{"id":45407,"date":"2023-06-10T14:20:39","date_gmt":"2023-06-10T12:20:39","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=45407"},"modified":"2023-06-07T17:34:47","modified_gmt":"2023-06-07T15:34:47","slug":"blockfloete_meyer","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/06\/blockfloete_meyer","title":{"rendered":"Composizione originale swingante"},"content":{"rendered":"<figure id=\"attachment_45414\" aria-describedby=\"caption-attachment-45414\" style=\"width: 1400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-45414 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07.jpg\" alt=\"\" width=\"1400\" height=\"804\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07-300x172.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07-1024x588.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07-768x441.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07-1536x882.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07-305x175.jpg 305w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07-609x350.jpg 609w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07-1393x800.jpg 1393w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Raphael-07-920x528.jpg 920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption id=\"caption-attachment-45414\" class=\"wp-caption-text\">Raphael Benjamin Meyer. Foto: zVg<\/figcaption><\/figure>\n<p>Raphael Benjamin Meyer \u00e8 noto soprattutto come compositore cinematografico (ad esempio, per il suo lavoro di ricerca e sviluppo). <em>Il becchino<\/em>), ma \u00e8 anche un suonatore di flauto dolce che ha studiato alla Schola Cantorum Basiliensis e dirige tre orchestre di flauti dolci. <em>La cosa dello swing<\/em> \u00e8 una composizione su commissione in cui riesce a combinare in modo congeniale le sue professioni, esperienze e passioni.<\/p>\n<p><em>La cosa dello swing<\/em> sia in partitura singola che in partitura corale. La composizione a due voci \u00e8 in linea di principio a cinque voci (SATTB) con l'aggiunta opzionale di voci in do basso e sottobasso. Tuttavia, queste voci aggiuntive non si limitano a raddoppiare le voci pi\u00f9 basse del movimento, ma formano a volte interessanti controvoci, che conferiscono alla composizione oscillante, in gran parte ternaria, un'ulteriore scansione. Probabilmente il compositore aveva in mente anche i diversi livelli e le diverse realt\u00e0 degli ensemble di flauti dolci quando ha creato la struttura formale: una breve introduzione \u00e8 seguita da una sezione swing pi\u00f9 lunga a un tempo moderato, che conduce a una stretta metricamente pi\u00f9 complicata con un livello di difficolt\u00e0 significativamente pi\u00f9 alto. Anche in questo caso si tratta di un'opzione; la composizione pu\u00f2 anche essere conclusa con la notazione fine tra parentesi alla fine della prima parte.<\/p>\n<p><em>La cosa dello swing<\/em> arricchisce il repertorio con una composizione autentica che si basa sulle qualit\u00e0 dello strumento e non deve adattare una composizione esistente per flauti dolci. Tuttavia, Raphael Benjamin Meyer dimostra che negli arrangiamenti (come il famoso mottetto di Mozart <em>Ave verum corpus<\/em>Heinrichshofen &amp; Noetzel N2687) che padroneggia molto bene anche questo mestiere e tiene conto sia dei vantaggi dello strumento che della struttura e della bellezza tonale della composizione.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-45409 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/06_crit_note_Joos_Swing-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/06_crit_note_Joos_Swing-230x300.jpg 230w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/06_crit_note_Joos_Swing-134x175.jpg 134w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/06_crit_note_Joos_Swing-269x350.jpg 269w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/06_crit_note_Joos_Swing-300x391.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/06_crit_note_Joos_Swing.jpg 600w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/p>\n<p><em>Raphael Benjamin Meyer: The Swing Thing, per 5-7 flauti dolci; partitura: N2890, \u20ac 10,00; parti disponibili separatamente; Heinrichshofen &amp; Noetzel, Wilhelmshaven<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Raphael Benjamin Meier ha incluso nel suo brano per ensemble di flauti dolci da cinque a sette parti e variazioni per esecutori pi\u00f9 o meno esperti. <\/p>","protected":false},"author":29,"featured_media":45414,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[2563,2562,2564],"class_list":["post-45407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-blockfloetenensemble","tag-raphael-benjamin-meyer","tag-swing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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