{"id":43938,"date":"2023-04-24T09:45:43","date_gmt":"2023-04-24T07:45:43","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=43938"},"modified":"2023-04-24T09:51:57","modified_gmt":"2023-04-24T07:51:57","slug":"streams-konkurrenzieren-livekonzerte-nicht","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht","title":{"rendered":"Gli streaming non competono con i concerti dal vivo"},"content":{"rendered":"
\"\"
La situazione dal vivo (Foto: MPI per l'Estetica Empirica\/Felix Bernoully)<\/figcaption><\/figure>\n

Secondo il comunicato stampa del MPIEA, l'esperimento faceva parte di una serie di concerti in cui la Kammerphilharmonie ha trasformato gli spazi pubblici di Francoforte in luoghi per concerti. La sera dell'11 settembre 2022, l'ensemble ha eseguito due concerti con un programma identico nel campus Bockenheim della Goethe University di Francoforte. Le esibizioni, della durata di 60 minuti, comprendevano opere di George Gershwin e Florence Price, tra le altre. Si sono svolte nella Festsaal della Studierendenhaus e sono state trasmesse simultaneamente in streaming nel Caf\u00e9 KoZ situato nello stesso edificio. Il pubblico \u00e8 stato invitato a passare da una sala all'altra durante i concerti per sperimentare le qualit\u00e0 di entrambi i formati.<\/p>\n

Un totale di 130 persone ha assistito ai due spettacoli, che sono stati monitorati scientificamente dal MPIEA: 111 visitatori hanno partecipato alla pre-intervista e 96 al questionario post-intervista. Inoltre, i ricercatori hanno condotto un totale di 38 interviste in profondit\u00e0. La raccolta dei dati \u00e8 stata integrata da registrazioni video del pubblico durante i concerti. \"Come ci si aspettava, l'esperienza dal vivo \u00e8 stata descritta come pi\u00f9 intensa e accattivante nel complesso, ma anche il live stream ha lasciato un'ottima impressione per la maggior parte, soprattutto in termini di immagini e acustica\", riferisce Julia Merrill del MPIEA.<\/p>\n

Sebbene quasi tutti abbiano preferito la situazione dal vivo, i formati di streaming non sono stati affatto considerati superflui - e non solo come una valida alternativa in caso di mobilit\u00e0 limitata o per ragioni di costo, ad esempio. Per l'ulteriore esplorazione artistica dei formati live e broadcast, sembra quindi promettente non vedere tali formati come in competizione tra loro o voler copiare l'uno con l'altro. \u00c8 invece importante rendersi conto delle condizioni e delle possibilit\u00e0 specifiche di ciascun caso e sviluppare formati complementari come forme artistiche a s\u00e9 stanti, che rendono la musica tangibile in modi diversi.<\/p>\n

Per saperne di pi\u00f9:<\/strong>
\nhttps:\/\/www.aesthetics.mpg.de\/newsroom\/news\/news-artikel\/article\/live-vs-stream.html<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Un esperimento condotto dalla Kammerphilharmonie di Francoforte e dal Max Planck Institute for Empirical Aesthetics (MPIEA) dimostra che gli streaming non competono con i concerti dal vivo. Piuttosto, costituiscono un formato musicale audiovisivo indipendente.<\/p>","protected":false},"author":30,"featured_media":43941,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[27],"tags":[2328,2329],"class_list":["post-43938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-mpiea","tag-streams"],"acf":[],"yoast_head":"\nStreams konkurrenzieren Livekonzerte nicht - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Streams konkurrenzieren Livekonzerte nicht - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Ein Experiment der Kammerphilharmonie Frankfurt und des Max-Planck-Instituts f\u00fcr empirische \u00c4sthetik (MPIEA) zeigt, dass Streams keine Konkurrenz zum Livekonzert sind. Sie begr\u00fcnden vielmehr ein eigenst\u00e4ndiges audiovisuelles Musikformat.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/wolfgang.bohler.75\" \/>\n<meta property=\"article:published_time\" content=\"2023-04-24T07:45:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-24T07:51:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/04\/230424mpiea.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"987\" \/>\n\t<meta property=\"og:image:height\" content=\"742\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Wolfgang B\u00f6hler\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Wolfgang B\u00f6hler\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht\"},\"author\":{\"name\":\"Wolfgang B\u00f6hler\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/0da4fb82d243f1252850a35d0e87cf0c\"},\"headline\":\"Streams konkurrenzieren Livekonzerte nicht\",\"datePublished\":\"2023-04-24T07:45:43+00:00\",\"dateModified\":\"2023-04-24T07:51:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht\"},\"wordCount\":328,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/04\\\/230424mpiea.jpg\",\"keywords\":[\"MPIEA\",\"Streams\"],\"articleSection\":[\"News\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht\",\"name\":\"Streams konkurrenzieren Livekonzerte nicht - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/04\\\/230424mpiea.jpg\",\"datePublished\":\"2023-04-24T07:45:43+00:00\",\"dateModified\":\"2023-04-24T07:51:57+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/04\\\/230424mpiea.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/04\\\/230424mpiea.jpg\",\"width\":987,\"height\":742,\"caption\":\"Die Live-Situation im Festsaal (Foto: MPI f\u00fcr empirische \u00c4sthetik\\\/ Felix Bernoully)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/news\\\/2023\\\/04\\\/streams-konkurrenzieren-livekonzerte-nicht#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Streams konkurrenzieren Livekonzerte nicht\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/0da4fb82d243f1252850a35d0e87cf0c\",\"name\":\"Wolfgang B\u00f6hler\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/boehler_portraet_web-e1674139782246-96x96.jpg\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/boehler_portraet_web-e1674139782246-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/boehler_portraet_web-e1674139782246-96x96.jpg\",\"caption\":\"Wolfgang B\u00f6hler\"},\"sameAs\":[\"http:\\\/\\\/www.manacanto.ch\",\"https:\\\/\\\/www.facebook.com\\\/wolfgang.bohler.75\"],\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/wolfgang-boehler\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Streams konkurrenzieren Livekonzerte nicht - Schweizer Musikzeitung","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht\/","og_locale":"it_IT","og_type":"article","og_title":"Streams konkurrenzieren Livekonzerte nicht - Schweizer Musikzeitung","og_description":"Ein Experiment der Kammerphilharmonie Frankfurt und des Max-Planck-Instituts f\u00fcr empirische \u00c4sthetik (MPIEA) zeigt, dass Streams keine Konkurrenz zum Livekonzert sind. Sie begr\u00fcnden vielmehr ein eigenst\u00e4ndiges audiovisuelles Musikformat.","og_url":"https:\/\/www.musikzeitung.ch\/it\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_author":"https:\/\/www.facebook.com\/wolfgang.bohler.75","article_published_time":"2023-04-24T07:45:43+00:00","article_modified_time":"2023-04-24T07:51:57+00:00","og_image":[{"width":987,"height":742,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/04\/230424mpiea.jpg","type":"image\/jpeg"}],"author":"Wolfgang B\u00f6hler","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Wolfgang B\u00f6hler","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht"},"author":{"name":"Wolfgang B\u00f6hler","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/0da4fb82d243f1252850a35d0e87cf0c"},"headline":"Streams konkurrenzieren Livekonzerte nicht","datePublished":"2023-04-24T07:45:43+00:00","dateModified":"2023-04-24T07:51:57+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht"},"wordCount":328,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/04\/230424mpiea.jpg","keywords":["MPIEA","Streams"],"articleSection":["News"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht","url":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht","name":"Streams konkurrenzieren Livekonzerte nicht - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/04\/230424mpiea.jpg","datePublished":"2023-04-24T07:45:43+00:00","dateModified":"2023-04-24T07:51:57+00:00","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/04\/230424mpiea.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/04\/230424mpiea.jpg","width":987,"height":742,"caption":"Die Live-Situation im Festsaal (Foto: MPI f\u00fcr empirische \u00c4sthetik\/ Felix Bernoully)"},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/news\/2023\/04\/streams-konkurrenzieren-livekonzerte-nicht#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Streams konkurrenzieren Livekonzerte nicht"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/0da4fb82d243f1252850a35d0e87cf0c","name":"Wolfgang B\u00f6hler","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/boehler_portraet_web-e1674139782246-96x96.jpg","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/boehler_portraet_web-e1674139782246-96x96.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/boehler_portraet_web-e1674139782246-96x96.jpg","caption":"Wolfgang B\u00f6hler"},"sameAs":["http:\/\/www.manacanto.ch","https:\/\/www.facebook.com\/wolfgang.bohler.75"],"url":"https:\/\/www.musikzeitung.ch\/it\/author\/wolfgang-boehler"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/43938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=43938"}],"version-history":[{"count":4,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/43938\/revisions"}],"predecessor-version":[{"id":43943,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/43938\/revisions\/43943"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/43941"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=43938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=43938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=43938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}