{"id":48615,"date":"2023-10-27T18:19:05","date_gmt":"2023-10-27T16:19:05","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=48615"},"modified":"2023-11-02T09:46:55","modified_gmt":"2023-11-02T08:46:55","slug":"die-weltrhythmusformel","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/10\/die-weltrhythmusformel","title":{"rendered":"La \"formula del ritmo mondiale\""},"content":{"rendered":"<figure id=\"attachment_48632\" aria-describedby=\"caption-attachment-48632\" style=\"width: 1411px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-48632 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL.jpg\" alt=\"\" width=\"1411\" height=\"889\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL.jpg 1400w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL-300x189.jpg 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL-1024x645.jpg 1024w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL-768x484.jpg 768w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL-278x175.jpg 278w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL-556x350.jpg 556w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL-1270x800.jpg 1270w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Depositphotos_29796491_XL-920x580.jpg 920w\" sizes=\"auto, (max-width: 1411px) 100vw, 1411px\" \/><figcaption id=\"caption-attachment-48632\" class=\"wp-caption-text\">Foto: cheekylorns2\/depositphotos.com<\/figcaption><\/figure>\n<p>Che cosa hanno in comune la musica africana, orientale e caraibica? Niente di meno che la \"formula del ritmo mondiale\". Essa recita:<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-48621\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Reiter-Weltrhythmusformel.png\" alt=\"\" width=\"133\" height=\"50\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Reiter-Weltrhythmusformel.png 379w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Reiter-Weltrhythmusformel-300x112.png 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/Reiter-Weltrhythmusformel-375x141.png 375w\" sizes=\"auto, (max-width: 133px) 100vw, 133px\" \/>Solo l'intonazione e l'enfasi dei singoli battiti fanno la differenza tra la sensazione africana, orientale o latina. Nella versione africana, la formula ritmica \u00e8<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-48623 aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/afrikanisch.png\" alt=\"\" width=\"130\" height=\"56\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/afrikanisch.png 402w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/afrikanisch-300x128.png 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/afrikanisch-375x160.png 375w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/p>\n<p>in Oriente<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-48625 aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/orientalisch.png\" alt=\"\" width=\"130\" height=\"60\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/orientalisch.png 384w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/orientalisch-300x138.png 300w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/orientalisch-375x172.png 375w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/>nei Caraibi<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-48626 aligncenter\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/karibisch.png\" alt=\"\" width=\"130\" height=\"55\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/karibisch.png 376w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/karibisch-300x126.png 300w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/>Inoltre, ci sono gli strumenti che compongono il suono specifico. Le tecniche di esecuzione del djembe (africano), della conga (caraibica), della darabukka (orientale) e di altri strumenti a percussione sono spiegate in modo conciso e chiaro e dimostrate nei video, disponibili tramite l'app Helbling Media.<\/p>\n<p>I motivi rock e pop, invece, sfidano il senso ternario del ritmo e sono dritti. A seconda della canzone, tuttavia, si adattano meglio. La batteria \u00e8 poi distribuita su pi\u00f9 strumenti a percussione e quindi si presta bene alla creazione di musica in classe. Il choro brasiliano o la samba hanno un'impronta diversa, per non parlare dei ritmi bizzarri dei Balcani. Tutti questi stili, ognuno con i propri accenti e colori tonali, hanno il loro posto speciale in classe. <em>Ritmo senza confini<\/em> ingresso trovato.<\/p>\n<p>La formula ritmica di due crotchets punteggiati pi\u00f9 un crotchet costituisce la base degli arrangiamenti che accompagnano le canzoni campione. Quindi, per una volta, \u00e8 il contrario: non sono i playback ritmici ad accompagnare le canzoni, ma le melodie e le armonie che sostengono i ritmi suonati nell'ensemble. Nell'applicazione \u00e8 possibile visualizzare sia le versioni complete dei brani che le versioni di riproduzione senza strumenti ritmici.<\/p>\n<p><strong>Ritmi con o senza canzoni<\/strong><\/p>\n<p>L'autore Gerhard Reiter \u00e8, da un lato, un musicista che ha viaggiato molto e che ha imparato gli stili e i loro ritmi sul posto. Dall'altro, \u00e8 un insegnante e conosce bene le tecniche didattiche di successo. Tra queste, il linguaggio ritmico, che non solo descrive i ritmi stessi, ma anche le altezze degli strumenti ritmici - un ottimo aiuto per sviluppare gli accenti e i colori timbrici degli strumenti a percussione. Gli arrangiamenti sono disponibili in una versione base e in una versione estesa; la versione semplice \u00e8 pienamente sufficiente per un accompagnamento emozionante delle undici canzoni. Tuttavia, gli arrangiamenti ritmici possono essere suonati anche indipendentemente dalle canzoni.<\/p>\n<p>Conclusione: pochi ingredienti ben fondati e ben miscelati: questa \u00e8 la ricetta per l'autentica sensazione di grandi tradizioni musicali. Cosa si pu\u00f2 volere di pi\u00f9?<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-48630 size-medium\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/11_crit_noten_Suter-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/11_crit_noten_Suter-212x300.jpg 212w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/11_crit_noten_Suter-124x175.jpg 124w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/11_crit_noten_Suter-248x350.jpg 248w, https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/10\/11_crit_noten_Suter.jpg 288w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/>Gerhard Reiter: Ritmo senza confini. Modelli di percussioni per accompagnare canzoni di tutto il mondo, per la scuola secondaria, 56 pagine, esempi audio e 90 video, Fr. 39.60, Helbling, Berna 2020, ISBN 978-3-99069-315-5<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>In \"Ritmo senza confini\", Gerhard Reiter mostra come sia possibile mettere in scena canzoni di tutto il mondo con pochi modelli di base. <\/p>","protected":false},"author":29,"featured_media":48632,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[3241,3242,3240,3237,3236,3239,1762,3243],"class_list":["post-48615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-conga","tag-darabukka","tag-djembe","tag-gerhard-reiter","tag-rhythmus","tag-rhythmussprache","tag-schulmusik","tag-sekundarstufe"],"acf":[],"yoast_head":"<!-- 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