{"id":43368,"date":"2023-03-30T19:59:28","date_gmt":"2023-03-30T17:59:28","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=43368"},"modified":"2023-03-29T11:19:03","modified_gmt":"2023-03-29T09:19:03","slug":"ein-filigranes-rach-3","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/03\/ein-filigranes-rach-3","title":{"rendered":"Un \"Rach 3\" in filigrana"},"content":{"rendered":"
\"\"
Orchestra sinfonica di Basilea. Foto: Pia Clodi Pesche e menta<\/figcaption><\/figure>\n

\u00c8 tempo di Rachmaninov, il cui 150\u00b0 compleanno viene celebrato ovunque. Il compositore russo ha trascorso alcuni anni del suo esilio sul Lago dei Quattro Cantoni nella Villa Senar, che \u00e8 attualmente in fase di ristrutturazione e sar\u00e0 poi aperta al pubblico. Un motivo in pi\u00f9 per l'Orchestra Sinfonica di Basilea per presentare su CD due delle sue opere pi\u00f9 importanti.<\/p>\n

Ci\u00f2 \u00e8 reso possibile anche dall'etichetta svizzera di successo Prospero, gestita da Martin Korn. Sono stati registrati Rapsodia su un tema di Paganini<\/em> op. 43 e il Concerto per pianoforte e orchestra n. 3 op. 30 allo Stadtcasino di Basilea. Una produzione svizzera che ha tutto, anche grazie all'eccellente pianista Irina Georgieva. La rumena ha da anni stretti legami con Basilea, dove ha studiato con Rudolf Buchbinder. Il suo pianismo \u00e8 fenomenale, delicato, sempre meravigliosamente udibile e mai \"denso\", nemmeno nella forza accordale di Rachmaninov. Questo biglietto da visita lo mostra gi\u00e0 nelle Variazioni di Paganini, che esegue in stile cameristico con un tocco delicato e un fraseggio meraviglioso. L'Orchestra Sinfonica di Basilea diretta da Sascha Goetzel fornisce un accompagnamento attento e sobrio. Il brano inizia con l'introduzione del tema da parte dell'orchestra con accenti brevi e morbidi, una preparazione ideale per l'interpretazione della pianista. In questo modo, l'ascoltatore viene messo fin dall'inizio nell'atmosfera del Terzo Concerto per pianoforte e orchestra, la seconda opera del programma del CD.<\/p>\n

\"\"
Irina Georgieva. Foto: zVg<\/figcaption><\/figure>\n

In questo concerto per pianoforte e orchestra, Rachmaninov \u00e8 pi\u00f9 diversificato nella strumentazione, pi\u00f9 vario e meno focalizzato sul puro effetto rispetto al secondo. Ed \u00e8 proprio qui che ci si meraviglia di ci\u00f2 che l'Orchestra Sinfonica di Basilea, questa volta sotto la direzione di Pablo Gonz\u00e1les, ha da offrire in termini di udibilit\u00e0, sottigliezza del suono e finezza. Un tappeto rosso per Irina Georgieva, che padroneggia la parte pianistica straordinariamente difficile come se fosse la cosa pi\u00f9 facile del mondo. Solo nello spettacolare finale si vorrebbe un po' pi\u00f9 di coraggio nel compiere un gesto grandioso e ampio.<\/p>\n

\"\"<\/em><\/p>\n

Sergei Rachmaninoff: Concerto per pianoforte e orchestra n. 3, Rapsodia su un tema di Paganini. Irina Georgieva, Orchestra Sinfonica di Basilea, Sascha Goetzel\/Pablo Gonz<\/em>\u00e1<\/em>les. Prospero Records Prosp0025<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Insieme all'Orchestra Sinfonica di Basilea, Irina Georgieva eseguir\u00e0 le Variazioni Paganini di Rachmaninov e il Terzo Concerto per pianoforte e orchestra. <\/p>","protected":false},"author":29,"featured_media":43373,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[29,1420],"tags":[2191,2190,2085,2039],"class_list":["post-43368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-tontraeger-rezensionen","tag-irina-georgieva","tag-rachmaninow","tag-sinfonieorchester-basel","tag-verena-naegele"],"acf":[],"yoast_head":"\nEin filigranes \u00abRach 3\u00bb - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/tontraeger-rezensionen\/2023\/03\/ein-filigranes-rach-3\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ein filigranes \u00abRach 3\u00bb - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Zusammen mit dem Sinfonieorchester Basel interpretiert Irina Georgieva neben dem 3. 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