{"version":"1.0","provider_name":"Giornale musicale svizzero","provider_url":"https:\/\/www.musikzeitung.ch\/it","title":"Dresdner Sinfoniker in den USA auf Kollisionskurs - Schweizer Musikzeitung","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"TzuzkptEnC\"><a href=\"https:\/\/www.musikzeitung.ch\/it\/politik\/2017\/05\/dresdner-sinfoniker-in-den-usa-auf-kollisionskurs\">L'Orchestra Sinfonica di Dresda in rotta di collisione con gli USA<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.musikzeitung.ch\/it\/politik\/2017\/05\/dresdner-sinfoniker-in-den-usa-auf-kollisionskurs\/embed#?secret=TzuzkptEnC\" width=\"600\" height=\"338\" title=\"\u201cL&#039;Orchestra Sinfonica di Dresda in rotta di collisione con gli USA\u201d - Schweizer Musikzeitung\" data-secret=\"TzuzkptEnC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.musikzeitung.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Border_USA_Mexico.jpg","thumbnail_width":554,"thumbnail_height":380,"description":"De US-Beh\u00f6rden verweigern dem Projekt \u00abTear Down This Wall!\u00bb der Dresdner Sinfoniker die Genehmigung. Das Orchester wollte in Tijuana und San Diego in Kooperation mit Amnesty International Mexico \u00abeine musikalische Br\u00fccke f\u00fcr Freiheit und V\u00f6lkerverst\u00e4ndigung\u00bb schlagen."}