\n
Per molto tempo si \u00e8 pensato che le competenze musicali fossero difficili da acquisire e utilizzare in et\u00e0 avanzata se non erano state acquisite durante l'infanzia o almeno da giovani adulti. Tuttavia, come dimostrer\u00e0 il neuropsicologo zurighese Lutz J\u00e4ncke al 12\u00b0 Simposio della Societ\u00e0 Svizzera di Medicina Musicale (SMM), la ricerca sulle competenze specifiche dei musicisti professionisti ha portato alla consapevolezza che il cervello umano \u00e8 molto pi\u00f9 plastico di quanto si pensasse, anche in et\u00e0 avanzata. Secondo J\u00e4ncke, la plasticit\u00e0 del cervello significa anche che il mancato utilizzo delle funzioni mentali pu\u00f2 portare a un degrado neuroanatomico e neurofisiologico. In questo contesto, sta emergendo un quadro nuovo e diverso dell'invecchiamento, che \u00e8 molto pi\u00f9 fortemente influenzato dalle funzioni cognitive auto-iniziate e auto-controllate di quanto si pensasse in precedenza.<\/p>\n
La giornalista musicale Corinne Holtz, che dirige il CAS \"Apprendimento musicale in et\u00e0 avanzata\" presso l'Universit\u00e0 delle Arti di Berna, riferir\u00e0 che le persone anziane che frequentano le scuole di musica rappresentano un gruppo target in crescita e con diverse potenzialit\u00e0. Cantare in un coro \u00e8 una scelta ovvia. Karl Scheuber, direttore di coro ed ex responsabile dell'area di studio ZhdK, mostrer\u00e0 come un repertorio variopinto di canzoni, movimenti e suoni possa essere costruito e ampliato con seriet\u00e0 consapevole, empatia reciproca, tecniche di respirazione e la gioia dei diversi tesori della nostra memoria vocale, che \u00e8 appropriata per la vecchiaia. Anche una perdita significativa della capacit\u00e0 uditiva naturale non deve essere un ostacolo. Michael St\u00fcckelberger, maestro di acustica di Zurigo, spiegher\u00e0 come gli apparecchi acustici possano essere adattati, con l'aiuto di acustici competenti, in modo da essere adatti anche al piacere della musica e non solo alla comprensione del parlato.<\/p>\n
Hans Hermann Wickel del Dipartimento di Lavoro Sociale dell'Universit\u00e0 di Scienze Applicate di M\u00fcnster presenter\u00e0 la geragogia musicale, la disciplina dell'apprendimento musicale e dell'educazione musicale in et\u00e0 avanzata. L'obiettivo \u00e8 quello di consentire a persone di tutte le et\u00e0 di partecipare attivamente e ricettivamente alla musica. Lo spettro spazia dalle lezioni strumentali e vocali al fare musica in cori o ensemble di anziani e alla partecipazione a gruppi intergenerazionali, fino ai programmi musicali per le persone molto anziane o addirittura per quelle affette da morbilit\u00e0 multipla e demenza.<\/p>\n
Il canto \u00e8 anche al centro della presentazione di Eberhard Seifert, responsabile del reparto di foniatria della clinica universitaria di otorinolaringoiatria dell'Inselspital di Berna. Egli spiega le basi fisiologiche della produzione del suono e come queste si modifichino nel corso della vita di una persona e come si possa affrontare il processo di invecchiamento.<\/p>\n
Maria Schuppert, docente presso il Centro per la Salute dei Musicisti dell'Universit\u00e0 di Musica di Detmold, spiega che \u00e8 possibile mantenere un'eccellente performance musicale sugli strumenti anche in et\u00e0 avanzata, a patto che non vi siano malattie limitanti alla base, e Hans Martin Ulbrich, ex oboista dell'Orchestra della Tonhalle di Zurigo, sottolinea che gli ex musicisti professionisti devono essere in grado di lasciarsi andare. Questo - e l'ex professionista non lo nasconde - pu\u00f2 essere difficile se, tra l'altro, in vecchiaia prevale la povert\u00e0 e non ci sono soldi per vivere spensieratamente, o se una malattia costringe ad abbandonare prematuramente la carriera.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"
Il 12\u00b0 simposio della Societ\u00e0 Svizzera di Medicina Musicale SMM e della Fondazione Svizzera degli Interpreti SIS si terr\u00e0 il 5 ottobre presso l'Universit\u00e0 delle Arti di Berna e sar\u00e0 incentrato sugli aspetti del fare musica in et\u00e0 avanzata.<\/strong><\/p>","protected":false},"author":30,"featured_media":10243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,50],"tags":[],"class_list":["post-11385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-smm"],"acf":[],"yoast_head":"\nSMM-Symposium zum Musizieren\u2028im Alter - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/basis\/2014\/10\/smm-symposium-zum-musizieren-im-alter\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SMM-Symposium zum Musizieren\u2028im Alter - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Das 12. 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