{"id":1873,"date":"2013-05-08T00:00:00","date_gmt":"2013-05-07T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/5-rappen-fuer-100-streams\/"},"modified":"2024-03-01T15:27:31","modified_gmt":"2024-03-01T14:27:31","slug":"5-rappen-fuer-100-streams","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2013\/05\/5-rappen-fuer-100-streams","title":{"rendered":"m4music: 5 centesimi per 100 streaming"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/05_m4music_Steff_Web-1.jpg\" alt=\"\" \/><\/p>\n<div class=\"text-section\">\n<p>La Svizzera \u00e8 nota per le sue leggi liberali e quindi controverse sul copyright. Alla tavola rotonda <em>Di quale diritto d'autore ha bisogno la Svizzera?<\/em> Tuttavia, la richiesta di una revisione completa non si \u00e8 quasi mai sentita. Si chiedeva invece un'interpretazione contemporanea. Nella sua introduzione, Tim Renner, amministratore delegato di Motor Music, ha ricordato la nascita della radio. Inizialmente questa era percepita come una fonte di espropriazione degli artisti. \"La musica era improvvisamente ovunque e libera. Con la conseguenza che l'industria discografica dell'epoca croll\u00f2 al 5% del suo volume\". Ora ci troviamo in una situazione analoga. \"Ecco perch\u00e9 abbiamo bisogno di norme che valgano per tutti\", come l'obbligo di contrarre, \"l'obbligo legale di stabilire un rapporto giuridico con un'altra persona\" (Wikipedia). Questo potrebbe costringere i detentori dei diritti di un brano musicale e gli utenti come Swisscom a trovare un accordo.<\/p>\n<h3>\"Google \u00e8 troppo grande per pagare\".<\/h3>\n<p>Poto Wegener, direttore di Swissperform, non vede l'obbligo di contratto come una panacea. I concerti, ad esempio, non sarebbero coperti. Vorrebbe una legge sul diritto d'autore che mediasse tra le varie parti interessate e ha criticato la societ\u00e0 internet Google, che guadagna milioni con i contenuti musicali gratuiti: \"Google \u00e8 troppo grande per pagare\". Il presidente di Musikschaffende Schweiz, Christoph Trummer, si aspetta che la legge protegga le opere, mentre Lorenz Haas, direttore generale dell'associazione delle etichette IFPI Switzerland, si \u00e8 detto desideroso di poter influenzare il comportamento degli operatori delle infrastrutture: \"Chiediamo che gli hosting provider rispettino determinati doveri di diligenza\". Il Consigliere nazionale Balthasar Gl\u00e4ttli del Partito dei Verdi ha concluso: \"Per riorganizzare la legge sul diritto d'autore, gli attori devono prima trovare un accordo\".<\/p>\n<h3>\"Si ricevono cinque centesimi per 100 flussi\".<\/h3>\n<p>Il successivo ciclo di discussione, <em>(Come) Gli artisti guadagnano su Internet?<\/em>Il tema principale della conferenza \u00e8 stato l'incertezza che regna nel settore musicale e nelle societ\u00e0 di gestione collettiva. Mentre Oliver Sittl, Senior A&amp;R di Believe Digital, ha esaltato le possibilit\u00e0 del mercato globalizzato, Ir\u00e8ne Philipp Ziebold, direttrice della societ\u00e0 di gestione dei diritti d'autore Suisa, ha sottolineato la magra realt\u00e0: \"Si ottengono cinque centesimi per 100 stream\". Tutt'altro che un prezzo equo, ha osservato. \"Stiamo continuando a negoziare anche con il portale video YouTube, ma alcune delle loro offerte sono incredibilmente basse\". Se dovessero accettare, Suisa non farebbe un favore agli artisti che rappresenta.<\/p>\n<p>Christoph Trummer ha inoltre sottolineato che non dovrebbe essere accettabile che un musicista impieghi 15 anni per recuperare i 50.000 franchi che costa un album. Daniel Sch\u00f6nberger, responsabile dell'ufficio legale di Google Svizzera, \u00e8 intervenuto dal pubblico e ha spiegato di aver sentito cose poco lusinghiere sulla sua azienda durante la discussione. A suo avviso, la critica secondo cui Google starebbe guadagnando miliardi con i contenuti musicali di terzi \u00e8 indifferenziata. \"Siamo un motore di ricerca e forniamo principalmente contenuti legali\". E gratuitamente.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Come nel 2012, anche quest'anno m4music ha discusso del fatto che molta musica viene ancora ascoltata, ma agli artisti arrivano solo pochi soldi.<\/strong><\/p>","protected":false},"author":1,"featured_media":1874,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[28,267,3008],"tags":[2074,3764,1992,3765],"class_list":["post-1873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-berichte","category-rock-und-pop","category-treffpunkte-berichte","tag-m4music","tag-musikbusiness","tag-suisa","tag-verwertungsgesellschaft"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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