{"id":42360,"date":"2014-12-04T00:00:00","date_gmt":"2014-12-03T23:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2014\/12\/stille"},"modified":"2025-07-07T11:13:25","modified_gmt":"2025-07-07T09:13:25","slug":"stille","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/smz\/2014\/12\/stille","title":{"rendered":"Il silenzio"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div class=\"main-content article clearfix\">\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-65968\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web.jpg\" alt=\"\" width=\"1772\" height=\"1227\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-300x208.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-1024x709.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-768x532.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-1536x1064.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-253x175.jpg 253w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-505x350.jpg 505w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-1155x800.jpg 1155w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/12\/A_Front_Web-920x637.jpg 920w\" sizes=\"(max-width: 1772px) 100vw, 1772px\" \/><\/p>\n<div>\n<h3 class=\"\">Focus<\/h3>\n<\/div>\n<div class=\"text-section\">\n<p><a href=\"\/de\/smz\/aktuell\/2014\/12\/stille.html\"><strong>Il silenzio - nella musica di tutte le cose<\/strong><br \/>\nDieci saggi di autori emergenti sul tema del silenzio<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/musik-fuer-fledermaeuse\" target=\"_blank\" rel=\"noopener\"><strong>Musica per pipistrelli<\/strong><br \/>\nMusica su frequenze non udibili<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/eine-stunde-am-stillsten-ort-der-welt\" target=\"_blank\" rel=\"noopener\"><strong>Un'ora nel luogo pi\u00f9 tranquillo del mondo<\/strong><br \/>\nCome la musica, anche il silenzio ha i suoi lati oscuri<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/stille-nacht\" target=\"_blank\" rel=\"noopener\"><strong>Notte silenziosa<\/strong><br \/>\nIl famoso canto di Natale come espressione del silenzio<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/no-sound-is-innocent\" target=\"_blank\" rel=\"noopener\"><strong>(No) il suono \u00e8 innocente?<\/strong><br \/>\nIl silenzio nell'improvvisazione libera<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/musik-fuer-augen-und-kopf\" target=\"_blank\" rel=\"noopener\"><strong>Musica per gli occhi e la testa <\/strong><br \/>\nLo \"spartito\" di Kreidler<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/komm-tanzen\" target=\"_blank\" rel=\"noopener\"><strong>Forza, ballate! <\/strong><br \/>\nCosa sentiamo con l'orecchio interno?<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/die-zerstoerung-der-stille\" target=\"_blank\" rel=\"noopener\"><strong>La distruzione del silenzio <\/strong><br \/>\nMusica del rumore e del silenzio?<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/stille-am-klavier\" target=\"_blank\" rel=\"noopener\"><strong>Silenzio al pianoforte <\/strong><br \/>\nNatura, messaggio e limiti del silenzio musicale<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/noch-weniger-ist-leer\" target=\"_blank\" rel=\"noopener\"><strong>Ancora meno \u00e8 vuoto <\/strong><br \/>\nGiocare con la paura del vuoto<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/smz\/2014\/12\/musik-zum-lesen\" target=\"_blank\" rel=\"noopener\"><strong>Musica per la lettura <\/strong><br \/>\nIn opere di Herrmann Burger, Thomas Mann e Marina Tsvetaeva<\/a><\/p>\n<\/div>\n<div>\n<h3 class=\"\">... e anche<\/h3>\n<\/div>\n<div class=\"text-section\">\n<h4>RISONANZA<\/h4>\n<p><strong><br \/>\nLa voce d'angelo di Fritz Albert Warmbrodt<\/strong><\/p>\n<p><strong>Si loin, si proche :<\/strong> Susanne Abbuehl e Elina Duni al festival Jazzonze+<\/p>\n<p><strong>\"Creare prospettive \u00e8 importante\"<\/strong><br \/>\nIntervista a Balthasar Gl\u00e4ttli, presidente di Swiss Music Export<\/p>\n<p><strong>Come si fa a cantare i bambini per l'educazione?<\/strong><br \/>\nLe classi della Svizzera francese e del Burkina Faso creano delle chansons<\/p>\n<p><strong>Carta bianca:<\/strong> Hans Brupbacher sul futuro della SMZ<\/p>\n<p><strong>Recensioni di classica, rock e pop<\/strong> - Nuove pubblicazioni<\/p>\n<\/div>\n<div class=\"text-section\">\n<h4>CAMPUS<\/h4>\n<p><strong><br \/>\nMusica pre-universitaria della ZHdK<\/strong><\/p>\n<p><strong>Recensioni di letteratura didattica <\/strong>- Nuove pubblicazioni<strong><br \/>\n<\/strong><\/p>\n<p><strong>clacson<\/strong> Pagina dei bambini<\/p>\n<\/div>\n<div class=\"text-section\">\n<h4>FINALE<\/h4>\n<p><strong>Indovinello:<\/strong> Michael Kube sta cercando<\/p>\n<\/div>\n<div>\n<h3 class=\"\">Scarica il numero corrente<\/h3>\n<\/div>\n<div class=\"text-section\">\n<p><a href=\"\/de\/smz\/printarchiv.html\"><strong>Qui<\/strong><\/a> \u00e8 possibile scaricare il numero attuale. Inserire il termine di ricerca \"e-paper\" nell'archivio di stampa.<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Notte silenziosa, silenzio nell'improvvisazione libera, il posto pi\u00f9 silenzioso del mondo dove quasi ti spaventi... - giovani giornalisti musicali hanno esplorato il fenomeno del \"silenzio\" in varie forme. Vi presentiamo i loro saggi, scritti nell'ambito di un programma post-laurea presso la Scuola universitaria professionale della Svizzera nord-occidentale.<\/p>","protected":false},"author":1,"featured_media":65968,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[5101,5059],"class_list":["post-42360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-essay","tag-stille"],"acf":{"author":"SMZ"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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