{"id":8815,"date":"2016-06-10T00:00:00","date_gmt":"2016-06-09T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/kann-man-das-fuers-leben-brauchen\/"},"modified":"2025-07-23T18:00:56","modified_gmt":"2025-07-23T16:00:56","slug":"kann-man-das-fuers-leben-brauchen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/en\/berichte\/2016\/06\/kann-man-das-fuers-leben-brauchen","title":{"rendered":"\"Can you use this for life?\""},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/schweizer-musikzeitung-lb2.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Photo: Alex Spichale<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Everything had to be ready to the point when 120 children and young people from the schools in Windisch had to shout quietly in front of several hundred spectators. After <em>babel.everywhere<\/em> Brigitta Luisa Merki, the director of the Tanz &amp; Kunst K\u00f6nigsfelden festival, realized her second educational project with the Neuenhof school near Baden in 2014; an ambitious one at that, as the younger pupils, i.e. primary school pupils in the 5th and 6th grades, and the school leavers, the 4th secondary and high school pupils, created this unique performance together.<\/p>\n<p>After four months of work in individual, strenuous workshops led by professionals, the final week of rehearsals was dedicated to putting it all together and fine-tuning it, three days in the gym and finally in the unique ambience of the monastery church. Merki crosses boundaries with her projects by bringing together artists from different fields. This year's 90-minute performance was characterized by music (rapper Big Zis and percussionist Gilson de Assis), dance (Patrick Grigo), visual design (Jacqueline Weiss), animated film (Anka Schmid), video projection (Ursula Palla) and visual art (Roman Sonderegger). Merki was responsible for the overall dramaturgy.<\/p>\n<p><strong>Anger, joie de vivre, frustration<\/strong><br \/>\nWhat the artists created together with the pupils amazed, delighted and touched in equal measure. It was amazing how the teachers involved grasped the young actors' very own world and drew out their feelings. The title <em>roar softly<\/em> stands for an inner anger that wants to break out loudly, but is only expressed quietly. Soul turmoil, joie de vivre or frustration were addressed and expressed with artistic means.<\/p>\n<p>Rapper Big Zis compiled statements from the pupils and used them to create a new song: \"W\u00e4nns da ine br\u00fcllt, gh\u00f6rsch dusse fascht n\u00fct ... br\u00fcll liislig vo ine g\u00e4g usse ... br\u00fcll liislig vo usse g\u00e4g ine.\" She sang this after a funny cartoon intro with two wooden puppets that suggested the feeling of being controlled by others. The entire storyline was based on such associative images, partly represented by video sequences, which cleverly divided up the performance, and partly by hip-hop and body percussion performances by the many actors.<br \/>\nThe standard was high, requiring rhythmic confidence, concentration, interaction, acrobatics and dance. \"In the beginning, it took a lot of persuasion to motivate the young people,\" said Merki in her opening speech. According to Merki, the younger ones were quick to get excited, but the school leavers sometimes had their heads in a completely different place: \"Why should I do this, can I use it for life?\" was a frequently asked question.<\/p>\n<p>In the final rehearsals, such questions of meaning became superfluous, as the participants could feel the \"drive\" that gripped everyone. Many parents attested to Merki that their child had grown beyond themselves, gained self-confidence and showed new sides in dealing with others. No wonder, one thinks, after experiencing the entertaining, varied and touching evening.\n<\/p><\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo large\">\n<dt>\n<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"media photo large\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/schweizer-musikzeitung-lb1.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Photo: Alex Spichale<\/figcaption><\/figure><\/dt>\n<dd class=\"copyright\"><\/dd>\n<\/dl>\n<div class=\"text-section\">\n<p><strong>Percussion, light, sound<\/strong><br \/>\nThere were two girls, for example, who performed tricks on a bike to the music, or various percussion groups who, fired up by Gilson de Assis, developed a sound that \"swept\" with their concentrated performances on cleaning buckets and banging empty pet bottles. Or Big Zis, who evocatively chanted \"Laa mich inne\" while the children danced expressive choreographies. Particularly successful were the mixed numbers between the younger and older children and the performance with brightly colored cups, which produced a high intensity of light and sound when struck on the floor in different rhythmic sequences.<\/p>\n<p>\"Dance and rhythm allow for strong expression and inner form,\" Merki noted. Artist Roman Sonderegger worked with the children to create an artistic paper relief for the back wall of the stage, which provided an atmospheric setting and left plenty of room for development. The music was mainly represented by rhythm sections and electronics; instrumental music was left out for once.<\/p>\n<p>The result was a total work of art that could be seen and heard. The young people realized how much strength and perseverance it takes to <em>roar softly<\/em> works. The choreographies were rehearsed again and again under the direction of world hip-hop champion Patrick Grigo, first in class and then in their free time. The effort was worth it, the audience was enthusiastic and after the performance you could hear the young people screaming, laughing and - yes - shouting loudly from the backstage.<\/p>\n<p><a href=\"http:\/\/www.tanzundkunst.ch\" target=\"_blank\" rel=\"noopener\">danceandart.ch<\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"text-section\"><\/div>","protected":false},"excerpt":{"rendered":"<p><strong>On May 27, Brigitta Luisa Merki's student performance \"leise br\u00fcllen\" (roar quietly) with dance, music and video was a hit in the K\u00f6nigsfelden monastery church.<\/strong><\/p>","protected":false},"author":1,"featured_media":8816,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1531,28],"tags":[5170],"class_list":["post-8815","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-auffuehrungen","category-berichte","tag-tanz-kunst-koenigsfelden"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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