{"id":48851,"date":"2023-11-01T14:21:01","date_gmt":"2023-11-01T13:21:01","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=48851"},"modified":"2023-11-02T09:29:44","modified_gmt":"2023-11-02T08:29:44","slug":"wehlte","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte","title":{"rendered":"Evocare un terzo a due voci"},"content":{"rendered":"
\"\"
Foto: r7g0\/depositphotos.com<\/figcaption><\/figure>\n

Cosa c'\u00e8 di peggio di un registratore? Due! - Una delle cose affrontate in questa battuta \u00e8 il fatto che l'intonazione sul flauto dolce \u00e8 difficile e complicata con due, perch\u00e9 c'\u00e8 sempre qualcosa che \"ronza, gorgheggia, cinguetta o ronza\", come si dice nella prefazione alla Trii per due<\/em> viene chiamato. Una ragione di ci\u00f2 \u00e8 da ricercare nello specifico spettro dei toni del flauto dolce. Quando due flauti dolci (soprattutto alti) suonano insieme, si produce almeno un cosiddetto tono combinato. Mentre di solito si cerca semplicemente di intonare i due flauti dolci ragionevolmente bene insieme, Adrian Wehlte utilizza proprio questo principio. I suoi duetti annotati, se intonati in modo completamente puro, producono un tono di combinazione che corrisponde esattamente alle due note suonate; il duo diventa un trio.<\/p>\n

Il libretto, con un livello di difficolt\u00e0 progressivo, vuole essere una guida pratica alla sicurezza dell'intonazione attraverso il riconoscimento consapevole delle note combinate. Queste sono quindi annotate in un ulteriore pentagramma come terza voce virtuale, che corrisponde alle due voci superiori in termini di tecnica compositiva e risulta in un vero e proprio trio di due. Quando il duo viene registrato, diventa udibile che la terza voce non esiste solo come fenomeno acustico nelle orecchie dei musicisti, ma \u00e8 effettivamente presente nel suono. Tre dei duo presentano un puzzle in cui l'invisibile combinazione della terza voce produce una melodia familiare.<\/p>\n

Le spiegazioni delle serie di overtone e dei toni di combinazione e differenza completano l'opuscolo; se volete saperne di pi\u00f9, potete andare su forum.floeno.de<\/a> o discutere di questo fenomeno sulla piattaforma di discussione.<\/p>\n

Il Trii per due<\/em> \u00e8 disponibile in un'edizione per due flauti dolci soprani (oboi o clarinetti) e per due flauti dolci contralti (flauti traversi), i cui libretti contengono gli stessi esercizi e composizioni originali.\"\"<\/p>\n

Adrian Wehlte: Trios zu zweit; edizione per 2 flauti dolci soprano: EFL 1221; per 2 flauti dolci contralto o flauti traversi: EFL 1220; \u20ac 12,50 ciascuno; Edition Floeno, Dinkelsb\u00fchl<\/em><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Adrian Wehlte trasforma un fenomeno acustico in un programma di allenamento uditivo e intonativo. <\/p>","protected":false},"author":29,"featured_media":48853,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[3286,2630,3290,3287,3288],"class_list":["post-48851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-adrian-wehlte","tag-blockfloete","tag-differenzton","tag-kombinationston","tag-obertonspektrum"],"acf":[],"yoast_head":"\nMit zwei Stimmen eine dritte zaubern - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Adrian Wehlte macht aus einem akustischen Ph\u00e4nomen eine H\u00f6r- und Intonationsschulung.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mit zwei Stimmen eine dritte zaubern - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Adrian Wehlte macht aus einem akustischen Ph\u00e4nomen eine H\u00f6r- und Intonationsschulung.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-11-01T13:21:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-02T08:29:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/11\/floeten.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Mit zwei Stimmen eine dritte zaubern\",\"datePublished\":\"2023-11-01T13:21:01+00:00\",\"dateModified\":\"2023-11-02T08:29:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte\"},\"wordCount\":335,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/floeten.jpg\",\"keywords\":[\"Adrian Wehlte\",\"Blockfl\u00f6te\",\"Differenzton\",\"Kombinationston\",\"Obertonspektrum\"],\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte\",\"name\":\"Mit zwei Stimmen eine dritte zaubern - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/floeten.jpg\",\"datePublished\":\"2023-11-01T13:21:01+00:00\",\"dateModified\":\"2023-11-02T08:29:44+00:00\",\"description\":\"Adrian Wehlte macht aus einem akustischen Ph\u00e4nomen eine H\u00f6r- und Intonationsschulung.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/floeten.jpg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/floeten.jpg\",\"width\":960,\"height\":640},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/11\\\/wehlte#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Mit zwei Stimmen eine dritte zaubern\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Evocare un terzo con due voci - Schweizer Musikzeitung","description":"Adrian Wehlte trasforma un fenomeno acustico in un programma di allenamento uditivo e intonativo.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte\/","og_locale":"it_IT","og_type":"article","og_title":"Mit zwei Stimmen eine dritte zaubern - Schweizer Musikzeitung","og_description":"Adrian Wehlte macht aus einem akustischen Ph\u00e4nomen eine H\u00f6r- und Intonationsschulung.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-11-01T13:21:01+00:00","article_modified_time":"2023-11-02T08:29:44+00:00","og_image":[{"width":960,"height":640,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/11\/floeten.jpg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Mit zwei Stimmen eine dritte zaubern","datePublished":"2023-11-01T13:21:01+00:00","dateModified":"2023-11-02T08:29:44+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte"},"wordCount":335,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/11\/floeten.jpg","keywords":["Adrian Wehlte","Blockfl\u00f6te","Differenzton","Kombinationston","Obertonspektrum"],"articleSection":["Noten","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte","name":"Evocare un terzo con due voci - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/11\/floeten.jpg","datePublished":"2023-11-01T13:21:01+00:00","dateModified":"2023-11-02T08:29:44+00:00","description":"Adrian Wehlte trasforma un fenomeno acustico in un programma di allenamento uditivo e intonativo.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/11\/floeten.jpg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/11\/floeten.jpg","width":960,"height":640},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/11\/wehlte#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Mit zwei Stimmen eine dritte zaubern"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/48851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=48851"}],"version-history":[{"count":6,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/48851\/revisions"}],"predecessor-version":[{"id":48873,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/48851\/revisions\/48873"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/48853"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=48851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=48851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=48851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}