{"id":11341,"date":"2022-03-30T00:00:00","date_gmt":"2022-03-29T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/east-meets-west-doppeltagung\/"},"modified":"2023-02-03T12:27:31","modified_gmt":"2023-02-03T11:27:31","slug":"east-meets-west-doppeltagung","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/basis\/2022\/03\/east-meets-west-doppeltagung","title":{"rendered":"Doppia conferenza \"L'Oriente incontra l'Occidente"},"content":{"rendered":"\"\"\n
\n

Dominik Sackmann, Lukas N\u00e4f -<\/i> Arnold Sch\u00f6nberg, la cui biografia si snoda da Vienna a Los Angeles, cio\u00e8 da Est a Ovest, era famoso come insegnante di composizione. I suoi pi\u00f9 famosi (e primi) allievi privati furono Alban Berg e Anton Webern a Vienna. A partire dal 1925, si form\u00f2 intorno a lui un'ampia cerchia di studenti presso l'Accademia Prussiana delle Arti di Berlino. Dopo l'emigrazione, Sch\u00f6nberg dipendeva finanziariamente dalle opportunit\u00e0 di insegnamento a New York e soprattutto a Los Angeles. Per questo motivo fece da mentore a giovani compositori con background e obiettivi di vita diversi fino alla sua morte, avvenuta nel 1951. Sch\u00f6nberg stesso scrisse nella sua Harmonielehre (1911) di aver \"imparato dai suoi allievi\". Tuttavia, si sa ancora troppo poco sui dettagli del suo insegnamento: come si svolgeva, come comunicavano tra loro insegnante e allievo, che ruolo aveva l'artigianato di base, cosa sottolineava Sch\u00f6nberg, quanto era grande l'influenza della sua estetica sui suoi allievi? Sch\u00f6nberg trattava tutti i suoi studenti allo stesso modo? Come vivevano gli studenti Sch\u00f6nberg come insegnante e come elaboravano in seguito ci\u00f2 che avevano imparato? Le risposte a queste domande possono essere fornite solo dalla ricerca sui singoli compositori e sulle loro memorie e opere musicali.<\/p>\n<\/div>\n

Zillig, Wellesz, Skalkottas, Schmid, von Hannenheim<\/strong><\/p>\n

Iris Eggenschwiler (Zurigo) fornir\u00e0 una panoramica di quanto \u00e8 stato studiato finora sulla cerchia di studenti di Sch\u00f6nberg e sulla pratica didattica del \"maestro\". Compositori completamente contrastanti che hanno vissuto l'insegnamento di Sch\u00f6nberg in periodi diversi a Vienna o a Berlino sono al centro di quattro ritratti: Lukas N\u00e4f (Zurigo) sul compositore svizzero Erich Schmid (1907-2000), Christian Lemmerich (W\u00fcrzburg) sul compositore tedesco Winfried Zillig (1905-1963), Ludwig Holtmeier (Freiburg i. Br.) sul compositore transilvano Winfried Zillig (1905-1963). Br.) sul compositore transilvano Norbert von Hannenheim (1898-1945) e Nina-Maria Wanek (Vienna) sul greco Nikos Skalkottas (1904-1949). <\/p>\n

Sch\u00f6nberg entr\u00f2 indubbiamente in contatto con la musica della regione egea attraverso Nikos Skalkottas. Tuttavia, soprattutto il suo primo allievo viennese Egon Wellesz (1885-1974) gli permise di guardare oltre i confini dell'Europa. A partire dal 1920, Wellesz fond\u00f2 infatti il ramo di ricerca degli studi musicali bizantini con prime decifrazioni epocali. In questo senso, la cerchia di Sch\u00f6nberg coltiv\u00f2 relazioni da Occidente a Oriente. <\/p>\n<\/div>\n

\"Missa Graeca\" - punti di contatto tra canto liturgico orientale e occidentale<\/strong><\/p>\n

All'inizio, Nina-Maria Wanek (Vienna) introdurr\u00e0 le particolarit\u00e0 e la storia del canto bizantino. La Choralschola della ZHdK, diretta da Stephan Klarer, render\u00e0 poi udibili dal vivo i mondi sonori contrastanti del canto liturgico bizantino e gregoriano. La seconda parte della serata \u00e8 dedicata all'esame teorico e pratico della \"Missa Graeca\", una compilazione medievale di canti gregoriani con testo greco. <\/p>\n<\/div>\n

Canti bizantini<\/strong><\/p>\n

Zurigo, venerd\u00ec 6 maggio 2022, ore 18:00-21:30, Universit\u00e0 delle Arti di Zurigo (Toni-Areal), Pfingstweidstrasse 96, Sala 7.K06, Sala Concerti 2 (Sala dell'Organo), Livello 7<\/p>\n

Canti bizantini - \"Missa Graeca\": conferenze di Nina-Maria Wanek (Vienna) e presentazione di canti occidentali e orientali con la Choralschola della ZHdK (cond.: Stephan Klarer)<\/p>\n<\/div>\n

Arnold Sch\u00f6nberg come insegnante<\/strong><\/p>\n

Zurigo, sabato 7 maggio 2022, ore 9.30-16.00, Universit\u00e0 delle Arti di Zurigo (Toni-Areal), Pfingstweidstrasse 96, Sala 3.K01, Livello 3<\/p>\n

Arnold Sch\u00f6nberg come insegnante: presentazioni di Iris Eggenschwiler (introduzione) 9.30, Lukas N\u00e4f (Erich Schmid) 10.15, Ludwig Holtmeier (Norbert von Hannenheim) 11.15, Nina-Maria Wanek (Egon Wellesz e Nikos Skalkottas) 14.00, Christian Lemmerich (Winfried Zillig) 15.00.<\/p>\n

Ulteriori informazioni sono disponibili sul sito: <\/p>\n

> www.zhdk.ch\/forschung\/imr<\/b><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Il 6 e 7 maggio 2022, la sezione di Zurigo della Societ\u00e0 Svizzera di Ricerca Musicale, in collaborazione con l'Istituto di Ricerca Musicale della ZHdK, organizza una doppia conferenza su due temi apparentemente incompatibili nell'ambito della Toni-Areal: Arnold Sch\u00f6nberg come insegnante e gli studi musicali bizantini.<\/strong><\/p>","protected":false},"author":43671,"featured_media":10218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,1562],"tags":[],"class_list":["post-11341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-smg"],"acf":[],"yoast_head":"\nEast Meets West Doppeltagung - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/basis\/2022\/03\/east-meets-west-doppeltagung\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"East Meets West Doppeltagung - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Am 6. und 7. Mai 2022 veranstaltet die Sektion Z\u00fcrich der Schweizerischen Musikforschenden Gesellschaft in Zusammenarbeit mit dem Institute for Music Research der ZHdK im Toni-Areal eine Doppeltagung zu zwei anscheinend unvereinbaren Themenbereichen: Arnold Sch\u00f6nberg als Lehrer und musikalische Byzantinistik.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/basis\/2022\/03\/east-meets-west-doppeltagung\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-03-29T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-03T11:27:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/smg_allg_144_quer.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"104\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Helen Gebhart\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Helen Gebhart\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\"},\"author\":{\"name\":\"Helen Gebhart\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/2753acb48478415ecb4757381e17ca51\"},\"headline\":\"East Meets West Doppeltagung\",\"datePublished\":\"2022-03-29T23:00:00+00:00\",\"dateModified\":\"2023-02-03T11:27:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\"},\"wordCount\":562,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/smg_allg_144_quer.jpg\",\"articleSection\":[\"Basis\",\"SMG\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/basis\\\/2022\\\/03\\\/east-meets-west-doppeltagung\",\"name\":\"East Meets West Doppeltagung - 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