{"id":8364,"date":"2013-01-16T00:00:00","date_gmt":"2013-01-15T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/8364\/"},"modified":"2024-10-04T17:37:54","modified_gmt":"2024-10-04T15:37:54","slug":"8364","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/rezensionen\/tontraeger-rezensionen\/2013\/01\/8364","title":{"rendered":"Swiss Tchaikovsky echoes"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_6583\" aria-describedby=\"caption-attachment-6583\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6583 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Juon-Bild_breit.jpeg\" alt=\"\" width=\"554\" height=\"382\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Juon-Bild_breit.jpeg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Juon-Bild_breit-300x207.jpeg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Juon-Bild_breit-254x175.jpeg 254w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Juon-Bild_breit-508x350.jpeg 508w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-6583\" class=\"wp-caption-text\">Undated portrait of Paul Juon. Picture: International Juon Society<\/figcaption><\/figure>\n<p>Among the numerous chamber music works with piano accompaniment by Paul Juon (1872-1940), the <em>Sextet<\/em> from 1902 and the <em>Quintet<\/em> from 1909, two original compositions of central importance. The sometimes orchestral sonority of the work, which is still very much rooted in Slavic late Romanticism <em>Sextets<\/em>which is directed towards <em>Chamber Symphony<\/em> (Octet) op. 27, stands in the harmonically bolder <em>Quintet<\/em> is contrasted with a strongly broken-up texture of remarkable transparency, interspersed with pure string passages. The tonal peculiarities of this stylistically more uniform, strikingly austere work include stereotypical whole tone passages, pentatonic turns and seventh chords, which only lose their sharpness through arpeggiation.<\/p>\n<p>In the less mature, but melodically richer <em>Sextet<\/em> Juon's greatest role models, Brahms and Tchaikovsky, fight vigorously against each other. The Swiss composer, who was born in Moscow and grew up in Berlin, was recognized early on as having a certain affinity with Brahms. This is most noticeable here in the thematic structure of the first movement. The affinity with the 1st movement of the <em>Piano quintets<\/em> op. 34 by his German colleague cannot be ignored. On the other hand, Juon is even more passionate about Tchaikovsky when he combines the typical Russian folk song theme of the slow 2nd movement with that of the 2nd movement from the <em>Piano trio<\/em> A minor op. 50 by the Russian composer. Like the latter, Juon also extends the variations to the following three movements (Minuet, Intermezzo, Finale).<\/p>\n<p>The emotional warmth of the <em>Sextets<\/em> and the cooler sound atmosphere of the <em>Quintets<\/em> are performed by pianist Oliver Triendl, cellist Thomas Grossenbacher and the Carmina Quartet with a dedication that can hardly be described as anything other than passionate.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/01_res_cd_klassik_Juon.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Paul Juon: Piano Quintet, Piano Sextet (2nd Quintet in F major op. 44 for violin, two violas, violoncello and piano; Sextet in C minor op. 22 for two violins, viola, two violoncellos and piano). Oliver Triendl, Thomas Grossenbacher, Carmina Quartett. cpo 777 507-2<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>The Carmina Quartet, Oliver Triendl and Thomas Grossenbacher play chamber music works for unusual instrumentations.<\/strong><\/p>","protected":false},"author":1,"featured_media":6583,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[],"class_list":["post-8364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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