{"id":2954,"date":"2016-01-12T21:52:38","date_gmt":"2016-01-12T20:52:38","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/nahezu-unendliche-musikmassen\/"},"modified":"2023-01-20T11:57:17","modified_gmt":"2023-01-20T10:57:17","slug":"nahezu-unendliche-musikmassen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/service\/2016\/01\/nahezu-unendliche-musikmassen","title":{"rendered":"Masse quasi infinite di musica"},"content":{"rendered":"

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I servizi in abbonamento e i servizi di streaming musicale finanziati dalla pubblicit\u00e0 sono in voga. La societ\u00e0 di revisione PricewaterhouseCoopers prevede un aumento delle vendite dagli attuali 70 milioni di euro a circa 125 milioni di euro entro il 2017. Nessun miracolo musicale. Perch\u00e9 con le tariffe flat, i clienti beneficiano di un serbatoio quasi inesauribile di canzoni per pochi soldi. Chip <\/em>ha confrontato nove servizi e, oltre al leader di mercato Spotify, ha esaminato anche Ampya, Deezer, Google Play Music, Juke, Napster, Rdio, Simfy e Sony Music Unlimited. Il risultato: le differenze tra le offerte sono praticamente nulle. Tuttavia, ci sono chiare differenze in termini di costo, qualit\u00e0 del suono e facilit\u00e0 d'uso.<\/p>\n

Quantit\u00e0 e qualit\u00e0<\/strong>
\nSecondo le loro stesse informazioni, i servizi di streaming hanno accesso a un catalogo standard di circa 20 milioni di brani. Fornitori come Juke e Deezer hanno un numero molto maggiore di brani in portafoglio, rispettivamente 25 e 30 milioni. Tuttavia, il numero di brani disponibili non \u00e8 indice di qualit\u00e0. Il presunto valore aggiunto si rivela spesso una raccolta di brani di artisti poco conosciuti. Inoltre, non tutte le band sono realmente rappresentate su Spotify e simili: Alcuni gruppi affermati continuano a sfidare la commercializzazione da parte delle piattaforme di streaming.<\/p>\n

Il formato di trasmissione (di solito MP3, AAC o Ogg Vorbis) \u00e8 a discrezione del cliente. Gli esperti di Chip<\/em> La velocit\u00e0 di trasmissione determina anche la qualit\u00e0 del suono. Deezer, Google Play Music, Juke, Music Unlimited, Simfy e Spotify offrono un bit rate massimo di 320 kbps. In pratica corrisponde alla qualit\u00e0 di un CD. Questa quantit\u00e0 di dati \u00e8 spesso ridotta sui dispositivi mobili, anche se la maggior parte dei servizi consente di regolare le impostazioni fino alla qualit\u00e0 hi-fi.<\/p>\n

Test, condivisione, pagamento<\/strong>
\nTutti i servizi di streaming offrono un periodo di prova gratuito. Gli utenti devono registrarsi con un indirizzo e-mail. Con Ampya, Deezer, Juke Rdio e Spotify \u00e8 possibile farlo anche tramite l'account Facebook. I brani preferiti possono poi essere condivisi con altri utenti dalla lista degli amici. Spotify ha ampliato questo sistema in modo particolare: Gli utenti possono vedere chi ha ascoltato cosa direttamente nel lettore e possono anche riprodurre questi brani. Dopo la fase di prova, il cliente deve decidere la tariffa. I prezzi per l'uso fisso sul PC sono di poco inferiori a cinque euro al mese. Simfy \u00e8 il servizio pi\u00f9 economico a 4,49 euro, mentre Napster rappresenta la fascia alta a 7,95 euro. Le tariffe premium di circa dieci euro al mese includono l'uso mobile su smartphone, iPod e tablet. Solo Ampya, Spotify e Deezer offrono attualmente un utilizzo gratuito finanziato dalla pubblicit\u00e0, ma quest'ultimo per un massimo di un anno. La fregatura: intervalli pubblicitari di durata variabile rovinano la fruizione continua e indisturbata.<\/p>\n

L'intero rapporto di prova, con ulteriori informazioni sulla guida dell'utente e sulle funzioni come il lettore web e le applicazioni, \u00e8 disponibile nell'edizione 09\/2014 di Chip<\/em>che sono disponibili al dettaglio e Chiosco di chip<\/a> \u00e8 disponibile<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

La rivista tedesca Chip ha testato nove servizi di streaming in base a costi, qualit\u00e0 del suono e facilit\u00e0 d'uso.<\/strong><\/p>","protected":false},"author":1,"featured_media":2955,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[646,30],"tags":[],"class_list":["post-2954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital","category-service"],"acf":[],"yoast_head":"\nNahezu unendliche Musikmassen - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/service\/2016\/01\/nahezu-unendliche-musikmassen\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nahezu unendliche Musikmassen - 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