{"id":42147,"date":"2019-06-26T00:00:00","date_gmt":"2019-06-25T22:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2019\/06\/benedikt-wieland"},"modified":"2026-04-14T08:16:39","modified_gmt":"2026-04-14T06:16:39","slug":"benedikt-wieland","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/smz\/2019\/06\/benedikt-wieland","title":{"rendered":"Benedikt Wieland"},"content":{"rendered":"

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Che cosa \u00e8 stato necessario nel suo caso per sviluppare cos\u00ec bene la sua attivit\u00e0 di musicista?<\/em><\/p>\n

Il coraggio, la volont\u00e0 e la voglia di farlo comunque!<\/p>\n

Il fatto che io abbia avuto una bella evoluzione in questo processo \u00e8 molto relativo; il mio percorso non \u00e8 stato e non \u00e8 necessariamente lineare, ma cammino nel mondo con le braccia, gli occhi e le orecchie troppo aperte. Scopro sempre qualcosa di nuovo che mi affascina. Mantenere un equilibrio tra tutte le mie attivit\u00e0 spesso non \u00e8 facile, ma mi sento molto fortunata a poter fare ci\u00f2 che mi piace.<\/p>\n

Per me lo sviluppo \u00e8 un processo continuo che comporta anche l'armonizzazione dei miei desideri, delle mie visioni e delle mie aspettative con le mie azioni.<\/p>\n

Le condizioni in Svizzera sono favorevoli o dannose per lo sviluppo musicale?<\/em><\/p>\n

Per me la domanda dovrebbe essere: La Svizzera, un Paese con un'alta qualit\u00e0 di vita e un'elevata stabilit\u00e0 economica, fa abbastanza per promuovere lo sviluppo musicale?
\nS\u00ec e no. La Svizzera ha un programma di promozione culturale forte e soprattutto molto ampio, che ovviamente ci permette di fare molto.<\/p>\n

Questo crea un sacco di cose eccitanti, soprattutto nella musica di nicchia, perch\u00e9 \u00e8 pi\u00f9 facile provare qualcosa.<\/p>\n

A parte il fatto che le condizioni sociali in Svizzera non sono particolarmente elevate, soprattutto per le professioni artistiche o in generale per le persone che non sono principalmente a caccia di soldi, le condizioni non sarebbero probabilmente cos\u00ec male.<\/p>\n

Ma potremmo fare di pi\u00f9? Certamente. Avere soldi non \u00e8 innovativo. Ci\u00f2 che \u00e8 innovativo \u00e8 l'uso che se ne fa, e la Svizzera ha difficolt\u00e0 a mostrare i suoi colori, soprattutto alle nostre latitudini musicali. Anche la mentalit\u00e0 sociale gioca un ruolo importante. La musica non \u00e8 accettata quanto lo sport, per esempio.<\/p>\n

Non conosco nessun altro paese in cui la gente mi chieda cosa faccio per vivere e poi mi chieda cos'altro faccio non appena ho risposto...<\/p>\n

\u00c8 essenziale per l'autorealizzazione musicale andare all'estero?<\/em><\/p>\n

No, non direi che \u00e8 essenziale. Conosco tanti musicisti che si sono realizzati allo stesso modo senza passare lunghi periodi all'estero.<\/p>\n

Ma posso comunque consigliarlo a chiunque. Soprattutto se sentite il bisogno di uscire dalla vostra \"zona di comfort\". Per me, fare musica \u00e8 anche una ricerca costante e mi limiterebbe se non avessi l'opportunit\u00e0 di lasciare il mio ambiente familiare, la mia zona.<\/p>\n

Trovo anche che tutte le nuove impressioni che ricevo in un Paese straniero siano molto rinfrescanti: altri modi di vivere, altri modi di pensare, altre persone, altre prospettive... Trovo che tutto questo sia un grande arricchimento per il mio percorso. Ed \u00e8 anche emozionante guardare la Svizzera dall'esterno, perch\u00e9 molte cose sembrano molto diverse rispetto a quando ci si vive...<\/p>\n

Naturalmente, mi riferivo soprattutto alla vita all'estero. O forse intendeva dire \"in tourn\u00e9e\"? Con la musica di nicchia, \u00e8 ovviamente essenziale andare all'estero, perch\u00e9 la Svizzera \u00e8 troppo piccola per farlo. Dobbiamo uscire immediatamente. Preferibilmente il secondo giorno!)<\/p>\n<\/div>\n

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Benedikt Wieland \u00e8 il fondatore e membro della band Kaos Protokoll.\u00a0kaosprotokoll.ch<\/strong><\/a><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Che cosa \u00e8 stato necessario per far sbocciare la sua carriera?<\/p>","protected":false},"author":1,"featured_media":42148,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[27,1565],"tags":[5601],"class_list":["post-42147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-smz","tag-benedikt-wieland"],"acf":[],"yoast_head":"\nBenedikt Wieland - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Was brauchte es, damit seine Karriere so richtig aufbl\u00fchen konnte? 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