{"id":45758,"date":"2023-07-03T16:55:34","date_gmt":"2023-07-03T14:55:34","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=45758"},"modified":"2023-06-27T17:45:22","modified_gmt":"2023-06-27T15:45:22","slug":"18jahrhundert","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2023\/07\/18jahrhundert","title":{"rendered":"Panoramica e ricchezza di dettagli"},"content":{"rendered":"
\"\"
Prova d'opera. Dipinto a olio di Marco Ricci, 1709 circa (schiarito). Centro di Yale per l'arte britannica\/Wikimedia commons<\/a><\/figcaption><\/figure>\n

Sembra quasi impossibile riassumere un'epoca come il XVIII secolo, che in realt\u00e0 non \u00e8 affatto un'epoca, in un solo libro. L'arco politico, ideologico, artistico e musicale che copre \u00e8 troppo ampio. Elisabeth Schmierer - che fa ricerca e insegna all'Universit\u00e0 delle Arti Folkwang di Essen - non si concentra quindi su singole personalit\u00e0, ma segue piuttosto gli sviluppi di vari generi, che a sua volta illumina sullo sfondo sociale rispettivo. Come si \u00e8 sviluppata la musica da chiesa durante l'Illuminismo e l'emergere del business dei concerti? Come appare la canzone di fronte allo \"specchio della cultura musicale borghese\"? E soprattutto, ancora e ancora: a che punto \u00e8 il teatro musicale? Il tutto \u00e8 molto istruttivo, perch\u00e9 Schmierer raccoglie anche una grande quantit\u00e0 di materiale su settori collaterali come la pantomima del balletto o la musica da programma.<\/p>\n

A volte quasi troppo, tanto che si rischia di perdere la visione d'insieme durante la lettura. L'assenza di note a pi\u00e8 di pagina (ci sono invece molte parentesi) rende il testo ancora meno leggibile. Immagini ed esempi musicali sono quasi del tutto assenti. Anche se un glossario in appendice spiega i termini pi\u00f9 importanti, ci\u00f2 non impedisce al libro di essere piuttosto poco chiaro.<\/p>\n

Ne citer\u00f2 un esempio preferito, il poema della Passione dello scrittore e consigliere comunale di Amburgo Barthold Heinrich Brockes, che fu musicato da alcuni dei pi\u00f9 importanti compositori come Handel, Telemann e St\u00f6lzel, e di cui si serv\u00ec anche Bach. Questi nomi e altri ancora vengono citati, cos\u00ec come il fatto che Brockes reintrodusse il testo evangelico nell'oratorio della Passione, anche se con qualche rima. E questo \u00e8 tutto. Nulla sulle soluzioni individuali ed emozionanti che il testo altamente espressivo ha ispirato ai musicisti. No, l'enumerazione prosegue a rotta di collo.<\/p>\n

In definitiva, il volume, che presenta in copertina tre donne che fanno musica, rafforza l'impressione che la composizione femminile non abbia avuto alcun ruolo in quell'epoca. Solo \u00c9lisabeth-Claude Jacquet de la Guerre compare come compositrice donna. Mancano Juliane Reichardt e Madame de Montg\u00e9roult, una delle prime insegnanti donne del Conservatorio di Parigi. Nonostante queste omissioni, il volume offre una buona panoramica ed \u00e8 certamente utile per tutti coloro che insegnano storia della musica e desiderano collegarla a un quadro pi\u00f9 ampio.\"\"
\nElisabeth Schmierer: La musica del XVIII secolo, 345 p., \u20ac 32,80, Laaber, Lilienthal 2022, ISBN 978-3-89007-858-8<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Elisabeth Schmierer raccoglie una grande quantit\u00e0 di materiale nella sua presentazione \"La musica del XVIII secolo\". <\/p>","protected":false},"author":29,"featured_media":45760,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1214,29],"tags":[2669,2668,2670,2671],"class_list":["post-45758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buecher-rezensionen","category-rezensionen","tag-18-jahrhundert","tag-elisabeth-schmierer","tag-gattungsentwicklung","tag-musikgeschichte"],"acf":[],"yoast_head":"\n\u00dcbersicht und Detailreichtum - Schweizer Musikzeitung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/buecher-rezensionen\/2023\/07\/18jahrhundert\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00dcbersicht und Detailreichtum - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Elisabeth Schmierer tr\u00e4gt in ihrer Darstellung \u00abDie Musik des 18. 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