{"id":11457,"date":"2021-11-24T00:00:00","date_gmt":"2021-11-23T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/der-ohr-an-ohr-konflikt\/"},"modified":"2023-02-03T12:27:02","modified_gmt":"2023-02-03T11:27:02","slug":"der-ohr-an-ohr-konflikt","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/basis\/2021\/11\/der-ohr-an-ohr-konflikt","title":{"rendered":"Il conflitto tra orecchie e orecchie"},"content":{"rendered":"<img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/head_logo_4.jpg\" alt=\"\" \/>\n<div class='text-section'>\n<p><i>SMM -<\/i> Per le orchestre non \u00e8 ancora scontato parlare apertamente degli aspetti meno idilliaci della loro vita interna sociale e psicologica. Sono fin troppo felici di presentare al mondo esterno la bella immagine di un fare musica insieme in armonia. La salute e le irritazioni sociali sono di solito un tab\u00f9. <\/p>\n<p>Hans-Peter Achberger solleva questo sipario con un lavoro sui modelli di disputa e conflitto nei collettivi artistici che possono essere ricondotti ai processi creativi. Achberger \u00e8 percussionista e membro della Philharmonia Zurich, l'orchestra del Teatro dell'Opera di Zurigo. Il libro che presenta \u00e8 una versione leggermente rivista di una tesi di master. Originariamente l'ha scritta nell'ambito di un corso di laurea in mediazione e gestione dei conflitti presso l'Universit\u00e0 Europea Viadrina di Francoforte (Oder).<\/p>\n<p>Sulla base di numerose interviste con i colleghi musicisti di Phiharmonia, sviluppa un interessante modello di modelli di disturbo nelle interazioni creative e psicologiche all'interno del collettivo. Le aree di attrito si basano sull'eccessiva focalizzazione su alcuni aspetti e si dividono in quattro gruppi principali: In primo luogo, le fissazioni sulle influenze esterne giocano un ruolo importante. Queste possono essere i processi amministrativi, il pubblico, le condizioni acustiche di una sala o le dimensioni dell'ensemble. La seconda area su cui Achberger fa luce \u00e8 quella dei membri dell'orchestra che si concentrano su se stessi. Questo include, ad esempio, la paura di perdere la propria immagine, soprattutto quando ci si deve rendere conto che la qualit\u00e0 del proprio suono dipende anche da quello degli altri. <\/p>\n<p>Il terzo cerchio del modello \u00e8 formato da un'eccessiva attenzione alle interazioni, cio\u00e8 al \"noi\". Questo include, ad esempio, le discussioni su questioni di intonazione o sulla scelta degli strumenti e le decisioni sul suono e sull'interpretazione. Il quarto, infine, illumina l'eccessiva attenzione all'altra persona, al tu. Si tratta di aspettative sulla qualit\u00e0 artistica dell'altro o di possibili costellazioni competitive, ad esempio quando si tratta di questioni di successione per il posto di direttore di sezione.<\/p>\n<p>Il verdetto \u00e8 chiaro: \"Il mestiere di orchestrale classico\", conclude l'autore, \"genera una serie abbagliante di disturbi sociali tipici della professione, che possono rendere pi\u00f9 difficile la convivenza e il lavoro nella comunit\u00e0 orchestrale e causare sofferenze personali.\" (pagina 132) <\/p>\n<p>Achberger si chiede anche come tutti questi conflitti, spesso sottocutanei o messi da parte, possano essere affrontati o risolti meglio. La ricetta \u00e8 sostanzialmente ovvia, anche se \u00e8 pi\u00f9 difficile da seguire del previsto. Secondo l'autore, \u00e8 necessaria \"una cultura dello scambio, del parlare insieme di tutti quei processi disgreganti\" (pag. 131). Ci\u00f2 richiede spazi istituzionalizzati in cui \"il significato dei conflitti possa essere discusso e i disturbi personali possano essere comunicati\" (ibid.). A causa delle loro dimensioni, tuttavia, le orchestre sinfoniche non sono pi\u00f9 in grado di agire in modo appropriato e mirato senza una mediazione competente.<\/p>\n<p><b>Riferimento alla letteratura:<\/b><\/p>\n<p>Hans-Peter Achberger: Il conflitto tra orecchio e orecchio. Modelli di interruzione nell'interazione musicale. Volume 19 della serie Viadrina sulla mediazione e la gestione dei conflitti. Wolfgang Metzner Verlag, Francoforte sul Meno, 2020. <\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Il musicista e consulente di conflitti Hans-Peter Achberger fa luce sui meccanismi sociali interni alle orchestre classiche.<\/strong><\/p>","protected":false},"author":30,"featured_media":10243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,50],"tags":[],"class_list":["post-11457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-smm"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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