{"id":41422,"date":"2023-02-24T10:48:51","date_gmt":"2023-02-24T09:48:51","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=41422"},"modified":"2023-02-22T11:07:08","modified_gmt":"2023-02-22T10:07:08","slug":"roland_moser","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser","title":{"rendered":"Violoncello da solo e in coppia"},"content":{"rendered":"
\"\"
Roland Moser. Foto: Louis Moser<\/figcaption><\/figure>\n

Quando \u00e8 stata l'ultima volta che ho ascoltato una musica cos\u00ec intima? L'amorevole unione \u00e8, per cos\u00ec dire, il prerequisito per la maggior parte dei brani di questo CD, perch\u00e9 il compositore spesso scrive per il violoncellista con cui ha condiviso la sua vita per lungo tempo, Roland Moser scrive per K\u00e4thi Gohl Moser.<\/p>\n

Tuttavia, non c'\u00e8 nulla di rappresentativo o che voglia essere rappresentativo, nessun album fotografico sonoro. Piuttosto, due musicisti ci danno una visione, Einhorch, del loro dialogo musicale. Volentieri a due voci, dove il violoncello solo diventa un duo. Qui insieme al violino di Helena Winkelman, l\u00e0 insieme al flautista dolce Conrad Steinmann, all'oboista Matthias Arter o al pianista Anton Kernjak. Ci sono anche brevi soliloqui in cui Gohl canta e canticchia al violoncello. Intorno a lui ci sono altri ospiti, compositori come Schubert o Offenbach, poeti come James Joyce, Paul \u00c9luard o Arthur Rimbaud, a volte ben nascosti, a volte evidenti. La musica di Moser ama l'allusione, le piace trattare con le parole, in modo ponderato e attento, senza fretta. Di tanto in tanto inizia a cantare con sentimento romantico, persino con una sottile e struggente devozione. E in ... come un valzer sul vetro ...<\/em> il violoncello danza \"intricatamente semplice\" negli armonici, come scrive Roman Brotbeck nel bellissimo testo del libretto. Altri brani si inoltrano nei sentieri di confine dei microtoni.<\/p>\n

Per quanto la maggior parte dei brani sia breve, ognuno ha un proprio carattere. Solo una composizione del 1998 ha qui un peso maggiore e viene eseguita in due versioni: prima nella versione pi\u00f9 recente per violino e violoncello, e alla fine nella versione originale con oboe d'amore e violoncello. ... e torna l'aria della sera...<\/em> si basa su una ballata impercettibile di Pier Paolo Pasolini e cambia leggermente carattere anche con la strumentazione. Questa canzone serale suona a volte arcadica, a volte quasi tristaniana. Si muove liberamente e persistentemente, ma senza ostinazione, e cos\u00ec facendo sfugge a qualsiasi pressione troppo comune per innovare. La musica respira naturalmente in queste interpretazioni.<\/p>\n

\"\"<\/p>\n

Roland Moser: Violoncello solo e in duo. K\u00e4thi Gohl Moser, violoncello; Anton Kernjak, pianoforte; Helena Winkelman, violino; Conrad Steinmann, flauto, aulos; Matthias Arter, oboe d'amore. Registri Olinard<\/a>
\n<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Le composizioni di Roland Moser, suonate dalla sua compagna K\u00e4thi Gohl Moser, danno vita a un CD senza pretese, che \"respira\". <\/p>","protected":false},"author":29,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[2041,2040,1764,2042],"class_list":["post-41422","post","type-post","status-publish","format-standard","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-kaethi-gohl","tag-roland-moser","tag-thomas-meyer","tag-violoncello"],"acf":[],"yoast_head":"\nCello allein und zu zweit - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cello allein und zu zweit - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Kompositionen von Roland Moser, gespielt von seiner Partnerin K\u00e4thi Gohl Moser ergeben eine unpr\u00e4tenti\u00f6se, \u00abatmende\u00bb CD.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-24T09:48:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/rolandmoser-03-bylouismoser.jpg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Cello allein und zu zweit\",\"datePublished\":\"2023-02-24T09:48:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser\"},\"wordCount\":386,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/rolandmoser-03-bylouismoser.jpg\",\"keywords\":[\"K\u00e4thi Gohl\",\"Roland Moser\",\"Thomas Meyer\",\"Violoncello\"],\"articleSection\":[\"Rezensionen\",\"Tontr\u00e4ger\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser\",\"name\":\"Cello allein und zu zweit - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/rolandmoser-03-bylouismoser.jpg\",\"datePublished\":\"2023-02-24T09:48:51+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/rolandmoser-03-bylouismoser.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/rolandmoser-03-bylouismoser.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/tontraeger-rezensionen\\\/2023\\\/02\\\/roland_moser#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cello allein und zu zweit\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Violoncello da solo e in coppia - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser\/","og_locale":"it_IT","og_type":"article","og_title":"Cello allein und zu zweit - Schweizer Musikzeitung","og_description":"Kompositionen von Roland Moser, gespielt von seiner Partnerin K\u00e4thi Gohl Moser ergeben eine unpr\u00e4tenti\u00f6se, \u00abatmende\u00bb CD.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-02-24T09:48:51+00:00","og_image":[{"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/rolandmoser-03-bylouismoser.jpg","type":"","width":"","height":""}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Cello allein und zu zweit","datePublished":"2023-02-24T09:48:51+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser"},"wordCount":386,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/rolandmoser-03-bylouismoser.jpg","keywords":["K\u00e4thi Gohl","Roland Moser","Thomas Meyer","Violoncello"],"articleSection":["Rezensionen","Tontr\u00e4ger"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser","name":"Violoncello da solo e in coppia - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/rolandmoser-03-bylouismoser.jpg","datePublished":"2023-02-24T09:48:51+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/rolandmoser-03-bylouismoser.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/rolandmoser-03-bylouismoser.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/tontraeger-rezensionen\/2023\/02\/roland_moser#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Cello allein und zu zweit"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=41422"}],"version-history":[{"count":4,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41422\/revisions"}],"predecessor-version":[{"id":41428,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/41422\/revisions\/41428"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=41422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=41422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=41422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}