{"id":42408,"date":"2014-05-08T00:00:00","date_gmt":"2014-05-07T22:00:00","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/allgemein\/2014\/05\/das-hackbrett-in-der-schweiz"},"modified":"2024-10-31T11:26:56","modified_gmt":"2024-10-31T10:26:56","slug":"das-hackbrett-in-der-schweiz","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/dossiers\/2014\/05\/das-hackbrett-in-der-schweiz","title":{"rendered":"Il dulcimer a martelli in Svizzera"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_59973\" aria-describedby=\"caption-attachment-59973\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-59973 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross.jpg\" alt=\"\" width=\"554\" height=\"233\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-300x126.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-18x8.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross-375x158.jpg 375w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-59973\" class=\"wp-caption-text\">Dulcimer dell'Appenzello costruito da Johann Fuchs, Appenzello 1990 Foto: Badri Redha \u00a9 Freilichtmuseum Ballenberg<\/figcaption><\/figure>\n<p>La seguente galleria fotografica completa l'articolo di Brigitte Bachmann-Geiser <a href=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/10\/archiv_05_Focus_Hackbrett_Schweiz.pdf\" target=\"_blank\" rel=\"noopener\"><em>Dulcimer in Svizzera<\/em><\/a>che si trova nel <em>Giornale musicale svizzero<\/em> 5\/2014 \u00e8 stato pubblicato.<\/p>\n<p>Le immagini provengono dall'archivio di Brigitte Bachmann-Geiser, costruito in 40 anni di ricerche. <strong>Le immagini non possono essere copiate.<\/strong> Se si \u00e8 interessati a singole immagini, si prega di contattare direttamente i proprietari delle immagini o di rivolgersi a <a href=\"mailto:contact@musikzeitung.ch\">contact@musikzeitung.ch<\/a> girare.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Immagine 1<\/strong><\/p>\n<div id='gallery-1' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"226\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-59974\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_-300x122.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_-18x7.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01A_-375x153.jpg 375w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-59974'>\n\t\t\t\tAccessori per il dulcimer dell'Appenzello, da sinistra a destra: ponticello, mazzuoli rivestiti in pelle su un lato, filo per l'incordatura, strumenti per l'accordatura. Foto: Badri Redha \u00a9 Museo all'aperto Ballenberg\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<\/div>\n<p><strong>Immagine 2<\/strong><\/p>\n<div id='gallery-2' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"296\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-2-59977\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack-300x160.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack-18x10.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/02Hack-328x175.jpg 328w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-59977'>\n\t\t\t\tDulcimer vallesano costruito da Edelbert Imhof. Gli stop (barre) su entrambi i lati permettono di alzare di un semitono il tono fondamentale di un coro di corde. Foto tratta da: Amad\u00e9 Salzmann, \"Il dulcimer a martelli nel Vallese\", Visp 1988\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><img class=\"size-full\" alt=\"\" \/><strong>Immagine 3<\/strong><\/p>\n<div id='gallery-3' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"503\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-3-59988\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack-300x272.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack-13x12.jpg 13w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack-193x175.jpg 193w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/03Hack-385x350.jpg 385w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-59988'>\n\t\t\t\tMooskirchner Streichmusik, musica per dulcimer della Stiria (Austria). La strumentazione corrisponde alla musica per archi dell'Appenzello. Foto: Archivio Brigitte Bachmann-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 4<\/strong><\/p>\n<div id='gallery-4' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"721\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-4-59989\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-231x300.jpg 231w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-134x175.jpg 134w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-269x350.jpg 269w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/04Hack-300x390.jpg 300w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-4-59989'>\n\t\t\t\tDisco dello stemma dello Junker Sebastian vom Stein (Cantone di Berna), 1504. Il dulcimer era anche uno strumento amatoriale popolare per le nobildonne nel XVI secolo. Dipinto a saldatura nera, dettaglio. Immagine: \u00a9 Museo nazionale svizzero LM-6237\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 5<\/strong><\/p>\n<div id='gallery-5' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"673\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-5-59990\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack.jpg 662w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-295x300.jpg 295w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-172x175.jpg 172w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-344x350.jpg 344w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-300x305.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/05Hack-48x48.jpg 48w\" sizes=\"auto, (max-width: 662px) 100vw, 662px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-5-59990'>\n\t\t\t\tBallo di carnevale a Svitto. Menestrelli in costume tradizionale con dulcimer e shawm suonano per il ballo di carnevale sulla Landmatte di Svitto. Diebold Schilling, Cronaca di Lucerna, 1513, foglio 259r. Immagine: Biblioteca centrale di Lucerna \u00a9 Propriet\u00e0 della Corporazione di Lucerna\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 6<\/strong><\/p>\n<div id='gallery-6' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"370\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-6-59991\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack-262x175.jpg 262w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/06Hack-524x350.jpg 524w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-6-59991'>\n\t\t\t\tDulcimer con un ponte e due campane. Xilografia tratta da: Sebastian Virdung, \"Musica getutscht\", Basilea 1511\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 7<\/strong><\/p>\n<div id='gallery-7' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"258\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-7-59992\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack-300x140.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack-18x8.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/07Hack-375x175.jpg 375w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-7-59992'>\n\t\t\t\tDulcimer del 1644 del Museo di storia locale di Davos. Foto: Rassegna di Davos 2013\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 8<\/strong><\/p>\n<div id='gallery-8' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"406\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-8-59993\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack-300x220.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack-16x12.jpg 16w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack-239x175.jpg 239w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/08Hack-478x350.jpg 478w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-8-59993'>\n\t\t\t\tVignetta di Franz Niklaus K\u00f6nig. Illustra la strumentazione della prima danza appenzellese annotata e stampata: violino, dulcimer e basso. Immagine tratta da: \"Sammlung von Schweizer=K\u00fchreihen und Volksliedern\", Berna 1826\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 9<\/strong><\/p>\n<div id='gallery-9' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"448\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-9-59994\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack-300x243.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack-15x12.jpg 15w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack-216x175.jpg 216w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/09Hack-433x350.jpg 433w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-9-59994'>\n\t\t\t\tGottlieb Emil Rittmeyer, Stubete auf Alp Sol, 1865, olio su tela, 114 x 142 cm, collocazione Kunstmuseum St.Gallen, acquisito dal Kunstverein St.Gallen nel 1865. L'ombrellino protegge dalla stonatura delle corde del dulcimer. Immagine: \u00a9 Kunstmuseum St. Gallen\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 10<\/strong><\/p>\n<div id='gallery-10' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"387\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-10-59995\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack-300x210.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack-251x175.jpg 251w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/10Hack-501x350.jpg 501w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-10-59995'>\n\t\t\t\tQuattro musicisti d'archi dell'Appenzello. La formazione originale di violino, dulcimer e basso, risalente agli inizi del XIX secolo, si \u00e8 trasformata in un quartetto con l'aggiunta di un secondo violino. I fondatori della Streichmusik Alder. Da sinistra a destra. Johann Jakob Hug, Ulrich e Johannes Alder, Johann Jakob Keller. Foto del 1880 circa, Adolf M\u00fcller, Herisau. Foto: Centro per la musica popolare dell'Appenzello\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 11<\/strong><\/p>\n<div id='gallery-11' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"349\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-11-59996\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack-300x189.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/11Hack-278x175.jpg 278w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-11-59996'>\n\t\t\t\tMusica per archi originale dell'Appenzello con due violini, violoncello, basso e dulcimer a martelli. Streichmusik Alder, presso la Gasthaus Sonne di Urn\u00e4sch (sul S\u00e4ntis), 1936 circa: Jakob Weiss jun. (basso), Jakob Alder, Widebach (1888-1956, violoncello), Johannes Alder (2\u00b0 violino), Jakob Alder (1\u00b0 violino), Emil Zimmermann (dulcimer). Foto: Centro per la musica popolare dell'Appenzello\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 12<\/strong><\/p>\n<div id='gallery-12' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"250\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-12-59997\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack.jpg 180w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack-9x12.jpg 9w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/12Hack-126x175.jpg 126w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-12-59997'>\n\t\t\t\tHackbrett-Fraueli (Anna B\u00fchlmann-Schlunegger, 1811-1897) a Grindelwald. Intorno al 1900, le donne suonavano il dulcimer in cambio di denaro all'ingresso della gola di L\u00fctschinen e del ghiacciaio superiore di Grindelwald. Immagine: Archivio Brigitte Bachmann-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 13<\/strong><\/p>\n<div id='gallery-13' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"361\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-13-59998\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack-300x195.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack-269x175.jpg 269w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/13Hack-537x350.jpg 537w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-13-59998'>\n\t\t\t\tAssociazione mondiale Cimbalom ad Appenzello, 2001 Foto: Archivio Johannes Fuchs\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 14<\/strong><\/p>\n<div id='gallery-14' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"372\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-14-59999\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack-300x201.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack-261x175.jpg 261w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/14Hack-521x350.jpg 521w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-14-59999'>\n\t\t\t\tLa Cina incontra Appenzello. Concerto ad Appenzello 2008 con Liu Yuening e Johannes Fuchs. Foto: Archivio Johannes Fuchs\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 15<\/strong><\/p>\n<div id='gallery-15' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"169\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-15-60000\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack.jpg 180w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack-13x12.jpg 13w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/15Hack-24x24.jpg 24w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-15-60000'>\n\t\t\t\tIl frontespizio del popolare libretto per dulcimer mostra un suonatore di dulcimer solista. Immagine: Archivio Brigitte Bachman-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 16<\/strong><\/p>\n<div id='gallery-16' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"183\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-16-60001\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack.jpg 180w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack-12x12.jpg 12w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack-172x175.jpg 172w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/16Hack-48x48.jpg 48w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-16-60001'>\n\t\t\t\tAll'aperto, la musica per archi \u00e8 suonata dall'armonica a mano invece che dal secondo violino e dal violoncello. Fotografo: Emil Grubenmann. Foto: Archivio Brigitte Bachmann-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 17<\/strong><\/p>\n<div id='gallery-17' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"584\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-17-60002\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-285x300.jpg 285w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-11x12.jpg 11w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-166x175.jpg 166w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-332x350.jpg 332w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-300x316.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/18Hack-24x24.jpg 24w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-17-60002'>\n\t\t\t\tFratelli Walpen. Anche i fratelli Adolph (dulcimer) e Josef (sassofono) Walpen di Grengiols, nel Canton Vallese, suonano il dulcimer a quattro mani. Foto: Walter Studer \u00a9 Peter Studer\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 18<\/strong><\/p>\n<div id='gallery-18' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"395\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-18-60003\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack-300x214.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack-245x175.jpg 245w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/19Hack-491x350.jpg 491w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-18-60003'>\n\t\t\t\tB\u00e4rnbieter Spiell\u00fct. L'ensemble suona con Christian Schwander al dulcimer a martelli. Foto: Archivio Brigitte Bachmann-Geiser\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><strong>Immagine 19<\/strong><\/p>\n<div class=\"main-content article clearfix\">\n<div class=\"media\">\n<div id='gallery-19' class='gallery galleryid-42408 gallery-columns-1 gallery-size-large'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"368\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-19-60004\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack.jpg 554w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack-300x199.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack-18x12.jpg 18w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2024\/11\/20Hack-527x350.jpg 527w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-19-60004'>\n\t\t\t\tIl gruppo di archi appenzellese Geschwister K\u00fcng. Questa band familiare \u00e8 composta principalmente da giovani donne: da sinistra: Clarigna, Roland, Mirena, Madlaina, Laraina K\u00fcng. Foto: Centro per la musica popolare dell'Appenzello\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<\/div>\n<div><\/div>\n<div class=\"text-section\">\n<p>&nbsp;<\/p>\n<\/div>\n<div>\n<h3 class=\"\">Discografia<\/h3>\n<p>Dulcimer e cetre in Svizzera. Registrazioni storiche (MGB 6258)<\/p>\n<p>Spillite dell'Alto Vallese (MGB 9704\/9602\/9202)<\/p>\n<p>Heinz Holliger, Alb-Chehr. Geischter- und \u00c4lplermusig fer d Oberwalliser Spillit<br \/>\n(ECM Nuova Serie 1540)<\/p>\n<p>Il nuovo progetto di musica originale per archi di Appenzello (MGB CD 6174)<\/p>\n<p>Noldi Alder con Klangcombi. Omaggio alla band d'archi Alder nel suo 125\u00b0 anniversario (MGB-NV 12)<\/p>\n<p>T\u00f6bi Tobler, musica di Tell (MGS-NV 6)<\/p>\n<p>Fratelli K\u00fcng (MGS-NV 18)<\/p>\n<p>Paul Huber, Concerto per dulcimer a martelli e orchestra d'archi (MH CD 1032)<\/p>\n<p>Renato Grisoni, Suite lirica per salterio e organo (LP ZYT 274)<\/p>\n<p>Karl-Heinz Schickhaus, Concerto per salterio (opere di Leopold Mozart, Paolo Salunini, Niccol\u00f2 Jommelli), Naxos CD 2205<\/p>\n<h3 class=\"\"><\/h3>\n<\/div>\n<div class=\"text-section\">\n<h3><strong>Bibliografia\/letteratura<\/strong><\/h3>\n<\/div>\n<div class=\"text-section\">\n<p>Brigitte Bachmann-Geiser: <em>La musica popolare e gli strumenti di musica popolare nella musica d'arte della Svizzera con particolare riguardo al dulcimer<\/em>. In: <em>La musica popolare nelle Alpi. Orizzonti interculturali e crossover<\/em>a cura di Thomas Nussbaumer, Verlag Mueller-Speiser, Anif 2006, pp. 207-223<\/p>\n<p>Antoine-Elis\u00e9e Cherbuliez: <em>Quelques observations sur le \"psalterion\" (tympanon) populaire suisse \"hammered dulcimer\" (dulcimero a martelli)<\/em>. In: <em>Rivista del Consiglio Internazionale della Musica Popolare.<\/em> Vol. 12, 1960, pp. 23-27<\/p>\n<p>Margret Engeler: <em>Il rapporto tra musica popolare, musicisti popolari e conservazione della musica popolare con l'esempio della musica per archi dell'Appenzello<\/em>Casa editrice Schl\u00e4pfer, Herisau\/Trogen 1984<\/p>\n<p>Brigitte Geiser: <em>Il dulcimer a martelli in Svizzera<\/em>, Visp 1973 (Pubblicazioni dell'Archivio Stockalper di Briga 25)<\/p>\n<p>Paul M. Gifford: <em>Il dulcimer a martelli<\/em>, Scarecow Press, Lanham Md., 2001<\/p>\n<p>Christoph Pf\u00e4ndler: <em>Il dulcimer svizzero oggi e domani<\/em>. In: <em>Bollettino. Organo di pubblicazione del GVS\/SMPS e del CH-EM<\/em>, 2013, pp. 33-38 (versione abbreviata della tesi di laurea di C. P., Scuola di Musica di Lucerna)<\/p>\n<p>Amad\u00e9 Salzmann: <em>Il dulcimer a martelli in Vallese. Istruzioni per la costruzione e l'esecuzione dello strumento<\/em>, Visp 1988<\/p>\n<p>Karl-Heinz Schickhaus: <em>Il dulcimer a martelli. Storia e storie,<\/em> Timpano di Sant'Osvaldo, 2001<\/p>\n<p>Yvonne Schmid: <em>Una scoperta sensazionale nel museo di storia locale<\/em>. In: Davos Review 88, 2013, p.8 13<\/p>\n<p>Matthias Weidmann: <em>Scuola di dulcimer. Corso per il dulcimer di Appenzello<\/em>Centro per la musica popolare dell'Appenzello, Gonten 2009; 2\/2010<\/p>\n<\/div>\n<div class=\"text-section\">\n<h3><strong>Collegamenti\u00a0<\/strong><\/h3>\n<\/div>\n<div><a href=\"https:\/\/vhbs.ch\/\" target=\"_blank\" rel=\"noopener\">https:\/\/vhbs.ch\/<\/a> (Associazione Svizzera dei Dulcimer)<br \/>\n<a href=\"http:\/\/www.cimbalom.org\">www.cimbalom.org<\/a><br \/>\n<a href=\"http:\/\/www.toebitobler.ch\">www.toebitobler.ch<\/a><br \/>\n<a href=\"http:\/\/www.triobann.ch\">www.triobann.ch<\/a><br \/>\n<a href=\"http:\/\/www.crazy-hackbrett.ch\">www.crazy-hackbrett.ch<\/a><br \/>\n<a href=\"https:\/\/mx3.ch\/hackandnick\" target=\"_blank\" rel=\"noopener\">https:\/\/mx3.ch\/hackandnick<\/a><br \/>\n<a href=\"http:\/\/www.nicolassenn.ch\">www.nicolassenn.ch<\/a><br \/>\n<a href=\"http:\/\/www.walteralder.ch\">www.walteralder.ch<\/a><br \/>\n<a href=\"http:\/\/www.remocrivelli.ch\">www.remocrivelli.ch<\/a><br \/>\n<a href=\"http:\/\/www.boesiger-hackbrett.ch\">www.boesiger-hackbrett.ch<\/a><br \/>\n<a href=\"http:\/\/www.hackbrett.com\">www.hackbrett.com<\/a><br \/>\n<a href=\"https:\/\/olga-mishula.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/olga-mishula.com\/<\/a><br \/>\n<a href=\"http:\/\/www.hackbrett.ch\">www.hackbrett.ch<\/a><br \/>\n<a href=\"http:\/\/www.saitenart.ch\">www.saitenart.ch<\/a><br \/>\n<a href=\"http:\/\/www.hackbrettbau.ch\">www.hackbrettbau.ch<\/a><\/div>\n<\/div>\n<div class=\"text-section\"><\/div>\n<h3><a href=\"https:\/\/www.musikzeitung.ch\/dossiers\/2014\/05\/le-hackbrett-en-suisse\" target=\"_blank\" rel=\"noopener\">R\u00e9sum\u00e9 fran\u00e7ais<\/a><\/h3>","protected":false},"excerpt":{"rendered":"<p>Immagini, discografia, letteratura e link <\/p>","protected":false},"author":1,"featured_media":59973,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1623],"tags":[4516],"class_list":["post-42408","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dossiers","tag-hackbrett"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Das Hackbrett in der Schweiz - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/dossiers\/2014\/05\/das-hackbrett-in-der-schweiz\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Das Hackbrett in der Schweiz - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Bilder, Diskografie, Literatur und Links\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/dossiers\/2014\/05\/das-hackbrett-in-der-schweiz\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-05-07T22:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-31T10:26:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2014\/05\/01_gross.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"233\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/dossiers\\\/2014\\\/05\\\/das-hackbrett-in-der-schweiz#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/dossiers\\\/2014\\\/05\\\/das-hackbrett-in-der-schweiz\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Das Hackbrett in der Schweiz\",\"datePublished\":\"2014-05-07T22:00:00+00:00\",\"dateModified\":\"2024-10-31T10:26:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/dossiers\\\/2014\\\/05\\\/das-hackbrett-in-der-schweiz\"},\"wordCount\":566,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/dossiers\\\/2014\\\/05\\\/das-hackbrett-in-der-schweiz#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/01_gross.jpg\",\"keywords\":[\"Hackbrett\"],\"articleSection\":[\"Dossiers\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/dossiers\\\/2014\\\/05\\\/das-hackbrett-in-der-schweiz\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/dossiers\\\/2014\\\/05\\\/das-hackbrett-in-der-schweiz\",\"name\":\"Das Hackbrett in der Schweiz - 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