{"id":8416,"date":"2022-09-20T00:00:00","date_gmt":"2022-09-19T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/hommage-an-prag\/"},"modified":"2024-11-05T09:50:46","modified_gmt":"2024-11-05T08:50:46","slug":"hommage-an-prag","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/berichte\/2022\/09\/hommage-an-prag","title":{"rendered":"Fr\u00e9d\u00e9ric Bolli's homage to Prague"},"content":{"rendered":"
\"\"
Applause after the opening concert of the Constance Music Festival 2022. photo: Suzanne Hofmann<\/figcaption><\/figure>\n
\n

Prague has always been a place of the arts and music in particular. In the Baroque period, Jan Dismas Zelenka was educated here, Mozart composed one of his late symphonies for Prague, his Don Giovanni <\/em>was premiered there, and in the late Romantic period the music of composers such as Anton\u00edn Dvo\u0159\u00e1k and Bed\u0159ich Smetana radiated out from Prague into the world. The Swiss composer Fr\u00e9d\u00e9ric Bolli's second symphony, with dem nicknamed Prague Spring Symphony<\/em>strictly speaking, has little to do with it. There are some baroque compositional techniques in it, such as the canon, which of course is not applied in the sense of a pronounced neo-baroque style. Rather, Bolli's composition refers to very private memories during a stay in Prague with his school class when he was a teacher at the cantonal school in Frauenfeld.<\/p>\n

The world premiere took place as part of the opening concert of the Constance Music Festival, July 21-29, 2022. Bolli's Spring Symphony followed Sergei Prokofiev's weighty Piano Concerto No. 1 in D flat major op. 10 and Erich Wolfgang Korngold's demanding Violin Concerto in D major op. 35, performed by the S\u00fcdwestdeutsche Philharmonie Konstanz under the baton of Benjamin Lack. The venue for the concert was the former church of the former Dominican monastery on the island in Lake Constance, in the ballroom of the Inselhotel. Without question a beautiful place for a concert. And it is not very often that you have the opportunity to sit by the lake with the composer after the performance, have a cool drink and chat about the work. \"Every day I wrote a short poem in free verse, each time in a different place in old Prague,\" Bolli told me. \"These verses are now a good twenty years old. There are five poems in total, which give the titles to the five movements of my symphony and are scored for soprano solo. In this respect, my second symphony is not just instrumental in character, but has the structure of a five-part cantata for solo soprano and orchestra. A very personal homage to Prague.\"<\/p>\n

Instrumentally, the theme of the first poem Travestita di legno <\/em>savored in a rhythmically intricate way with lots of wood percussion:
\nTravestita di legno<\/em><\/p>\n

Wood masked
\nshe was stuck
\nin street canyons,
\nkluftverrannt in
\ngray tasks,
\nuntil the voices
\nsued horror
\nthey triggered
\nidle contemplation.
\nOnly then did she turn
\nfor seconds
\nglances at the light. <\/em><\/p>\n

The opening movement of the symphony is entitled \"Allegretto\". An instrumental prelude unfolds in a correspondingly lively and bold manner. As soon as the soprano enters, following the wordplay in a free melody, the symphonic changes to a cantata. Singer Ania Vegry performs her part with both expression and humor. String chords and colorful dabs of woodwind in twelve-tone rows accompany the sung lyricism. Bassoon and clarinet solos enliven the whole as do accentuating timpani. The second poem with the title Postmodernism<\/em> precedes the second, slow movement with the tempo marking 'Largo'.<\/p>\n

Postmodernism<\/em><\/p>\n

Atavistic savory wisdom
\nslumber through my
\nwildest daydreams. <\/em><\/p>\n

National sleeping patterns
\ncomb through the icy
\nSuburbs.<\/em><\/p>\n

Changes in ownership
\nannounce the most frequently performed classics,
\nwhile faithless mischief
\nspreads thickly.<\/em><\/p>\n

In this movement in particular, Bolli proves himself to be a master of timbre, especially when the bass clarinet and contrabassoon enter into a dialog and are later joined by timpani and cor anglais. A plaintive melody probably expresses the \"customary sleeping patterns\" and \"the icy suburbs\" mentioned in the poem, even before the soprano utters the words. Baroque forms also appear in a faster section, which lend the movement a playful note and may refer to the words sung later \"Hand\u00e4nderungen k\u00fcnden von meistgepielten Klassikern\". This movement ends tumultuously and fortissimo.
\nThe quiet third movement becomes the actual slow movement of the symphony. A floating string line appears pale and dissonant, interwoven with a bright flute solo. The soprano adds the third poem to all of this, lamenting and glowing College<\/em> with.
\nCollege
\n<\/em><\/p>\n

Udderly muffled interaction
\nfizzles on long threads. <\/em>
\nKrost it in view,
\nit remains compatible.
\nEscape is on the horizon
\nunexpectedly,
\nand breathes tearfully
\neasier after all
\nthe oil-soaked air. <\/em><\/p>\n

After so much floating lament follows a kind of scherzo on La primavera<\/em>. Significantly, the tempo of this colorful piece is \"Tempo di valse\". Even before the singer begins the verses, this Prague waltz gallops into the spring day with sparkling brass pomp and snappy rhythms. This scherzo almost sounds like a neo-baroque composition.<\/p>\n

La primavera
\n<\/em><\/p>\n

Greetings kunterbunte,
\nround lilac bushes
\npermanently blown away
\nsky blue
\nSunny avenues,
\ndubious
\nWorries
\nto sudden rest,<\/em>
\nstay
\nSide blows emphasizing form
\nin yellow loops
\ncolor-captured and
\nunspoken
\nin barely concealed,
\ntraditional considerations<\/em>
\nstuck.<\/em><\/p>\n

Finally, in the finale freely adapted from the poem Jazz dumplings<\/em>the homage to Bohemia and Prague is taken a little ironically to the extreme. After all, dumplings are an important side dish in hearty Bohemian cuisine. The movement begins with swinging tone sequences including pizzicato to rhythmically rumbling percussion. Solo oboe, solo flute and solo bassoon join in. Certain harmonically expressive passages of the poem, such as \"slow-fox dancing lament orgies\", are accompanied by broad string chords.
\nJazz dumplings
\n<\/em><\/p>\n

Do not hide the fact
\ncan be dwindling
\nswinging sounds that
\nto the lush and barren hustle and bustle,
\nlast minutes of the
\nrunning out of load
\nfrom felt waste dumps
\nsoon slowfox dancing<\/em>
\nLamentation orgies will follow,
\nmeanwhile rail chatter
\nand claustrophobic rolling
\ninevitably the art bombast
\nto rumble. <\/em><\/p>\n

Finally, the symphony ends abruptly in fortissimo, \"rattling off the artistic bombast\". Some listeners said that the Prague Spring Symphony <\/em>has what it takes to become a real repertoire piece.<\/p>\n<\/div>\n

\n
\n
\n
\"Image
Fr\u00e9d\u00e9ric Bolli. Photo: Fritjof Schultz<\/figcaption><\/figure><\/dt>\n
<\/dd>\n
<\/dd>\n<\/dl>\n<\/div>","protected":false},"excerpt":{"rendered":"

Fr\u00e9d\u00e9ric Bolli's second symphony was premiered at the opening of the Constance Music Festival on July 21, 2022. It is based on five poems by the composer. <\/strong><\/p>","protected":false},"author":1,"featured_media":8417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1531,28],"tags":[3010],"class_list":["post-8416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-auffuehrungen","category-berichte","tag-frederic-bolli"],"acf":[],"yoast_head":"\nFr\u00e9d\u00e9ric Bollis Hommage an Prag - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Bei der Er\u00f6ffnung des Konstanzer Musikfestivals am 21. 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