{"id":40405,"date":"2023-01-31T08:30:44","date_gmt":"2023-01-31T07:30:44","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=40405"},"modified":"2023-01-31T08:30:44","modified_gmt":"2023-01-31T07:30:44","slug":"tagung-musikdiskurse-nach-1970","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/service\/2023\/01\/tagung-musikdiskurse-nach-1970","title":{"rendered":"Discorsi sulla musica da conferenza dopo il 1970"},"content":{"rendered":"
\"\"
Improvvisatori come Franziska Baumann hanno segnato lo sviluppo della musica contemporanea. Foto: Francesca Pfeffer<\/figcaption><\/figure>\n

Dagli anni Settanta si \u00e8 assistito a un boom della musica contemporanea: sono nati festival, sono stati fondati ensemble e sono state avviate serie di concerti. Il progetto SNF\u00a0\"Al centro degli sviluppi. L'Associazione Svizzera dei Musicisti 1975-2017\"<\/a>\u00a0alla HKB esamina gli sviluppi estetici in competizione, la crescente importanza della musica non composta, il ruolo degli sconvolgimenti socio-politici nella creazione di musica contemporanea e i cambiamenti nei media.<\/p>\n

La conferenza riflette questi temi dal punto di vista di 14 paesi in cinque panel: come si combattono le posizioni controverse tra tradizione e avanguardia per la sovranit\u00e0 dell'interpretazione del contemporaneo? E con quali conseguenze?<\/p>\n

Per molto tempo la musica contemporanea si \u00e8 isolata dalla musica improvvisata. I primi sforzi per integrarla (presso la STV) si sono rivelati maldestri tentativi di uscire dal \"ghetto\" autoimposto e piagnucolosamente deplorato. In seguito, il riavvicinamento reciproco \u00e8 stato pi\u00f9 coraggioso. Come la musica contemporanea e l'improvvisazione si sono percepite e influenzate a vicenda? Che ruolo ha avuto l'improvvisazione nello sviluppo della nuova musica?<\/p>\n

La nuova musica e la televisione: Si tratta innanzitutto di una narrazione di ascesa e caduta, inizialmente favorita dalla curiosit\u00e0 verso il nuovo mezzo e dalla libert\u00e0 dei folli, poi caratterizzata dalla pressione delle quote e delle strutture burocratiche. Ma i contributi emarginati in TV hanno un ruolo nel discorso? In che misura la comprensione della nuova musica pu\u00f2 essere ricavata dal boom e dal successivo declino, cos\u00ec come dai cambiamenti nella selezione, nel contenuto e nella forma, e in che misura c'\u00e8 un cambiamento sociale, culturale e mediatico?<\/p>\n

L'ultimo panel riflette anche su quest'ultimo aspetto: che ruolo giocano le istituzioni nello sviluppo e nella formazione dei vari discorsi? Qual \u00e8 la posizione degli organizzatori, siano essi radio, etichette, festival o associazioni di compositori? E quali sono i discorsi generali? Quello nazionale? Quello internazionale? La posizione delle donne? Un panel conclusivo con lo storico Philipp Sarasin, tra gli altri, affronter\u00e0 queste domande.<\/p>\n

Le presentazioni e le discussioni saranno integrate da contributi musicali dal vivo: I discorsi di improvvisazione saranno portati sul palco e una seconda serata di concerti presenter\u00e0 le opere che non sono arrivate sul palco perch\u00e9 la giuria non le ha inserite nei programmi per motivi estetici, di politica del personale o pratici.<\/p>\n

Programma e registrazione: www.hkb-interpretation.ch\/musik-diskurse<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Un evento pubblico di tre giorni presso l'Universit\u00e0 delle Arti di Berna HKB, dal 23 al 25 marzo, far\u00e0 luce sui discorsi sulla musica contemporanea e sul suo rapporto con l'improvvisazione, la televisione e la societ\u00e0. Le presentazioni di prospettive provenienti da 14 Paesi e le tavole rotonde saranno integrate da due concerti.<\/p>","protected":false},"author":23,"featured_media":40406,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[30],"tags":[1884,1881,1880,1885,1882,1883],"class_list":["post-40405","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-service","tag-fernsehen","tag-hkb","tag-musikdiskurse","tag-philipp-sarasin","tag-schweizerischer-tonkuenstlerverein","tag-zeitgenoessische-musik"],"acf":[],"yoast_head":"\nTagung Musikdiskurse nach 1970 - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/service\/2023\/01\/tagung-musikdiskurse-nach-1970\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tagung Musikdiskurse nach 1970 - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Eine dreit\u00e4gige \u00f6ffentliche Veranstaltung an der Hochschule der K\u00fcnste Bern HKB beleuchtet vom 23. bis 25. 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