{"id":45681,"date":"2023-06-29T14:03:12","date_gmt":"2023-06-29T12:03:12","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=45681"},"modified":"2023-06-27T11:16:37","modified_gmt":"2023-06-27T09:16:37","slug":"isaac-makhdoomi","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/06\/isaac-makhdoomi","title":{"rendered":"Isaac Makhdoomi come compositore ed esecutore"},"content":{"rendered":"<figure id=\"attachment_45683\" aria-describedby=\"caption-attachment-45683\" style=\"width: 3543px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-45683 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi.jpg\" alt=\"\" width=\"3543\" height=\"2362\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-300x200.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-1024x683.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-600x400.jpg 600w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-768x512.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-1536x1024.jpg 1536w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-2048x1365.jpg 2048w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-263x175.jpg 263w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-525x350.jpg 525w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-1200x800.jpg 1200w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Isaac_Makhdoomi-920x613.jpg 920w\" sizes=\"auto, (max-width: 3543px) 100vw, 3543px\" \/><figcaption id=\"caption-attachment-45683\" class=\"wp-caption-text\">Isaac Makhdoomi. Foto: zVg<\/figcaption><\/figure>\n<p>Proveniente da una famiglia indiano-svizzera, il flautista Isaac Makhdoomi non solo ha nel cuore due culture, ma \u00e8 anche a suo agio come musicista e compositore in un'ampia variet\u00e0 di stili. Il suo <em>Sonata per Flauto dolce<\/em> \u00e8 nato dall'esigenza di aggiungere un nuovo pezzo alle opere solistiche del periodo barocco, tenendo conto della sua realizzabilit\u00e0 con il flauto dolce, cio\u00e8 dei vantaggi e dei limiti specifici dello strumento. Il risultato \u00e8 un'opera in quattro movimenti che ricorda melodicamente Telemann, anche Corelli e in alcuni punti armonicamente Bach, ma in cui si trovano anche piccoli ornamenti francesi e inglesi - un'affascinante sonata o suite barocca multiculturale, per cos\u00ec dire.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-45685 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/07_crit_note_Joos_Makhdoomi1-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/07_crit_note_Joos_Makhdoomi1-230x300.jpg 230w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/07_crit_note_Joos_Makhdoomi1-134x175.jpg 134w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/07_crit_note_Joos_Makhdoomi1-269x350.jpg 269w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/07_crit_note_Joos_Makhdoomi1-300x391.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/07_crit_note_Joos_Makhdoomi1.jpg 600w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/>Makhdoomis <em>Catturare i momenti<\/em> invece, \u00e8 una composizione contemporanea, tradizionalmente annotata, divisa in tre sezioni e intitolata \"mistica, libera\". L'inizio e la fine hanno un carattere improvvisativo e ricordano la musica indiana per flauto. La musica indugia ripetutamente su note pi\u00f9 lunghe per passare a una pausa o alla successiva nota lunga in brevi e veloci corse o sequenze ritmiche. La sezione centrale, ritmicamente pi\u00f9 veloce, \u00e8 intesa come retorica, iniziando con sillabe rumorose e precisamente annotate da pronunciare nel flauto e poi scaricandosi in multifonici e in un udibile frastuono delle dita.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-45688 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Joos_Makhdoomi2-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Joos_Makhdoomi2-212x300.jpg 212w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Joos_Makhdoomi2-124x175.jpg 124w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Joos_Makhdoomi2-248x350.jpg 248w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Joos_Makhdoomi2-566x800.jpg 566w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Joos_Makhdoomi2-300x424.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/Joos_Makhdoomi2.jpg 640w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/>Isaac Makhdoomi non pu\u00f2 essere classificato semplicemente come un artista. \u00c8 noto al pubblico televisivo fin dalla sua apparizione a \"I pi\u00f9 grandi talenti della Svizzera\" come membro del gruppo Sangit Saathi, dove ha prodotto suoni funky dal flauto dolce e ha deliziato il pubblico. Il suo nuovo CD con i concerti di Antonio Vivaldi mostra un lato completamente diverso del musicista. L'album, sapientemente concepito e straordinariamente ben mixato, in cui Makhdoomi accosta i noti concerti a due gioielli d'aria, non solo colpisce per il suo potente virtuosismo, le dinamiche chiaramente delineate, l'eccitante strumentazione nel continuo e i momenti improvvisativi, ma soprattutto per la sua grande individualit\u00e0 e il desiderio di suono nei movimenti lenti lirici e riccamente ornati.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-45687 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-300x300.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-175x175.jpg 175w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-350x350.jpg 350w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-250x250.jpg 250w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-150x150.jpg 150w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-100x100.jpg 100w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-24x24.jpg 24w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-48x48.jpg 48w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3-96x96.jpg 96w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/06\/05_crit_note_Joos_Makhdoomi3.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Isaac Makhdoomi: Sonata per Flauto dolce, per flauto dolce contralto solo, N 2462, \u20ac 11,90, Heinrichshofen &amp; Noetzel, Wilhelmshaven<\/em><\/p>\n<p><em>Isaac Makhdoomi: Catching Moments, per flauto dolce contralto, EFT 3131, \u20ac 9,00, Edition Tre Fontane, M\u00fcnster \u00a0<\/em><\/p>\n<p><em>Vivaldi Concerti per flauto e Arie. Isaac Makhdoomi, flauto dolce; Ensemble Piccante; Arnaud Gluck, controtenore. Prospero PROSP0064<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Recentemente sono stati pubblicati un pezzo per flauto dolce in stile barocco e un lavoro solistico contemporaneo nato dalla sua penna. \u00c8 inoltre presente nel CD \"Vivaldi Concerti per flauto e Arie\". <\/p>","protected":false},"author":29,"featured_media":45683,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29,1420],"tags":[2630,2629,2631],"class_list":["post-45681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","category-tontraeger-rezensionen","tag-blockfloete","tag-isaac-makhdoomi","tag-vivaldi"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Isaac Makhdoomi als Komponist und Interpret - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/06\/isaac-makhdoomi\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Isaac Makhdoomi als Komponist und Interpret - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Ein Blockfl\u00f6tenst\u00fcck im barocken Stil und ein zeitgen\u00f6ssiches Solowerk aus seiner Feder sind k\u00fcrzlich erschienen. 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