\n
SMM -<\/i> Il simposio, che quest'anno si terr\u00e0 presso l'Universit\u00e0 delle Arti di Berna (HKB), tratter\u00e0 un'ampia gamma di aspetti legati alla salute. Anche gli amanti della musica che sono in grado di dedicarsi al loro hobby, indipendentemente dalla pressione finanziaria, devono affrontare una serie di sfide fisiche e psicologiche: Anche senza aspirare all'eccellenza professionale, devono allenare la tecnica e l'espressione con saggezza o mantenere il corpo e la mente in forma per l'arte sonora con l'avanzare dell'et\u00e0. Tuttavia, i dilettanti spesso non hanno il tempo e l'energia che i professionisti possono investire a causa di altre pressioni professionali.<\/p>\n
Andreas Cincera, responsabile della formazione continua in musica presso la HKB, si chiede se faccia differenza, in un corso di musica di buona qualit\u00e0, il fatto che ad imparare siano bambini, giovani o adulti. Quali sfide tecniche, fisiche, emotive e di altro tipo sono pi\u00f9 comuni tra gli adulti? Come si possono superare in modo piacevole e salutare? Lo psicologo e coach musicista di Brema Andreas Burzik mostra come l'esercizio nel flusso come metodo di pratica possa combinare l'imparzialit\u00e0 del dilettante con l'estrema precisione del professionista, soddisfacendo cos\u00ec i requisiti neurobiologici di un ambiente di apprendimento ideale. <\/p>\n
La specialista FMH ORL Salome Zwicky del SingStimmZentrum di Zurigo discute i fattori che determinano la qualit\u00e0 di una voce - con l'intuizione che i disturbi vocali non sono sempre il risultato di un uso intensivo, n\u00e9 devono sempre essere causati da una tecnica scadente. Il neurologo J\u00fcrg Kesselring, invece, si chiede se la distinzione tra professionisti e dilettanti sia davvero netta. Egli fa notare che, da un lato, ci sono musicisti professionisti completamente formati che non riescono a vivere della loro professione e quindi si dedicano ad altre attivit\u00e0, e dall'altro lato, ci sono dilettanti che non sono formati o lo sono solo a tempo parziale e che si guadagnano da vivere con la musica. Secondo Kesselring, nella musica, come in molte professioni artistiche, i requisiti formativi non sono l'unico fattore decisivo per il successo e certamente non per la gioia che deriva dall'esibirsi.<\/p>\n
In tre workshop del simposio, Andreas Burzik, l'insegnante di respirazione, parola e voce Nicole Martin Rieder e le fisioterapiste Marjan Steenbeek e Sibylle Meier Kronawitter si concentreranno sulla respirazione, sulla pratica del flusso e sulla corretta postura nel fare musica. Rieder far\u00e0 luce sui sistemi e sui circuiti di controllo attraverso i quali la respirazione influisce sulla voce, sulla postura e sul sistema nervoso autonomo e render\u00e0 tangibili i collegamenti con esercizi pratici sul proprio corpo. Nell'ambito di una dimostrazione didattica, Burzik illustra i quattro principi della pratica in flusso: un contatto speciale con lo strumento, lo sviluppo di un particolare senso del suono, la sensazione di assenza di sforzo nel corpo e la gestione giocosa del materiale di studio. Infine, Steenbeek e Meier Kronawitter illustrano l'anatomia delle diverse parti del corpo e mostrano come i movimenti possano essere utilizzati per allenarne la percezione.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"
Anche se la musica non \u00e8 una professione, gli aspetti sanitari possono essere importanti. Il 14\u00b0 simposio SMM di ottobre \u00e8 dedicato a questi aspetti.<\/strong><\/p>","protected":false},"author":30,"featured_media":10243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,50],"tags":[],"class_list":["post-11409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-smm"],"acf":[],"yoast_head":"\nMusik als sch\u00f6nste Nebensache der Welt - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/basis\/2016\/08\/musik-als-schoenste-nebensache-der-welt\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musik als sch\u00f6nste Nebensache der Welt - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Auch wenn Musik nicht Beruf ist, k\u00f6nnen Gesundheits-aspekte wichtig sein. 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