{"id":41418,"date":"2023-02-23T10:35:37","date_gmt":"2023-02-23T09:35:37","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=41418"},"modified":"2023-02-22T10:43:32","modified_gmt":"2023-02-22T09:43:32","slug":"fiveonfire","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire","title":{"rendered":"Espressione tra musica classica e jazz"},"content":{"rendered":"
\"\"
Five on Fire e Musikkollegium Winterthur. Foto: zvg<\/figcaption><\/figure>\n

Al suo debutto Lottare o giocare<\/em> (2007), Five on Fire si concentrava su un jazz facilmente digeribile con interiezioni funk. Sei anni dopo, tuttavia, la formazione che ruota attorno a Daniel Gubelmann si \u00e8 reinventata e ha iniziato a collaborare con un quartetto d'archi. Per l'ultimo album Movimento eterno<\/em> questo approccio \u00e8 stato ulteriormente sviluppato e si \u00e8 riunito un grande ensemble d'archi del Musikkollegium Winterthur.<\/p>\n

L'obiettivo di Gubelmann era quello di combinare il jazz con la musica classica e l'improvvisazione, alla ricerca di melodie potenti e della massima espressivit\u00e0 possibile. Il musicista e compositore, formatosi a Berna, Zurigo e Buenos Aires e noto in particolare per il suo sassofono lirico, permette al suo quartetto jazz di suonare alla pari con l'orchestra d'archi. Il risultato \u00e8 un suono quasi simbiotico che ignora i confini di genere.<\/p>\n

Il titolo del disco, \"Ewigkeit der Bewegung\" (\"Eternit\u00e0 del movimento\"), suggerisce che il progetto non \u00e8 sinonimo di understatement, anzi. Di conseguenza, ci\u00f2 che viene offerto \u00e8 impressionante e pieno di dramma. Dove il preludio, il delicato Preludio di Buenos Aires<\/em>che \u00e8 interamente di competenza dell'orchestra d'archi, all'inizio \u00e8 sorprendentemente contenuta. Segue il Il rio degli angeli<\/em>che \u00e8 caratterizzato da una sublime conversazione tra sassofono e pianoforte e si presenta con colori sonori malinconici. Con Il fiore dell'amore<\/em> Il talento di Gubelmann per il tango si fa finalmente sentire, con grande passione e ritmi a volte furiosi.<\/p>\n

Secondo Gubelmann, le sue otto composizioni affermano di poter fare a meno delle immagini. Tuttavia Movimento eterno<\/em> una suite cinematografica che fa riferimento ad Astor Piazzolla, Stan Getz e John Coltrane, tra gli altri. Il risultato \u00e8 un album tanto audace quanto eloquente, che va per la sua strada e sa come stupire.<\/p>\n

\"\"<\/p>\n

Five on Fire feat. Musikkollegium Winterthur: Eternal movement. Solo Musica SM407<\/em><\/p>","protected":false},"excerpt":{"rendered":"

I Five on Fire hanno da tempo abbandonato il jazz facilmente digeribile del passato. La formazione che ruota attorno a Daniel Gubelmann ha ora aspirazioni pi\u00f9 elevate e fa causa comune con la musica classica.<\/p>","protected":false},"author":29,"featured_media":41414,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[2035,2034,2038,1957],"class_list":["post-41418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-daniel-gubelmann","tag-five-on-fire","tag-michael-gasser","tag-musikkollegium-winterthur"],"acf":[],"yoast_head":"\nExpressiv zwischen Klassik und Jazz - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Expressiv zwischen Klassik und Jazz - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Five on Fire haben sich l\u00e4ngst vom leicht verdaulichen Jazz fr\u00fcherer Tage verabschiedet. Mittlerweile hegt die Formation um Daniel Gubelmann h\u00f6here Anspr\u00fcche \u2013 und macht jetzt gemeinsame Sache mit der Klassik.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-23T09:35:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1299\" \/>\n\t<meta property=\"og:image:height\" content=\"866\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Expressiv zwischen Klassik und Jazz\",\"datePublished\":\"2023-02-23T09:35:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\"},\"wordCount\":315,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Five_on_Fire_Musikkollegium.jpg\",\"keywords\":[\"Daniel Gubelmann\",\"Five on Fire\",\"Michael Gasser\",\"Musikkollegium Winterthur\"],\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\",\"name\":\"Expressiv zwischen Klassik und Jazz - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Five_on_Fire_Musikkollegium.jpg\",\"datePublished\":\"2023-02-23T09:35:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Five_on_Fire_Musikkollegium.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Five_on_Fire_Musikkollegium.jpg\",\"width\":1299,\"height\":866},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/fiveonfire#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Expressiv zwischen Klassik und Jazz\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Espressione tra musica classica e jazz - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire\/","og_locale":"it_IT","og_type":"article","og_title":"Expressiv zwischen Klassik und Jazz - Schweizer Musikzeitung","og_description":"Five on Fire haben sich l\u00e4ngst vom leicht verdaulichen Jazz fr\u00fcherer Tage verabschiedet. Mittlerweile hegt die Formation um Daniel Gubelmann h\u00f6here Anspr\u00fcche \u2013 und macht jetzt gemeinsame Sache mit der Klassik.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-02-23T09:35:37+00:00","og_image":[{"width":1299,"height":866,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Expressiv zwischen Klassik und Jazz","datePublished":"2023-02-23T09:35:37+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire"},"wordCount":315,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","keywords":["Daniel Gubelmann","Five on Fire","Michael Gasser","Musikkollegium Winterthur"],"articleSection":["Rezensionen","Tontr\u00e4ger"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire","name":"Espressione tra musica classica e jazz - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","datePublished":"2023-02-23T09:35:37+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/Five_on_Fire_Musikkollegium.jpg","width":1299,"height":866},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/fiveonfire#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Expressiv zwischen Klassik und Jazz"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=41418"}],"version-history":[{"count":1,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41418\/revisions"}],"predecessor-version":[{"id":41419,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41418\/revisions\/41419"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/41414"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=41418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=41418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=41418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}