{"version":"1.0","provider_name":"Giornale musicale svizzero","provider_url":"https:\/\/www.musikzeitung.ch\/it","title":"Concert de P\u00e2ques - Schweizer Musikzeitung","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"fVGSW05TNB\"><a href=\"https:\/\/www.musikzeitung.ch\/it\/kalender\/concert-de-paques\">Concerto di Pasqua<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.musikzeitung.ch\/it\/kalender\/concert-de-paques\/embed#?secret=fVGSW05TNB\" width=\"600\" height=\"338\" title=\"\u201cConcert de P\u00e2ques\u201d \u2014 Rivista musicale svizzera\" data-secret=\"fVGSW05TNB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.musikzeitung.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/2026-08-25_6a8d84d9aa103_ESN_vignette_900x900px_28.03.27a.jpg","thumbnail_width":900,"thumbnail_height":900,"description":"Mozart para\u00eet deux fois, en deux visages. D\u2019abord celui du jour \u2014 le pianiste des acad\u00e9mies, l\u2019homme de salon \u2014 mais un Mozart qui, au centre de son concerto le plus \u00e9l\u00e9gant, ouvre d\u00e9j\u00e0 une br\u00e8che vers l\u2019ombre. \u00c0 Victorien Vanoosten, dirigeant du clavier, de passer du brillant \u00e0 l\u2019ab\u00eeme, du La majeur au fa [&hellip;]"}