{"id":8197,"date":"2016-08-31T00:00:00","date_gmt":"2016-08-30T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/tango-und-kontrapunkte\/"},"modified":"2024-10-04T15:51:06","modified_gmt":"2024-10-04T13:51:06","slug":"tango-und-kontrapunkte","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2016\/08\/tango-und-kontrapunkte","title":{"rendered":"Tango and counterpoints"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/arroyo.jpg\" alt=\"\" width=\"554\" height=\"418\" \/><figcaption class=\"wp-caption-text\">Marcela Arroyo, Andreas Engler and Daniel Schl\u00e4ppi. Photo: zvg<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>After her album <em>New Tango Songbook<\/em> from 2014, Marcela Arroyo returns to her collaboration with violinist Andreas Engler and double bassist Daniel Schl\u00e4ppi, which had already come to fruition in 2009 with the joint CD <em>Puerta Sur<\/em> was reflected in the album. While this work provided delightful insights into Argentinian soundscapes, its successor <em>Tres Mil Uno<\/em> as stylistically broader; he dedicates himself not only to songs from Arroyo's homeland, but also to compositions of European provenance - such as the Tucholsky poem <em>You, to him,<\/em> which was originally created by Kolsimcha founder Michael Heitzler for Xavier Koller's literary adaptation <em>Gripsholm<\/em> (2000) was set to music.<\/p>\n<p>In the arrangement by Arroyo, Engler and Schl\u00e4ppi, the piece exudes more than just a touch of melancholy and brings the world of the 1930s back to life in passing. Sometimes the violin is plucked, sometimes bowed with great tenderness, but the instrument always ensnares the singer's voice, which expresses humor as well as hope and despair of love. The three musicians are only too happy to explore other genres, but never lose sight of the tango. <em>Preludio para el a\u00f1o 3001<\/em> from the pen of Horacio Ferrer (lyrics) and Astor Piazzolla (music) - whose oeuvre Arroyo raves about - is particularly appealing due to its graceful colors. <em>Oblivion<\/em> through the clash of smoky vocals and the melancholy sounds of double bass and violin.<\/p>\n<p>The 15 songs are full of passion. However, the trio knows how to tame this passion when necessary, and although it never hides its flair for tango music, it repeatedly uses counterpoints from fado, klezmer or blues. Despite its stylistic diversity, the record never seems overloaded, on the contrary: the numbers are as purified as they are delicate. Arroyo, Engler and Schl\u00e4ppi use this to create charming and agile interplay, clever improvisations and show great expressiveness.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2016\/09\/tresmiluno\/content\/02\/imageBinary\/1249_0.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Marcela Arroyo (voc), Andreas Engler (vl), Daniel Schl\u00e4ppi (kb): Tres Mil Uno. CATWALK \/ CW 160016-2, <a href=\"http:\/\/www.marcela-arroyo.com\">www.marcela-arroyo.com<\/a><\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>On their first album \"Puerta Sur\", Marcela Arroyo, Andreas Engler and Daniel Schl\u00e4ppi devoted themselves entirely to tango. Now, seven years later, the trio is opening up its music and finding even greater expressiveness. <\/strong><\/p>","protected":false},"author":1,"featured_media":8198,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tango und Kontrapunkte - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2016\/08\/tango-und-kontrapunkte\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tango und Kontrapunkte - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Auf ihrem Erstling \u00abPuerta Sur\u00bb widmeten sich Marcela Arroyo, Andreas Engler und Daniel Schl\u00e4ppi ganz dem Tango. Jetzt, sieben Jahre sp\u00e4ter, \u00f6ffnet das Trio seine Musik und findet dabei zu noch gr\u00f6sserer Ausdrucksst\u00e4rke.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2016\/08\/tango-und-kontrapunkte\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-08-30T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-04T13:51:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/arroyo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"418\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2016\\\/08\\\/tango-und-kontrapunkte#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2016\\\/08\\\/tango-und-kontrapunkte\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Tango und Kontrapunkte\",\"datePublished\":\"2016-08-30T23:00:00+00:00\",\"dateModified\":\"2024-10-04T13:51:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2016\\\/08\\\/tango-und-kontrapunkte\"},\"wordCount\":339,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2016\\\/08\\\/tango-und-kontrapunkte#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/arroyo.jpg\",\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2016\\\/08\\\/tango-und-kontrapunkte\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2016\\\/08\\\/tango-und-kontrapunkte\",\"name\":\"Tango und Kontrapunkte - 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