{"id":11563,"date":"2022-05-25T00:00:00","date_gmt":"2022-05-24T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/strengthening-music-in-society\/"},"modified":"2023-01-16T14:56:41","modified_gmt":"2023-01-16T13:56:41","slug":"strengthening-music-in-society","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/basis\/2022\/05\/strengthening-music-in-society","title":{"rendered":"Rafforzare la musica nella societ\u00e0"},"content":{"rendered":"<img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Logo_KMHS-1.jpg\" alt=\"\" \/>\n<div class='text-section'>\n<p><i><font style='vertical-align: inherit;'><font style='vertical-align: inherit;'>Antoine Gilli\u00e9ron - Cos\u00ec<\/font><\/font><\/i><font style='vertical-align: inherit;'><font style='vertical-align: inherit;'> come possiamo formare oggi giovani musicisti di altissimo livello che siano anche artisti in grado di avere un impatto positivo sulla societ\u00e0 al di l\u00e0 della loro pratica musicale? <\/font><font style='vertical-align: inherit;'>Questo articolo intende evidenziare le buone pratiche delle nostre Hautes \u00c9coles of Music su questo tema.<\/font><\/font><\/p>\n<\/div>\n<div class='text-section'><strong><font style='vertical-align: inherit;'><font style='vertical-align: inherit;'>Il musicista come creatore nella societ\u00e0<\/font><\/font><\/strong><\/p>\n<p><font style='vertical-align: inherit;'><font style='vertical-align: inherit;'>Le idee sopra elencate in relazione alla responsabilit\u00e0 sociale e civica sono esplorate in questo articolo fondamentale nelle loro interazioni con concetti storicamente centrali per l'educazione musicale, ovvero l'eccellenza artistica, l'immaginazione e la creativit\u00e0, nonch\u00e9 il patrimonio musicale.<\/font><\/font><\/p>\n<p><font style='vertical-align: inherit;'><font style='vertical-align: inherit;'>Basato sulla particolare nozione etnomusicologica di musicking (vedi inserto), quest'ultimo fornisce risposte dinamiche alle esigenze della societ\u00e0. <\/font><font style='vertical-align: inherit;'>Essendo quindi il ruolo del musicista definito come creatore nella societ\u00e0, questa visione \u00e8 supportata da un lato da un'immersione nell'ambiente artistico e dall'altro da un'esperienza pratica sostenuta all'interno della citt\u00e0, con l'intento di garantire una transizione alla vita professionale in grado di rispondere ai problemi incontrati dalle comunit\u00e0.<\/font><\/font><\/p>\n<p>Pertanto, tutte le parti coinvolte riconoscono che \u00e8 necessario un cambiamento di paradigma per rivedere le basi concettuali dello spazio musicale dell'istruzione superiore. L'obiettivo \u00e8 quello di sostenere e rafforzare le pratiche musicali professionali in questo senso, prestando attenzione a questo cambiamento di paradigma e alle relazioni interdipendenti che esso rivela tra la visione, la maestria e l'arte di un musicista e il suo impegno verso e per la societ\u00e0. Mantenere questo flusso di energia tra l'arte e l'immaginazione da un lato, e la pertinenza e l'impegno sociale dall'altro, \u00e8 una sfida centrale e crescente per gli HEM del nostro Paese.<\/p>\n<\/div>\n<div class='text-section'><strong>Alcuni esempi di HEM elvetici<\/strong><\/p>\n<p>\"L'HEMU prend ses quartiers\" \u00e8 un progetto di mediazione volto a garantire che gli studenti del Master of Education realizzino un'opera di democratizzazione della musica nei quartieri popolari di Losanna. <\/p>\n<p>\"Les concerts du c\u0153ur\", sostenuto da HEM Gen\u00e8ve - Neuch\u00e2tel, ha l'obiettivo di portare la musica negli EMS, negli ospedali e nelle carceri, offrendo concerti gratuiti alla popolazione locale. <\/p>\n<p>\u00c0 Lugano, un'iniziativa della Scuola di musica mira a offrire corsi gratuiti agli studenti ucraini rifugiati e in particolare a quelli di nazionalit\u00e0 russa e ucraina. <\/p>\n<p>A B\u00e2le, la presenza dell'Haute \u00c9cole nella societ\u00e0 si manifesta in vari progetti come la mediazione musicale nei musei, nelle istituzioni sanitarie ed educative e persino nella raccolta di fondi per aiutare l'Ucraina negli aiuti umanitari.<\/p>\n<p>\"Musica in contesto\" a Berna permette di strutturare i programmi di studio attraverso l'organizzazione di corsi di laurea e di laurea specialistica sulla questione centrale della diffusione culturale e su formati di concerti innovativi. <\/p>\n<p>Anche Lucerna, Zurigo e Kalaidos propongono iniziative di questo tipo che, senza ombra di dubbio, contribuiscono enormemente alla coesione sociale, alla rivitalizzazione del ruolo dei musicisti nella societ\u00e0 e all'ampliamento delle prospettive professionali degli studenti di musica. <\/p>\n<p>L'essenza della musica non risiede nelle opere musicali, ma nella partecipazione alla presentazione di queste opere e nell'azione sociale. La musica non \u00e8 quindi solo un nome, ma un verbo: fare musica. Fare musica significa partecipare, in tutte le sue forme, a un'esecuzione musicale e il significato del fare musica risiede nelle relazioni che si stabiliscono tra i partecipanti (compreso il pubblico) attraverso l'esecuzione. La musica fa parte di questo processo iconico e gestuale, che consiste nel dare e ricevere informazioni sulle relazioni che uniscono il mondo vivente. Si tratta infatti di un rituale attraverso il quale i partecipanti non solo imparano, ma sperimentano direttamente il modo in cui si posizionano o dovrebbero posizionarsi rispetto agli esseri umani e al resto del mondo. Queste relazioni ideali sono spesso estremamente complesse, troppo complesse per essere espresse a parole, ma vengono espresse senza sforzo attraverso la performance musicale, permettendo ai partecipanti di esplorarle, affermarle e celebrarle. La musica \u00e8 quindi importante per la nostra umanit\u00e0 quanto la partecipazione agli atti di parola, e tutti gli esseri umani sono in grado di prendervi parte, non solo comprendendo i gesti esistenti, ma anche creandone di propri.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong><font style='vertical-align: inherit;'><font style='vertical-align: inherit;'>Durante il congresso dell'Associazione Europea dei Conservatori (AEC), tenutosi nell'ottobre 2022 ad Anversa, ha fatto scalpore un articolo intitolato \"Musicians as makers in society: a conceptual foundation for contemporary professional higher music education\". <\/font><font style='vertical-align: inherit;'>L'obiettivo \u00e8 quello di mettere al centro dello spazio terziario dell'educazione musicale alcuni concetti come cittadinanza artistica, riflessione critica, imprenditorialit\u00e0 culturale e impegno sociale.<\/font><\/font><\/strong><\/p>","protected":false},"author":1,"featured_media":10445,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,1563],"tags":[],"class_list":["post-11563","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-chems"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Strengthening Music in Society - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/basis\/2022\/05\/strengthening-music-in-society\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Strengthening Music in Society - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"During the congress of the European Association of Conservatories (AEC) which took place in October 2022 in Antwerp, an article entitled &#039;Musicians as makers in society: a conceptual foundation for contemporary professional higher music education&#039; caused a stir. 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