{"id":41372,"date":"2023-02-23T11:20:02","date_gmt":"2023-02-23T10:20:02","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=41372"},"modified":"2023-02-22T10:14:48","modified_gmt":"2023-02-22T09:14:48","slug":"fruehe-werke-von-eugene-ysaye","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye","title":{"rendered":"Le prime opere di Eug\u00e8ne Ysa\u00ffe"},"content":{"rendered":"
\"\"
Eug\u00e8ne Ysa\u00ffe, ritratto di Emil Fuchs, 1900, fonte: Wikimedia commons<\/a><\/figcaption><\/figure>\n

Il violinista belga Eug\u00e8ne Ysa\u00ffe (1858-1931), dapprima allievo del padre, vinse un premio all'et\u00e0 di nove anni, studi\u00f2 con Wieniawski a Bruxelles e Vieuxtemps a Parigi e suon\u00f2 la Sonata in do minore di Beethoven con Clara Schumann nella sua prima tourn\u00e9e concertistica in Germania nel 1878. Nel 1882, Anton Rubinstein lo port\u00f2 in tourn\u00e9e in Russia e Norvegia. Al ricevimento di nozze con la cantante Louise Bourdeau, suon\u00f2 la sonata di C\u00e9sar Franck a lui dedicata e poi si trasfer\u00ec a Bruxelles come professore, dove insegn\u00f2 fino al 1898 (allievi famosi: Gingold, Primrose, Persinger). Durante la Prima guerra mondiale visse a Londra, poi negli Stati Uniti, prima di tornare finalmente a Bruxelles, dove lavor\u00f2 come direttore d'orchestra, pedagogo e direttore di concerti fino alla sua morte.<\/p>\n

Per tutta la vita, la composizione fu per lui una fonte di energia e un rifugio. Il suo lascito pi\u00f9 importante sono le sei sonate solistiche op. 27, composte nel 1923. Questo libretto fa luce sulle opere dal 1882 al 1905, scritte nei suoi diversi luoghi di attivit\u00e0. Il libretto mostra il suo stupendo virtuosismo spiritualizzato. Delle otto opere stampate, la Lingua norvegese<\/em> una prima pubblicazione degna di nota. La prefazione di Marie Cornaz (d\/f\/e) racconta l'appassionante storia dei brani. Nelle note dettagliate (d\/e), il violinista giapponese Ray Iwazumi, docente alla Juilliard School e specializzato nella musicologia di Ysa\u00ffe, offre il suo aiuto. Inusuale: nella parte del violino, le diteggiature e i segni di battuta originali di Ysa\u00ffe sono stampati in nero, quelli di Iwazumi in grigio.<\/p>\n

\"\"<\/p>\n

Eug\u00e8ne Ysa\u00ffe: Po\u00e8me \u00e9l\u00e9giaque op. 12 e altre opere per violino e pianoforte, a cura di Ray Iwazumi, HN 1201, \u20ac 42,00, G. Henle, Monaco di Baviera \u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Otto brani, composti molto prima delle famose sei sonate solistiche, presentati con le rispettive storie di composizione. <\/p>","protected":false},"author":29,"featured_media":41373,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[2019,2021,1806,2020],"class_list":["post-41372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-eugene-ysaye","tag-poeme-elegiaque","tag-violine","tag-walter-amadeus-ammann"],"acf":[],"yoast_head":"\nFr\u00fche Werke von Eug\u00e8ne Ysa\u00ffe - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fr\u00fche Werke von Eug\u00e8ne Ysa\u00ffe - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Acht St\u00fccke, lange vor den ber\u00fchmten sechs Solosonaten komponiert, vorgestellt mit den jeweiligen Entstehungsgeschichten.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-23T10:20:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1103\" \/>\n\t<meta property=\"og:image:height\" content=\"760\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Fr\u00fche Werke von Eug\u00e8ne Ysa\u00ffe\",\"datePublished\":\"2023-02-23T10:20:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye\"},\"wordCount\":299,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg\",\"keywords\":[\"Eug\u00e8ne Ysa\u00ffe\",\"Po\u00e8me \u00e9l\u00e9giaque\",\"Violine\",\"Walter Amadeus Ammann\"],\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye\",\"name\":\"Fr\u00fche Werke von Eug\u00e8ne Ysa\u00ffe - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg\",\"datePublished\":\"2023-02-23T10:20:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg\",\"width\":1103,\"height\":760},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/02\\\/fruehe-werke-von-eugene-ysaye#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fr\u00fche Werke von Eug\u00e8ne Ysa\u00ffe\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le prime opere di Eug\u00e8ne Ysa\u00ffe - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye\/","og_locale":"it_IT","og_type":"article","og_title":"Fr\u00fche Werke von Eug\u00e8ne Ysa\u00ffe - Schweizer Musikzeitung","og_description":"Acht St\u00fccke, lange vor den ber\u00fchmten sechs Solosonaten komponiert, vorgestellt mit den jeweiligen Entstehungsgeschichten.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-02-23T10:20:02+00:00","og_image":[{"width":1103,"height":760,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Fr\u00fche Werke von Eug\u00e8ne Ysa\u00ffe","datePublished":"2023-02-23T10:20:02+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye"},"wordCount":299,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg","keywords":["Eug\u00e8ne Ysa\u00ffe","Po\u00e8me \u00e9l\u00e9giaque","Violine","Walter Amadeus Ammann"],"articleSection":["Noten","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye","name":"Le prime opere di Eug\u00e8ne Ysa\u00ffe - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg","datePublished":"2023-02-23T10:20:02+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Portrait_of_Eugene_Ysaye_by_Emil_Fuchs_1900.jpg","width":1103,"height":760},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/02\/fruehe-werke-von-eugene-ysaye#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Fr\u00fche Werke von Eug\u00e8ne Ysa\u00ffe"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=41372"}],"version-history":[{"count":2,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41372\/revisions"}],"predecessor-version":[{"id":41381,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41372\/revisions\/41381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/41373"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=41372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=41372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=41372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}