{"id":43675,"date":"2023-03-31T17:35:58","date_gmt":"2023-03-31T15:35:58","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=43675"},"modified":"2023-04-03T17:44:36","modified_gmt":"2023-04-03T15:44:36","slug":"abendmusik-tafelmusik","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/berichte\/2023\/03\/abendmusik-tafelmusik","title":{"rendered":"Musica serale - Tafelmusik"},"content":{"rendered":"
\"\"
Georg Philipp Telemann. Incisione anonima. Immagine: Wikicommons<\/figcaption><\/figure>\n

Come parte del 38\u00b0 Festival di musica antica di Zurigo<\/a> ha avuto luogo l'11 marzo presso Istituto di Musicologia dell'Universit\u00e0 di Zurigo<\/a> una mattinata a tema (organizzata da Esma Cerkovnik e Hein Sauer). Tre contributi hanno fatto luce sul tema del festival Vespri I: Musica della sera - Musica da tavola <\/em>da una prospettiva musicologica e di studi tedeschi, rivelando la diversit\u00e0 del fenomeno della \"musica di sera\".<\/p>\n

Nella prima conferenza, Hein Sauer ha parlato dell'ambientazione dei vespri nel XVI secolo, che nel corso del secolo divenne gradualmente il fulcro della produzione musicale liturgica. In questo caso, il relatore ha mostrato il particolare significato che la composizione dei salmi e in particolare del Magnificat aveva nel XVI secolo, sia in Italia che nelle regioni protestanti a nord delle Alpi.<\/p>\n

La conferenza di Julia Amslinger (Gottinga) e Nathalie Emmenegger (Berna) ha affrontato l'ambientazione dei salmi da una prospettiva letteraria. Questi sono stati tradotti, formulati e organizzati di recente nel primo periodo moderno. L'esempio pi\u00f9 importante di Zurigo \u00e8 il lavoro di Johann Wilhelm Simler (1605-1672). Il suo Poesie tedesche<\/em> (1648) sono stati musicati a 4 voci sulla base del Salterio ginevrino. Il loro successo non fu solo caratterizzato da numerose edizioni, ma anche dalla loro diffusione da Zurigo alle montagne dei Grigioni.<\/p>\n

Infine, Ute Poetzsch (Magdeburgo) ha riferito in merito alla Musica da tavolo <\/em>Georg Philipp Telemann (1733). Ha dimostrato i problemi musicofili e musicali associati a questa impegnativa opera di musica da camera. Poetzsch ha cos\u00ec ampliato il campo d'azione per includere gli aspetti della musica strumentale del XVIII secolo.<\/p>\n

Questi contributi, ciascuno accompagnato da una vivace discussione, hanno costituito un eccellente preludio ai successivi concerti del festival.<\/p>","protected":false},"excerpt":{"rendered":"

Mattinata a tema presso l'Istituto di Musicologia dell'Universit\u00e0 di Zurigo. <\/p>","protected":false},"author":23,"featured_media":43676,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[28,1540],"tags":[2251],"class_list":["post-43675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-berichte","category-tagungen","tag-festival-alte-musik-zuerich"],"acf":[],"yoast_head":"\nAbendmusik \u2013 Tafelmusik - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Im Rahmen des 38. 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