>The Merel Quartet, founded in Zurich, is once again devoting itself to Felix Mendelssohn Bartholdy and is teaming up with the English Castalian String Quartet for the Octet. <\/strong><\/p>","protected":false},"author":1,"featured_media":8059,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8058","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":{"author":"Georg Rudiger"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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