{"id":8295,"date":"2014-06-04T00:00:00","date_gmt":"2014-06-03T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/cpe-bachs-empfindungen\/"},"modified":"2024-10-07T12:03:48","modified_gmt":"2024-10-07T10:03:48","slug":"cpe-bachs-empfindungen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2014\/06\/cpe-bachs-empfindungen","title":{"rendered":"CPE Bach's sensations"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Adolph_Menzel_-_Floetenkonzert_Friedrichs_des_Grossen_in_Sanssouci_-_Google_Art_Project.jpg\" alt=\"\" width=\"554\" height=\"380\" \/><figcaption class=\"wp-caption-text\">Adolph Menzel: Flute concerto in Sanssouci. Wikimedia commons,<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Who doesn't know the famous picture <em>Flute concert in Sanssouci <\/em>by Adolph Menzel, in which Carl Philipp Emanuel Bach is immortalized as the harpsichord accompanist to his employer, the Prussian King Frederick II. Immortalized in a painting, but rather marginalized as a composer today - this is the fate of Johann Sebastian Bach's second eldest son. Yet Carl Philipp Emanuel, born in Weimar in 1714, was an important pioneer of modernism at the time. No longer baroque, not yet classical, perhaps it is this \"era of sensibility\" that has affected his reception. Bach represented the aesthetic spirit of optimism of his time with an incredible modernity, which also includes the groundbreaking sonatas.<\/p>\n<p>To mark the 300th birthday of Carl Philipp Emanuel Bach, Basel-based Swiss baroque specialist Leila Schayegh presents a highly recommended recording. In a joyful and \"gallant\" interplay with her accompanist J\u00f6rg Halubek, she traces with wonderful sound the beautiful, daring and new things that Bach so decidedly demanded for a \"true masterpiece\". Included are the sonatas Wq 76 and Wq 78, in which the special qualities of Bach's modernism are palpable. The dialogue between violin and accompanying instrument, for example, or the sensitive violin cantilenas beautifully \"sung\" by Schayegh. These come into their own all the more as the CD opens with the early Sonata in D major, which shows Bach in 1731 during his time with Frederick II, still strongly under the influence of his father.<\/p>\n<p>All the more striking, almost shocking, against this background is the <em>Free Fantasy in F sharp minor<\/em> Wq 80, which bears the meaningful title \"C. P. E. Bach's Sensations\". The two musicians have opted for a tangent grand piano (Sp\u00e4th &amp; Schmal) which, with its fortepiano-like sound, is ideally suited to this experimental piece.<\/p>\n<p>The Sonata in C major Wq 78, also with tangent grand piano, is the highlight. J\u00f6rg Halubek proves himself to be an accomplished player of this rarely heard instrument, while Leila Schayegh delights with her round, softly caressing and yet clear, almost sinewy tone. It is fascinating how she is able to adapt her colors to the very different sounds of the harpsichord and the tangent grand piano.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/old.musikzeitung.ch\/imaging\/stk\/musikzeitung\/article-image-left\/website\/de\/rezensionen\/tontraeger\/2014\/06\/cpe-bach\/content\/01\/imageBinary\/Scha.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>C. P. E. Bach: Works for violin and piano. Leila Schayegh, baroque violin; J\u00f6rg Halubek, tangent grand piano and harpsichord. Pan Classics PC 10305 <\/em><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Violinist Leila Schayegh and harpsichordist J\u00f6rg Halubek make the shocking novelty of sensitive music audible. <\/strong><\/p>","protected":false},"author":1,"featured_media":8296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CPE Bachs 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