{"id":3450,"date":"2014-04-08T00:00:00","date_gmt":"2014-04-07T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/lauter-experimente\/"},"modified":"2014-04-08T00:00:00","modified_gmt":"2014-04-07T23:00:00","slug":"lauter-experimente","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/service\/2014\/04\/lauter-experimente","title":{"rendered":"Esperimenti Loud(r)"},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/techno.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Estratto dal manifesto della mostra,Foto:zvg,SMPV<\/figcaption><\/figure>\n<div class='text-section'>\n<p>Oltre 40 nuove esposizioni, sorprendenti spazi sonori, sculture sonore e numerosi esperimenti a mano libera rendono il fenomeno del suono non solo udibile. Le vibrazioni acustiche nell'aria, nel metallo, nel vetro, nel legno e nella plastica possono essere osservate anche con gli occhi e percepite come vibrazioni con tutto il corpo. Sono disponibili nuovi spazi sonori e installazioni sonore insolite. <\/p>\n<\/div>\n<div class='text-section'>\n<dl class='picture media photo'>\n<dt>          <img class='media photo' src='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/Ei.jpg' alt='Image '><\/dt>\n<dd class='copyright'>Foto:zvg<\/dd>\n<dd class='caption'>Klankkaatser<\/dd>\n<\/dl>\n<\/div>\n<div class='text-section'>\n<p>Per esempio, c'\u00e8 la Klankkaatser o camera di riverberazione sonora dell'olandese Hans van Koolwijk. La stanza a forma di uovo, alta dieci metri, \u00e8 sorprendente: la musica sembra emergere dal nulla direttamente nella testa degli ascoltatori, e chi sale un po' la scala all'interno sente la propria voce piena e potente come non mai, con un riverbero di oltre dieci secondi!<\/p>\n<\/div>\n<div class='text-section'>\n<p>In un audio bar, al posto dei drink si servono suoni. Qui si pu\u00f2 ascoltare la musica sulle proprie ossa, far vibrare i bicchieri, trasformare i mobili del bar in strumenti e far danzare il fuoco a ritmo di musica. E poich\u00e9 la musica \u00e8 spesso anche un'interazione sociale, il barista invita gli ospiti a una jam session spontanea. Altri strumenti musicali insoliti sono gli organi a percussione e a pompa, le sirene a ruota dentata e perforata e una pista per xilofono gigante, che aprono in modo giocoso possibilit\u00e0 completamente diverse di produzione sonora.<\/p>\n<p>Anche se non sapete nulla di campane e fischietti, questo \u00e8 il posto giusto per voi. Non si pu\u00f2 sbagliare quando si sperimenta nei mondi del suono! Ogni exhibit \u00e8 corredato di istruzioni per la sperimentazione e di ulteriori informazioni.<\/p>\n<p><em>La mostra durer\u00e0 almeno fino all'estate 2015: mar-dom ore 10-17<\/em><br \/> <a href='http:\/\/www.technorama.ch\/ausstellung\/sonderausstellung\/'><em>Sito web di Technorama<\/em><\/a><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Il mondo del suono, la sua creazione, distribuzione e percezione sono al centro della nuova mostra speciale \"Worlds of Sound\", che apre il 16 aprile 2014 presso lo Swiss Science Center Technorama di Winterthur.<\/strong><\/p>","protected":false},"author":1,"featured_media":3451,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[],"class_list":["post-3450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Laute(r) Experimente - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/service\/2014\/04\/lauter-experimente\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Laute(r) Experimente - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Die Welt des Schalls, seine Entstehung, Verbreitung und Wahrnehmung stehen im Mittelpunkt der neuen Sonderausstellung \u00abKlangwelten\u00bb, die am 16. April 2014 im Swiss Science Center Technorama in Winterthur er\u00f6ffnet wird.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/service\/2014\/04\/lauter-experimente\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-04-07T23:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/techno.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"382\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Laute(r) Experimente\",\"datePublished\":\"2014-04-07T23:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente\"},\"wordCount\":288,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/techno.jpg\",\"articleSection\":[\"Service\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente\",\"name\":\"Laute(r) Experimente - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/techno.jpg\",\"datePublished\":\"2014-04-07T23:00:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/techno.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/techno.jpg\",\"width\":554,\"height\":382},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/service\\\/2014\\\/04\\\/lauter-experimente#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Laute(r) Experimente\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Esperimenti di liuto(r) - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/service\/2014\/04\/lauter-experimente\/","og_locale":"it_IT","og_type":"article","og_title":"Laute(r) Experimente - Schweizer Musikzeitung","og_description":"Die Welt des Schalls, seine Entstehung, Verbreitung und Wahrnehmung stehen im Mittelpunkt der neuen Sonderausstellung \u00abKlangwelten\u00bb, die am 16. April 2014 im Swiss Science Center Technorama in Winterthur er\u00f6ffnet wird.","og_url":"https:\/\/www.musikzeitung.ch\/it\/service\/2014\/04\/lauter-experimente\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2014-04-07T23:00:00+00:00","og_image":[{"width":554,"height":382,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/techno.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"1 minuto"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Laute(r) Experimente","datePublished":"2014-04-07T23:00:00+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente"},"wordCount":288,"commentCount":0,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/techno.jpg","articleSection":["Service"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente","url":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente","name":"Esperimenti di liuto(r) - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/techno.jpg","datePublished":"2014-04-07T23:00:00+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/techno.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/techno.jpg","width":554,"height":382},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/service\/2014\/04\/lauter-experimente#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Laute(r) Experimente"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Redazione Musikzeitung","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/3450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=3450"}],"version-history":[{"count":0,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/3450\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/3451"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=3450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=3450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=3450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}