{"id":27244,"date":"2023-01-18T17:35:36","date_gmt":"2023-01-18T16:35:36","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=27244"},"modified":"2023-01-19T14:46:25","modified_gmt":"2023-01-19T13:46:25","slug":"aus-dem-banksafe-aufs-podium","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium","title":{"rendered":"Dalla cassaforte della banca al podio"},"content":{"rendered":"
\"\"
Daniel Dodds. Foto: Fabrice Umiglia<\/figcaption><\/figure>\n

Si chiama \"Selli\u00e8re\", \u00e8 stato costruito da Antonio Stradivari nel 1680 ed \u00e8 stato suonato dal leggendario Wolfgang Schneiderhan, co-fondatore del Festival Strings Lucerne, dal 1934 fino alla fine degli anni Settanta. Il pregiato strumento \u00e8 poi scomparso nella cassaforte della banca dei proprietari fino al 2019. Da allora \u00e8 in prestito permanente al Festival Strings e a Daniel Dodds.<\/p>\n

Dodds utilizza ora questo \"dono del cielo\" per un'incisione, registrata al KKL di Lucerna. \u00c8 sorprendente che gli autori del programma non abbiano optato per i concerti per violino, ma abbiano scelto i concerti di Mozart. Serenata Haffner<\/em>che nel libretto del CD viene descritto con un po' di understatement come \"quasi dimenticato\". Basti pensare ai concerti con Ton Koopman o Thomas Zehetmair, per citarne solo due.<\/p>\n

Comunque sia, si tratta di una scelta saggia, poich\u00e9 questa serenata non solo mette in mostra il violino in numerosi assoli, ma d\u00e0 anche agli Archi del Festival ampie opportunit\u00e0 di dimostrare la loro bravura. Il risultato \u00e8 pi\u00f9 che degno di essere ascoltato, anche se i tempi a volte richiedono un po' di tempo per abituarsi.<\/p>\n

L'esecuzione \u00e8 quasi sempre priva di vibrazioni, avvincente e veloce. Non ci si pu\u00f2 liberare dal sospetto che le interpretazioni dei direttori sopra citati siano servite da modello per distinguersi. Naturalmente Dodds pu\u00f2 brillare con assoli virtuosi nella sua \"Selli\u00e8re\", ad esempio nel Rond\u00f2. Tuttavia, i movimenti, piuttosto lenti e fondenti, sono purtroppo un po' \"affrettati\"; un minuetto \u00e8, dopo tutto, una danza di grido. Tuttavia, la Serenata di Mozart \u00e8 anche la migliore musica di intrattenimento degli Archi del Festival, che \u00e8 un piacere ascoltare.<\/p>\n

La prima registrazione mondiale di un'opera di Vincenzo Righini (1756-1812) alla fine \u00e8 un po' ambivalente. I quasi sei minuti di musica da balletto di Gerusalemme liberata<\/em> \u00e8 composto per fagotto, corno, violoncello e violino solo, con conseguenti colori strumentali idiosincratici. Di per s\u00e9 si tratta di una nuova entusiasmante scoperta, ma dopo la Serenata Haffner<\/em> ha perso qualcosa.<\/p>\n

\"\"Mozart: Serenata Haffner. <\/em>Festival Strings Lucerne, Daniel Dodds, violino e direzione, Sony Classical 0196587250621<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Daniel Dodds ha registrato la Serenata Haffner di Mozart con il Festival Strings Lucerne e ha presentato contemporaneamente uno Stradivari.<\/p>","protected":false},"author":29,"featured_media":27245,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[1606,1610,1608,1609,1607],"class_list":["post-27244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-dodds","tag-festival-strings","tag-haffner-serenade","tag-naegele","tag-selliere"],"acf":[],"yoast_head":"\nAus dem Banksafe aufs Podium - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aus dem Banksafe aufs Podium - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Daniel Dodds hat mit den Festival Strings Lucerne Mozarts Haffner-Serenade eingespielt und zugleich eine Stradivari pr\u00e4sentiert.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-01-18T16:35:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-19T13:46:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"933\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Aus dem Banksafe aufs Podium\",\"datePublished\":\"2023-01-18T16:35:36+00:00\",\"dateModified\":\"2023-01-19T13:46:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium\"},\"wordCount\":324,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg\",\"keywords\":[\"Dodds\",\"Festival Strings\",\"Haffner-Serenade\",\"Naegele\",\"Selli\u00e8re\"],\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium\",\"name\":\"Aus dem Banksafe aufs Podium - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg\",\"datePublished\":\"2023-01-18T16:35:36+00:00\",\"dateModified\":\"2023-01-19T13:46:25+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg\",\"width\":1400,\"height\":933},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/01\\\/aus-dem-banksafe-aufs-podium#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Aus dem Banksafe aufs Podium\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Dalla cassaforte della banca al podio - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium\/","og_locale":"it_IT","og_type":"article","og_title":"Aus dem Banksafe aufs Podium - Schweizer Musikzeitung","og_description":"Daniel Dodds hat mit den Festival Strings Lucerne Mozarts Haffner-Serenade eingespielt und zugleich eine Stradivari pr\u00e4sentiert.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-01-18T16:35:36+00:00","article_modified_time":"2023-01-19T13:46:25+00:00","og_image":[{"width":1400,"height":933,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Aus dem Banksafe aufs Podium","datePublished":"2023-01-18T16:35:36+00:00","dateModified":"2023-01-19T13:46:25+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium"},"wordCount":324,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg","keywords":["Dodds","Festival Strings","Haffner-Serenade","Naegele","Selli\u00e8re"],"articleSection":["Rezensionen","Tontr\u00e4ger"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium","name":"Dalla cassaforte della banca al podio - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg","datePublished":"2023-01-18T16:35:36+00:00","dateModified":"2023-01-19T13:46:25+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Daniel-Dodds_\u00a9Fabrice_Umiglia_7009.jpg","width":1400,"height":933},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/01\/aus-dem-banksafe-aufs-podium#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Aus dem Banksafe aufs Podium"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/27244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=27244"}],"version-history":[{"count":2,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/27244\/revisions"}],"predecessor-version":[{"id":27249,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/27244\/revisions\/27249"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/27245"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=27244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=27244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=27244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}