{"id":12664,"date":"2023-01-17T00:59:20","date_gmt":"2023-01-16T23:59:20","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=12664"},"modified":"2023-01-18T17:20:34","modified_gmt":"2023-01-18T16:20:34","slug":"den-orchesterfarben-auf-der-spur","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/01\/den-orchesterfarben-auf-der-spur","title":{"rendered":"Sulle tracce dei colori orchestrali"},"content":{"rendered":"
\"\"
La casa di Jean Sibelius ad Ainola con il compositore, la moglie e tre delle loro figlie, 1915. Foto: Wikimedia commons<\/a><\/figcaption><\/figure>\n

Il poema sinfonico Tapiola <\/em>op. 112 \u00e8 l'ultima grande opera che Sibelius riusc\u00ec a completare e pubblicare. Fu commissionata dalla New York Symphony Society e presentata per la prima volta nel 1926. Secondo la mitologia finlandese, la foresta nordica \u00e8 abitata da dei e dee, sui quali Tapio regna come re della foresta. La sua casa, nascosta nelle profondit\u00e0 della foresta, si chiama \"Tapiola\".<\/p>\n

Nella sua opera, Sibelius dispiega la sua visione della foresta con ostinati incredibilmente suggestivi e delicate magie sonore. Chiunque abbia ascoltato questi colori orchestrali difficilmente pu\u00f2 immaginare che un'interpretazione pianistica possa in qualche modo tenerne il passo. Tutti quei lunghi punti dell'organo, i numerosi tremoli degli archi e i ricchi suoni dei fiati... Come si pu\u00f2 trasferire tutto questo su uno strumento a tastiera? Peter L\u00f6nnqvist si \u00e8 assunto questo compito coraggioso e Tapiola<\/em> per pianoforte a quattro mani (o per due pianoforti). Secondo l'editore, questa versione, pubblicata da Breitkopf und H\u00e4rtel nel 2021, si basa su una copia precedente della partitura di Einar Englund (1916-1999), anch'egli compositore prolifico e autore di sette sinfonie, proprio come Sibelius.<\/p>\n

Il risultato \u00e8 sorprendente: il trasferimento al pianoforte funziona molto meglio del previsto. Naturalmente, molto \u00e8 lasciato all'esecutore e alla sua immaginazione, come scrive L\u00f6nnqvist nella prefazione: \"Gli esecutori dovrebbero trovare l'equilibrio tra notazione pianistica e suono orchestrale studiando la partitura orchestrale e ascoltando l'opera nella sua forma originale\". Questo \u00e8 particolarmente importante da tenere a mente alla fine, dove Sibelius Tapiola<\/em> nel delicatissimo Si maggiore della sezione d'archi multidivisa. I tremoli suggeriti qui dal pianoforte difficilmente riusciranno a suggerire questo suono. Forse sarebbero pi\u00f9 appropriati arpeggi continui e calmi, come quelli suggeriti da Liszt alla fine del suo arrangiamento del \"Liebestod di Isotta\".<\/p>\n

A parte questo, per\u00f2, la trascrizione di L\u00f6nnqvist \u00e8 una versione ben riuscita e rappresenta sicuramente un arricchimento per tutti coloro che desiderano conoscere ancora meglio questo affascinante lavoro orchestrale al pianoforte o eseguirlo nell'ambito di un concerto di musica da camera. E, non da ultimo, sarebbe anche un compito gratificante per i corsi di direzione d'orchestra...<\/p>\n

\"\"<\/p>\n

Jean Sibelius: Tapiola per orchestra, trascrizione di Einar Englund, arrangiato per pianoforte a quattro mani da Peter L\u00f6nnqvist, EB 9390, \u20ac 32,90, Breitkopf & H\u00e4rtel, Wiesbaden
\n<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Trascrizione riuscita dell'opera orchestrale \"Tapiola\" di Jean Sibelius per pianoforte a quattro mani.<\/p>","protected":false},"author":29,"featured_media":12670,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[1587,1586,1589,1590,1591],"class_list":["post-12664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-klavier","tag-kolly","tag-sibelius","tag-tapiola","tag-vierhaendig"],"acf":[],"yoast_head":"\nDen Orchesterfarben auf der Spur - Schweizer 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