{"id":3252,"date":"2019-10-28T00:00:00","date_gmt":"2019-10-27T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/clara-schumann-die-reizende-die-reisende\/"},"modified":"2019-10-28T00:00:00","modified_gmt":"2019-10-27T23:00:00","slug":"clara-schumann-die-reizende-die-reisende","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/service\/2019\/10\/clara-schumann-die-reizende-die-reisende","title":{"rendered":"\"Clara Schumann - l'affascinante, la viaggiatrice\"."},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/cs2.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Clara Wieck all'et\u00e0 di 15 anni. Litografia di Julius Giere (1807-1880),Foto: zVg,SMPV<\/figcaption><\/figure>\n<div class='text-section'>\n<p>\"Fl\u00fcgelschl\u00e4ge\" \u00e8 stato lanciato nel 2013 dalla pianista, organista e direttrice artistica belga presso la B\u00fchlkirche e la Predigerkirche di Zurigo e da allora viene organizzato da lei stessa. Quest'anno, Els Biesemans e i suoi ospiti organizzano quattro \"Soir\u00e9es musicales\" in onore di Clara Schumann (1819-1896): il dialogo letterario-musicale con l'attrice Mona Petri, il recital di canzoni del tenore Julian Pr\u00e9gardien, la serata di musica da camera con la violinista Chouchane Siranossian e l'Ensemble Elsewhere e la soir\u00e9e finale su due pianoforti a coda con il pianista Dmitry Ablogin.<\/p>\n<p>Il film <em>Sinfonia di primavera<\/em> (Nastassja Kinski nel ruolo di Clara Wieck e Herbert Gr\u00f6nemeyer in quello di Robert Schumann), la masterclass di Jesper Christensen (rare registrazioni su disco a gommalacca degli studenti di pianoforte di Clara) e la mostra \"Libro di fiori per Robert\" offrono un'ulteriore visione della vita movimentata di Clara Schumann, pianista e compositrice di spicco e moglie di Robert Schumann.<\/p>\n<p>Tre fortepiani riportano in vita il mondo del suono intorno al 1840: un pianoforte a coda Brodmann del 1825, un fortepiano \u00c9rard del 1850 e un pianoforte a coda di Conrad Graf del 1840 circa. La particolare costruzione di questi strumenti storici fa s\u00ec che l'atmosfera intima del festival si differenzi dalle esibizioni su moderni pianoforti a coda in grandi sale da concerto. <br \/> \u00a0<\/p>\n<\/div>\n<div>\n<blockquote class='text-section'>\n<h4>Informazioni e dati<\/h4>\n<p>\u00a0<\/p>\n<p><a href='https:\/\/www.fortepiano-festival.com\/'><strong>https:\/\/www.fortepiano-festival.com<\/strong><\/a><\/p>\n<p>\u00a0<\/p>\n<\/blockquote>\n<\/div>\n<div class='text-section'>\n<dl class='picture media photo large'>\n<dt>          <img class='media photo large' src='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/eb.jpg' alt='Image '><\/dt>\n<dd class='copyright'>Foto: zVg<\/dd>\n<dd class='longdesc'>La direttrice del festival Els Biesemans crea un'atmosfera intima alle serate suonando il fortepiano.  <\/dd>\n<\/dl>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Il festival di fortepiano di Zurigo \"Fl\u00fcgelschl\u00e4ge\" rende omaggio a Clara Schumann in occasione del suo 200\u00b0 compleanno. Dal 3 al 17 novembre 2019, la direttrice Els Biesemans organizza quattro \"Soir\u00e9es musicales\" presso la B\u00fchlkirche, la Predigerkirche e la chiesa di San Pietro.<\/strong><\/p>","protected":false},"author":1,"featured_media":3253,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[],"class_list":["post-3252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service"],"acf":{"author":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00abClara Schumann \u2013 die Reizende, die Reisende\u00bb - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/service\/2019\/10\/clara-schumann-die-reizende-die-reisende\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abClara Schumann \u2013 die Reizende, die Reisende\u00bb - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Das Z\u00fcrcher Fortepiano Festival \u00abFl\u00fcgelschl\u00e4ge\u00bb ehrt Clara Schumann zu ihrem 200. Geburtstag. Vom 3. bis 17. November 2019 veranstaltet die Leiterin Els Biesemans in der B\u00fchlkirche, der Predigerkirche und der Kirche St. Peter vier \u00abSoir\u00e9es musicales\u00bb.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/service\/2019\/10\/clara-schumann-die-reizende-die-reisende\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-27T23:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/cs2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"349\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"\u00abClara Schumann \u2013 die Reizende, die Reisende\u00bb\",\"datePublished\":\"2019-10-27T23:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende\"},\"wordCount\":240,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/cs2.jpg\",\"articleSection\":[\"Service\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2019\\\/10\\\/clara-schumann-die-reizende-die-reisende\",\"name\":\"\u00abClara Schumann \u2013 die Reizende, die Reisende\u00bb - 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