{"id":42126,"date":"2019-06-26T00:00:00","date_gmt":"2019-06-25T22:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen"},"modified":"2023-02-28T10:07:45","modified_gmt":"2023-02-28T09:07:45","slug":"bluehen","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/smz\/2019\/06\/bluehen","title":{"rendered":"fioritura"},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr7.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Immagine di copertina: www.neidhart-grafik.ch<\/figcaption><\/figure>\n<div class='main-content article clearfix'>\n<div class='media picture'><img alt='bl\u00fchen' src='\/.imaging\/stk\/musikzeitung\/article-image-intro\/website\/de\/smz\/aktuell\/2019\/07\/thema\/imageBinary\/fr7.jpg'\/><\/div>\n<p><strong>Per germogliare in abbondanza occorre il terreno giusto, nel campo della musica, ad esempio, condizioni politiche favorevoli o una solida formazione, mentre i cicli creativi si svolgono individualmente per tutti i musicisti.<\/strong><\/p>\n<div class='text-section'>\n<p>Tutti gli articoli contrassegnati in blu possono essere letti direttamente sul sito web cliccando su di essi. Tutti gli altri contenuti si possono trovare solo nell'edizione stampata o nel sito web <a href='\/de\/smz\/printarchiv.html'>carta elettronica<\/a>.<\/p>\n<\/div>\n<div>\n<h3 class=''><span>Focus<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><strong><a href='\/de\/smz\/aktuell\/2019\/07\/karrieregrundlagen.html' target='_blank' rel=\"noopener\"><br \/> Non lamentatevi, agite<\/a><\/strong><a href='\/de\/smz\/aktuell\/2019\/07\/karrieregrundlagen.html' target='_blank' rel=\"noopener\"><br \/> Prerequisiti per una fiorente carriera artistica<\/a><\/p>\n<p><strong><br \/> \u00c8 giusto adottare una definizione ampia di cultura<\/strong><br \/> Peter Keller, Min Li Marti e Rosmarie Quadranti discutono di fioritura culturale<br \/> <a href='\/dms\/archiv\/smz\/2019\/07\/articles\/archiv_07-08-19_Focus_Interview.pdf' target='_blank' rel=\"noopener\">PDF dell'intervista<\/a><\/p>\n<p><strong><br \/> Suona da terra<\/strong><br \/> Progetto di ricerca Sounding Soil<\/p>\n<p><strong><br \/> Coltivare l\u02bcistruzione per spianare la strada dell\u02bcaccesso alla lamatura<\/strong><br \/> Chanter \u00e0 l\u02bc\u00e9cole \u00e8 molto di pi\u00f9 di un semplice momento di relax<\/p>\n<p><strong><br \/> Quando i compositori si chiudono, si illuminano o si spengono, i loro occhi si illuminano...<br \/> <\/strong>Il percorso dei compositori non segue necessariamente una strada completamente tracciata.<\/p>\n<p><strong><br \/> I Kurt\u00e1g e altri pezzi floreali<\/strong><br \/> Qualcosa fiorisce e appassisce di nuovo. L'\"Ars longa\" negozia la \"Vita brevis\".<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<div>\n<h3 class=''><span>... e anche<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<h4>CRITICA<\/h4>\n<p><a href='\/de\/rezensionen.html' target='_blank' rel=\"noopener\"><br \/> Nuove uscite discografiche, libri, spartiti<\/a><br \/> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>RISONANZA<\/h4>\n<p><strong><br \/> La costrizione diventa forza<\/strong> - Concerto diUMS \u02bcn JIP per Maria Porten<\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2019\/aldeburgh-festival-2019.html' target='_blank' rel=\"noopener\"><strong>Lo spirito di Benjamin Britten aleggia su ogni cosa <\/strong>- Festival di Aldeburgh<\/a><\/p>\n<p><a href='\/de\/berichte\/treffpunkte\/2019\/classical-next-2019.html' target='_blank' rel=\"noopener\"><strong>La polifonia nel XXI secolo<\/strong> - Classico:NEXT a Rotterdam<\/a><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2019\/900presente-cenci-battistelli.html' target='_blank' rel=\"noopener\"><strong>Nel labirinto del male<\/strong> - I Cenci di Giorgio Battistelli a Lugano<\/a><\/p>\n<p><a href='\/de\/berichte\/konzerte-festivals\/2019\/berliner-orchestertreff-2019.html' target='_blank' rel=\"noopener\"><strong>Il cammino comune come obiettivo musicale<\/strong> - Riunione dell'orchestra a Berlino<\/a><\/p>\n<p><strong>Le lezioni di George Benjamin<\/strong> - Lezioni di amore e violenza<\/p>\n<p><a href='\/de\/berichte\/treffpunkte\/2019\/pgm-kulturbotschaft.html' target='_blank' rel=\"noopener\"><strong>Armonico, dissonante, temperato?<\/strong> - Il Gruppo parlamentare sulla musica ha discusso la bozza del messaggio culturale<\/a><\/p>\n<p><strong>Carta bianca<\/strong> per Max Nyffeler<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>CAMPUS<\/h4>\n<p> <strong>Campi musicali e resilienza<\/strong><\/p>\n<p><a href='\/de\/berichte\/tagungen\/2019\/schulmusikkonferenz-berlin.html' target='_blank' rel=\"noopener\"><strong>Che suono ha il futuro?<\/strong> - Conferenza dello Young Ears Network a Berlino sul tema della scuola e della ricerca sonora<\/a><\/p>\n<p> \u00a0<\/p>\n<\/div>\n<div class='text-section'>\n<h4>BASE<\/h4>\n<p> Articoli e notizie dalle associazioni musicali<\/p>\n<p><a href='\/de\/basis\/eov.html' target='_blank' rel=\"noopener\">Associazione delle Orchestre Federali Svizzere (EOV) \/ Societ\u00e0 Federale delle Orchestre (SFO)<\/a><\/p>\n<p><a href='\/de\/basis\/fmd.html' target='_blank' rel=\"noopener\">ForumMusicalDiversity (FMD) \/ ForumDiversit\u00e9Musicale (FMD)<\/a><\/p>\n<p><a href='\/de\/basis\/kmhs.html' target='_blank' rel=\"noopener\">Konferenz Musikhochschulen Schweiz (KMHS) \/ Conf\u00e9rence des Hautes Ecoles de Musique Suisse (CHEMS)<\/a><\/p>\n<p><a href='\/de\/basis\/kalaidos.html' target='_blank' rel=\"noopener\">Universit\u00e0 di musica Kalaidos \/ Kalaidos Haute \u00c9cole de Musique<\/a><\/p>\n<p><a href='\/de\/basis\/smr-chorama.html' target='_blank' rel=\"noopener\">Consiglio svizzero della musica (SMR) \/ Conseil Suisse de la Musique (CSM) e CHorama<\/a><\/p>\n<p><a href='\/de\/basis\/smm.html' target='_blank' rel=\"noopener\">Societ\u00e0 svizzera di medicina musicale (SMM) \/ Association suisse de M\u00e9decine de la Musique (SMM)<\/a><\/p>\n<p><a href='\/de\/basis\/smg.html' target='_blank' rel=\"noopener\">Societ\u00e0 Svizzera di Musicologia (SMG) \/ Soci\u00e9t\u00e9 Suisse de Musicologie (SSM)<\/a><\/p>\n<p><a href='\/de\/basis\/smv.html' target='_blank' rel=\"noopener\">Associazione Svizzera dei Musicisti (SMV) \/ Union Suisse des Artistes Musiciens (USDAM)<\/a><\/p>\n<p><a href='\/de\/basis\/smpv.html' target='_blank' rel=\"noopener\">Associazione svizzera di pedagogia musicale (SMPV) \/ Soci\u00e9t\u00e9 Suisse de P\u00e9dagogie Musicale (SSPM)<\/a><\/p>\n<p><a href='\/de\/basis\/sonart.html' target='_blank' rel=\"noopener\">SONART - Musicisti Svizzera<\/a><\/p>\n<p><a href='\/de\/basis\/sjmw-ak.html' target='_blank' rel=\"noopener\">Fondazione Concorso Svizzero di Musica per la Giovent\u00f9 (SJMW) e Arosa Cultura<\/a><\/p>\n<p><a href='\/de\/basis\/suisa.html' target='_blank' rel=\"noopener\">SUISA - Societ\u00e0 cooperativa di autori ed editori di musica<\/a><\/p>\n<p><a href='\/de\/basis\/vms.html' target='_blank' rel=\"noopener\">Associazione Svizzera delle Scuole di Musica (VMS) \/ Associazione Svizzera delle Scuole di Musica (ASEM)<\/a><\/p>\n<\/div>\n<div class='text-section'>\n<h4>FINALE<\/h4>\n<p><strong><br \/> Indovinello<\/strong> - Pia Schwab sta cercando<\/p>\n<\/div>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Fila 9<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p>Da gennaio 2017, Michael Kube si \u00e8 sempre seduto per noi il 9 del mese in fila 9 - con commenti seri, riflessivi, ma anche divertenti, sugli sviluppi attuali e sul business musicale quotidiano.<\/p>\n<p> <a href='\/de\/meinung.html' target='_blank' rel=\"noopener\">Collegamento alla serie 9<\/a><\/p>\n<\/div>\n<div>\n<hr\/>\n<\/div>\n<div>\n<h3 class=''><span>Scarica l'edizione cartacea attuale<\/span><\/h3>\n<\/div>\n<div class='text-section'>\n<p><a href='\/de\/smz\/printarchiv.html' target='_blank' rel=\"noopener\"><strong>Qui <\/strong><\/a>\u00e8 possibile scaricare il numero attuale. Inserire il termine di ricerca \"e-paper\" nell'archivio di stampa.<br \/> Il download \u00e8 gratuito per gli abbonati.<\/p>\n<p> Tutti gli altri interessati riceveranno il PDF del numero attuale (o di un numero precedente) via e-mail. Costi: Fr. 8.-.<br \/> <a href='mailto:aboservice@musikzeitung.ch?subject=Bestellung%20PDF%20(e-paper)&#038;body=%0A%0AHiermit%20bestelle%20ich%20die%20Ausgabe%20.....%0Agegen%20Rechnung%20(CHF%208.-)%0A%0A'>Fare clic qui per ordinare l'e-paper.<\/a><\/p>\n<p>Saremo lieti di inviarvi anche la versione stampata. Costi: Fr. 10.-<br \/> <a href='mailto:aboservice@musikzeitung.ch?subject=Bestellung%20gedruckte%20Ausgabe&#038;body=%0A%0AHiermit%20bestelle%20ich%20die%20gedruckte%20Ausgabe%20Nr.%0Agegen%20Rechnung%20(CHF%2010.-)'>Fare clic qui per ordinare l'edizione stampata.<\/a><\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Per germogliare in abbondanza occorre il terreno giusto, nel campo della musica, ad esempio, condizioni politiche favorevoli o una solida formazione, mentre i cicli creativi si svolgono individualmente per tutti i musicisti.<\/p>","protected":false},"author":1,"featured_media":42127,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[],"class_list":["post-42126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>bl\u00fchen - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/allgemein\/2019\/06\/bluehen\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"bl\u00fchen - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"\u00dcppiges Spriessen braucht den richtigen Boden, im Bereich der Musik zum Beispiel g\u00fcnstige politische Rahmenbedingungen oder fundierte Ausbildung, w\u00e4hrend sch\u00f6pferische Zyklen bei allen Musikschaffenden individuell verlaufen.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/allgemein\/2019\/06\/bluehen\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-06-25T22:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-28T09:07:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr7.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"378\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"bl\u00fchen\",\"datePublished\":\"2019-06-25T22:00:00+00:00\",\"dateModified\":\"2023-02-28T09:07:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen\"},\"wordCount\":543,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/fr7.jpg\",\"articleSection\":[\"SMZ\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen\",\"name\":\"bl\u00fchen - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/fr7.jpg\",\"datePublished\":\"2019-06-25T22:00:00+00:00\",\"dateModified\":\"2023-02-28T09:07:45+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/fr7.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/fr7.jpg\",\"width\":554,\"height\":378},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/allgemein\\\/2019\\\/06\\\/bluehen#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"bl\u00fchen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/usericon_musikzeitung-96x96.jpg\",\"caption\":\"Musikzeitung-Redaktion\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"bl\u00fchen - Giornale musicale svizzero","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/allgemein\/2019\/06\/bluehen\/","og_locale":"it_IT","og_type":"article","og_title":"bl\u00fchen - Schweizer Musikzeitung","og_description":"\u00dcppiges Spriessen braucht den richtigen Boden, im Bereich der Musik zum Beispiel g\u00fcnstige politische Rahmenbedingungen oder fundierte Ausbildung, w\u00e4hrend sch\u00f6pferische Zyklen bei allen Musikschaffenden individuell verlaufen.","og_url":"https:\/\/www.musikzeitung.ch\/it\/allgemein\/2019\/06\/bluehen\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2019-06-25T22:00:00+00:00","article_modified_time":"2023-02-28T09:07:45+00:00","og_image":[{"width":554,"height":378,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr7.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"bl\u00fchen","datePublished":"2019-06-25T22:00:00+00:00","dateModified":"2023-02-28T09:07:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen"},"wordCount":543,"commentCount":0,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr7.jpg","articleSection":["SMZ"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen","url":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen","name":"bl\u00fchen - Giornale musicale svizzero","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr7.jpg","datePublished":"2019-06-25T22:00:00+00:00","dateModified":"2023-02-28T09:07:45+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr7.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/02\/fr7.jpg","width":554,"height":378},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/bluehen#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"bl\u00fchen"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Redazione Musikzeitung","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2022\/05\/usericon_musikzeitung-96x96.jpg","caption":"Musikzeitung-Redaktion"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/admin"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/42126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=42126"}],"version-history":[{"count":1,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/42126\/revisions"}],"predecessor-version":[{"id":42128,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/42126\/revisions\/42128"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/42127"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=42126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=42126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=42126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}