{"id":3385,"date":"2016-01-27T00:00:00","date_gmt":"2016-01-26T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/annelies-ein-oratorium-das-emotionen-weckt\/"},"modified":"2016-01-27T00:00:00","modified_gmt":"2016-01-26T23:00:00","slug":"annelies-ein-oratorium-das-emotionen-weckt","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/service\/2016\/01\/annelies-ein-oratorium-das-emotionen-weckt","title":{"rendered":"\"Annelies\" - un oratorio che risveglia le emozioni"},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/tc.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Foto: Team Choir Jona,SMPV<\/figcaption><\/figure>\n<div class='text-section'>\n<p>\"Il lavoro <em>Annalisa<\/em> Nonostante la tragedia, l'oratorio ha molti momenti brillanti e toccanti\", dice Max Aeberli in una conversazione. In linea con il motto \"diamo un'occhiata\", ha presentato gli spartiti ai circa 80 cantori del coro di squadra, compreso il coro ad hoc, con un notevole vantaggio in termini di conoscenza. Dalla raccolta di citazioni musicate dal <em>Diario di Anne Frank<\/em>\u00a0Sebbene il coro si sia commosso fin dall'inizio, l'argomento e le affermazioni in particolare devono essere elaborati mentalmente in modo continuativo. \"Mi fa pensare a come le persone, soprattutto nel momento del bisogno, non si arrendano, traggano forza dal pi\u00f9 piccolo barlume di speranza e trovino sostegno nella fede\", spiega Aeberli, facendo un parallelo con l'attuale ondata di rifugiati e gli attacchi a cittadini innocenti in tutto il mondo. Allo stesso tempo, allude alle sequenze musicali che riflettono le vite delle persone durante l'Olocausto, sia quelle cattive che quelle buone.<\/p>\n<p><strong>Parte impegnativa per il coro<\/strong><br \/> Max Aeberli \u00e8 consapevole che il titolo \"Annelies\" \u00e8 inizialmente irritante, ma d'altra parte \u00e8 destinato a suscitare curiosit\u00e0 per ci\u00f2 che si nasconde dietro di esso. Il direttore del coro afferma che \u00e8 stata una coincidenza fortunata quella in cui si \u00e8 imbattuto nell'opera. Nell'ambito del suo lavoro con il Coro del Festival di Arosa, aveva eseguito un breve poema tonale del compositore inglese James Whitbourn (nato nel 1963). L'ha poi trovata su Internet con il nome del compositore. <em>Annalisa<\/em>\u00a0\u00e8 stato incontrato. Secondo Aeberli, l'oratorio \u00e8 ancora poco conosciuto nel nostro Paese, ma la situazione cambier\u00e0 sicuramente con la prima svizzera del 19 marzo nella chiesa cattolica di Jona. \"Il compositore ha un'eccellente comprensione di come mettere in musica il tema cupo in modo contemporaneo.<em> Annalisa<\/em> \u00e8 impegnativo per i cantanti e per gli ascoltatori, \u00e8 garantito che susciter\u00e0 emozioni in tutti e scatener\u00e0 pensieri duraturi\". Parla di una semplicit\u00e0 unita a una polifonia con poche dissonanze che si dissolvono continuamente nel modo pi\u00f9 bello. L'opera \u00e8 generalmente cantata in inglese, ma contiene anche alcuni passaggi in tedesco, come la canzone folkloristica <em>L'inverno \u00e8 passato, vedo il bagliore di maggio<\/em>.<\/p>","protected":false},"excerpt":{"rendered":"<p><strong>Il desiderio di scoprire un'opera straordinaria e di pubblicizzarla attraverso le esecuzioni era in primo piano nella mente di Max Aeberli, direttore del coro Jona team. La ricerca ha portato all'oratorio \"Annelies\" di James Whitbourn.<\/strong><\/p>","protected":false},"author":1,"featured_media":3386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[],"class_list":["post-3385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00abAnnelies\u00bb \u2013 ein Oratorium, das Emotionen weckt - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/service\/2016\/01\/annelies-ein-oratorium-das-emotionen-weckt\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abAnnelies\u00bb \u2013 ein Oratorium, das Emotionen weckt - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die Lust, ein aussergew\u00f6hnliches Werk zu entdecken und durch die Auff\u00fchrungen bekannt zu machen, stand bei Max Aeberli, dem Leiter des Teamchors Jona, im Vordergrund. 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