{"id":47155,"date":"2023-09-10T14:20:57","date_gmt":"2023-09-10T12:20:57","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=47155"},"modified":"2023-09-06T16:05:07","modified_gmt":"2023-09-06T14:05:07","slug":"oboe-englischhorn","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/09\/oboe-englischhorn","title":{"rendered":"Ricostruito, edito per la prima volta o completamente nuovo"},"content":{"rendered":"
\"\"
Foglie di oboe. Foto: Vivasis\/depositphotos.com<\/figcaption><\/figure>\n

In un elenco dei pi\u00f9 importanti oboisti della storia della musica, il nome di Gustave Vogt (1781-1870) non dovrebbe mancare accanto a quelli dei fratelli Pl\u00e0, Carlo Yvon, Antonio Pasculli, L\u00e9on Goossens, Evelyn Rothwell e Heinz Holliger. Nella prima met\u00e0 del XIX secolo, ha formato due generazioni di suonatori per quasi 50 anni e ha avuto un'influenza fondamentale sulla scuola parigina di oboe. Solo il 2\u00b0 movimento di un concerto in tre movimenti per cor anglais e orchestra \u00e8 sopravvissuto nell'originale. La stessa musica appare in una versione trasposta nel suo 2\u00b0 concerto per oboe, il che ha spinto l'oboista ed editore Michel Rosset a trasporre allo stesso modo il 1\u00b0 e il 3\u00b0 movimento per cor anglais. La sua lodevole ricostruzione \u00e8 molto convincente.<\/p>\n

I tre movimenti direttamente consecutivi seguono un gesto romantico e il tono operistico ricorda a tratti quello dell'opera di quasi 20 anni prima. Sc\u00e8ne<\/em> per cor anglais e orchestra di Antoine Reicha. L'alto livello di virtuosismo \u00e8 ben presente, i passaggi vocali sono sempre finemente e riccamente ornati, e la composizione, che dura un buon quarto d'ora, \u00e8 anche formalmente convincente nel modo pi\u00f9 bello.\"\"<\/p>\n

L'originale concerto in do maggiore di Domenico Cimarosa fu pubblicato per la prima volta dalla stessa casa editrice. Fu scritto nel 1781, tre anni dopo il famoso contributo di Mozart a questo genere. Sebbene vi siano certamente echi del grande modello, i due concerti non sono paragonabili. Cimarosa compone in modo molto pi\u00f9 sintetico - riesce a scrivere un vero e proprio rond\u00f2 in soli 2 minuti nel 3\u00b0 movimento, ad esempio - e combina i movimenti con una scrittura \"attacca\". Il fulcro del concerto \u00e8 un Andante sostenuto vocale in la minore: qui Cimarosa si dimostra un ispirato compositore d'opera.\"\"<\/p>\n

P\u0113teris Vasks' ha appena pubblicato un nuovo concerto. Il suo concerto per corno inglese (1989) \u00e8 gi\u00e0 diventato molto popolare, presumibilmente a causa della sua smaccata vicinanza stilistica con il concerto di Jean Sibelius. Cigno di Tuonela<\/em>. Il suo concerto per oboe, che ora \u00e8 stato pubblicato (come riduzione per pianoforte con parte solista), probabilmente trover\u00e0 spazio anche nelle sale da concerto, poich\u00e9 il suo linguaggio tonale semplice e modale si rivolge ai gusti musicali del pubblico degli abbonati. Due pastorali melodiche (Pastorale del mattino e Pastorale della sera) fanno da cornice a un vivace movimento centrale, in cui varie danze e un arioso si uniscono e fanno da cornice a un'ampia cadenza solistica. La fragile riduzione per pianoforte difficilmente sar\u00e0 soddisfacente per un'esecuzione, ma serve solo come preparazione per una prova con orchestra.\"\"<\/p>\n

Gustave Vogt:<\/strong> Solo de Concert pour le Cor anglais, per cor anglais e grande orchestra, prima edizione e ricostruzione di Michel Rosset; partitura: EW 1216, \u20ac 32,50; riduzione per pianoforte: EW 1208, \u20ac 18,50; Edition Walhall, Magdeburg<\/em><\/p>\n

Domenico Cimarosa:<\/strong> Concerto in do maggiore per oboe solo, 2 corni, 2 violini, viola e basso, prima edizione di Sandro Caldini; partitura: EW 1200, \u20ac 23,50; riduzione per pianoforte: EW 1194, \u20ac 14,90; Edition Walhall, Magdeburg<\/em><\/p>\n

P\u0113teris Vasks:<\/strong> Concerto per oboe e orchestra, riduzione per pianoforte di Claus-Dieter Ludwig, ED 23365, edizione a stampa \u20ac 32,00, Schott, Mainz<\/em><\/p>\n

 <\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Concerti per oboe o cor anglais di Gustave Vogt, Domenico Cimarosa e P\u0113teris Vasks.<\/p>","protected":false},"author":29,"featured_media":47158,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[2938,2781,2937,2101,2939],"class_list":["post-47155","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-domenico-cimarosa","tag-englischhorn","tag-gustave-vogt","tag-oboe","tag-peteris-vasks"],"acf":[],"yoast_head":"\nRekonstruiert, erstmals ediert oder ganz neu - 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