{"id":8350,"date":"2013-05-13T00:00:00","date_gmt":"2013-05-12T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/8350\/"},"modified":"2024-10-07T10:56:20","modified_gmt":"2024-10-07T08:56:20","slug":"8350","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2013\/05\/8350","title":{"rendered":"Hidden beauty"},"content":{"rendered":"

 <\/p>\n

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Title page of Bach's autograph manuscript, inscribed by Johann Christoph Altnickol: \"Die \/ Kunst der Fuga \/ di Sig.o Joh. Seb. Bach \/ (in autograph score)\", 1742. Berlin State Library<\/a><\/figcaption><\/figure>\n

The question is what happens more often: are they recordings of the Art of the fugue<\/em> or their characterization as abstract music that does not need to be performed at all? Johann Sonnleitner and Stefan M\u00fcller on the Clavichords are certainly not closing a \"discographical gap\" with their recording. But they gain the Art of the fugue<\/em> a different tone than numerous existing organ, piano, saxophone or guitar arrangements.<\/p>\n

Bach's canons, contrapuncti and mirror fugues sound very noble on the replicas of Johann Heinrich Silbermann's (1727-1799) clavichords. The concert pitch is 392 Hertz; the so-called Neidhardt tuning \"for a large city\" from 1724 was chosen. The resulting, somewhat muted sound takes some getting used to. But it is also incredibly subtle. It is easy to follow the voices, supported by moderate tempi. The simple cardboard packaging and restrained design are in keeping with a production that only reveals its beauty gradually, but very powerfully in the end. This more than does justice to Bach's enigmatic and unwieldy \"Glass Bead Game\" (Hermann Hesse). Because the power of Art of the fugue<\/em> is known to lie in depth, in a highly spiritual construction that demands a special art of interpretation. Stefan M\u00fcller and Johann Sonnleitner obviously bring this to the table.<\/p>\n<\/div>\n

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\"Image<\/dt>\n<\/dl>\n<\/div>\n
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Johann Sebastian Bach: The Art of Fugue. Johann Sonnleitner and Stefan M\u00fcller, Clavichords. www.contrapunctus.ch<\/a><\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

You first have to get used to the sound of the \"Art of the Fugue\". But then the benefit is all the greater. <\/strong><\/p>","protected":false},"author":1,"featured_media":59176,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"\nVersteckte Sch\u00f6nheit - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2013\/05\/8350\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Versteckte Sch\u00f6nheit - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"An diese Klanggestalt der \u00abKunst der Fuge\u00bb muss man sich erst gew\u00f6hnen. Der Gewinn ist dann aber umso gr\u00f6sser.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2013\/05\/8350\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-05-12T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-07T08:56:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2013\/05\/Die_Kunst_der_Fuga_-_autograph_title_page.png\" \/>\n\t<meta property=\"og:image:width\" content=\"970\" \/>\n\t<meta property=\"og:image:height\" content=\"598\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2013\\\/05\\\/8350#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2013\\\/05\\\/8350\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Versteckte Sch\u00f6nheit\",\"datePublished\":\"2013-05-12T23:00:00+00:00\",\"dateModified\":\"2024-10-07T08:56:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2013\\\/05\\\/8350\"},\"wordCount\":254,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2013\\\/05\\\/8350#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2013\\\/05\\\/Die_Kunst_der_Fuga_-_autograph_title_page.png\",\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2013\\\/05\\\/8350\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2013\\\/05\\\/8350\",\"name\":\"Versteckte Sch\u00f6nheit - 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