{"id":50052,"date":"2023-12-03T11:11:17","date_gmt":"2023-12-03T10:11:17","guid":{"rendered":"https:\/\/www.musikzeitung.ch\/?p=50052"},"modified":"2023-12-07T14:43:07","modified_gmt":"2023-12-07T13:43:07","slug":"vertigo","status":"publish","type":"post","link":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo","title":{"rendered":"Vertigine hitchcockiana"},"content":{"rendered":"
\"\"
Dettaglio della locandina originale del film di Saul Bass, 1961. fonte: Biblioteca del Congresso<\/a><\/figcaption><\/figure>\n

Vertigo - chi non pensa al thriller psicologico di Alfred Hitchcock quando sente questa parola? Un film che ruota attorno a un poliziotto (James Stewart) che soffre di paura dell'altezza dopo un'esperienza traumatica. Un film, tra l'altro, in cui la musica congeniale di Bernard Herrmann svolge un ruolo centrale. Il giovane compositore austriaco Philipp Manuel Gutmann ha ora anteposto a una delle sue ultime opere il nome \"Vertigo\" e l'ha sottotitolata \"Bagatelle per pianoforte\". Nel giugno 2021 ha vinto il premio del pubblico della 1\u00aa Giornata della nuova musica per pianoforte di Graz.<\/p>\n

Philipp Manuel Gutmann<\/a> \u00e8 nato a Zwettl (Bassa Austria) nel 1993. Ha studiato composizione a Vienna (con Dirk D'Ase) e a Zurigo (con Kaspar Ewald e Isabel Mundry). Nonostante la giovane et\u00e0, pu\u00f2 gi\u00e0 vantare un'opera considerevole. Essa comprende opere teatrali e sinfonie, ma anche musica da camera e numerosi lavori per coro. Sembra avere un debole per le orchestre di fiati.<\/p>\n

Torniamo al suo pezzo per pianoforte Vertigine<\/em>che in realt\u00e0 si riferisce al film di Hitchcock. Inizia \"lentamente e minacciosamente\" con figure ripetitive che aumentano gradualmente di tempo e volume. A queste si aggiungono frammenti melodici che citano ovviamente motivi della musica da film di Bernard Herrmann. Gli accordi sono alternativamente spezzati verso l'alto e verso il basso. Nell'ultima pagina, l'inizio tranquillo si trasforma infine in un impetuoso inseguimento. L'effetto che ne deriva crea davvero una sensazione di disorientamento, di vertigine.<\/p>\n

Pianisticamente \u00e8 Vertigine<\/em> non \u00e8 cos\u00ec difficile come potrebbe sembrare a prima vista. La scrittura pianistica \u00e8 eccellente. (L'unica indicazione di diteggiatura all'inizio dovrebbe essere 3213). In ogni caso, non sorprende che il pubblico di Graz sia rimasto colpito dall'opera, poich\u00e9 Gutmann riesce a evocare immediatamente una scena drammatica e vivida in poche pagine utilizzando mezzi moderni.<\/p>\n

E coloro che non conoscono ancora questa musica dovrebbero forse dare un'altra occhiata al capolavoro di Hitchcock...\"\"<\/p>\n

Philipp Manuel Gutmann: Vertigo, Bagatelle per pianoforte, D 01 450, \u20ac 12,95, Doblinger, Vienna<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Il brano per pianoforte \"Vertigo\" di Philipp Manuel Gutmann crea un evento drammatico in un breve lasso di tempo. <\/p>","protected":false},"author":29,"featured_media":50056,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1316,29],"tags":[3471,3473,3470,1587,3469,3472],"class_list":["post-50052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noten-rezensionen","category-rezensionen","tag-alfred-hitchcock","tag-bagatelle","tag-bernard-herrmann","tag-klavier","tag-philipp-manuel-gutmann","tag-vertigo"],"acf":[],"yoast_head":"\nHitchcockscher Schwindel - Schweizer Musikzeitung<\/title>\n<meta name=\"description\" content=\"Das Klavierst\u00fcck \u00abVertigo\u00bb von Philipp Manuel Gutmann entwirft in kurzer Zeit ein dramatisches Geschehen.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hitchcockscher Schwindel - Schweizer Musikzeitung\" \/>\n<meta property=\"og:description\" content=\"Das Klavierst\u00fcck \u00abVertigo\u00bb von Philipp Manuel Gutmann entwirft in kurzer Zeit ein dramatisches Geschehen.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo\/\" \/>\n<meta property=\"og:site_name\" content=\"Schweizer Musikzeitung\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-12-03T10:11:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-07T13:43:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/12\/Vertigo.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"918\" \/>\n\t<meta property=\"og:image:height\" content=\"677\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pia.schwab\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"pia.schwab\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo\"},\"author\":{\"name\":\"pia.schwab\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\"},\"headline\":\"Hitchcockscher Schwindel\",\"datePublished\":\"2023-12-03T10:11:17+00:00\",\"dateModified\":\"2023-12-07T13:43:07+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo\"},\"wordCount\":348,\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/Vertigo.jpeg\",\"keywords\":[\"Alfred Hitchcock\",\"Bagatelle\",\"Bernard Herrmann\",\"Klavier\",\"Philipp Manuel Gutmann\",\"Vertigo\"],\"articleSection\":[\"Noten\",\"Rezensionen\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo\",\"name\":\"Hitchcockscher Schwindel - Schweizer Musikzeitung\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/Vertigo.jpeg\",\"datePublished\":\"2023-12-03T10:11:17+00:00\",\"dateModified\":\"2023-12-07T13:43:07+00:00\",\"description\":\"Das Klavierst\u00fcck \u00abVertigo\u00bb von Philipp Manuel Gutmann entwirft in kurzer Zeit ein dramatisches Geschehen.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo#primaryimage\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/Vertigo.jpeg\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/12\\\/Vertigo.jpeg\",\"width\":918,\"height\":677},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/rezensionen\\\/noten-rezensionen\\\/2023\\\/12\\\/vertigo#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Hitchcockscher Schwindel\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"name\":\"Schweizer Musikzeitung\",\"description\":\"Die f\u00fchrende sparten\u00fcbergreifende Monatszeitung in der Schweiz f\u00fcr musikalische Fragen.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.musikzeitung.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#organization\",\"name\":\"Schweizer Musikzeitung\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"contentUrl\":\"https:\\\/\\\/www.musikzeitung.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/SMZ_Schriftzug_Sprache.png\",\"width\":1400,\"height\":279,\"caption\":\"Schweizer Musikzeitung\"},\"image\":{\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.musikzeitung.ch\\\/#\\\/schema\\\/person\\\/ea3d7b86bd7157c78c7ddd37f2f82b5b\",\"name\":\"pia.schwab\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g\",\"caption\":\"pia.schwab\"},\"url\":\"https:\\\/\\\/www.musikzeitung.ch\\\/it\\\/author\\\/pia-schwab\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Bufala hitchcockiana - Schweizer Musikzeitung","description":"Il brano per pianoforte \"Vertigo\" di Philipp Manuel Gutmann crea un evento drammatico in un breve lasso di tempo.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo\/","og_locale":"it_IT","og_type":"article","og_title":"Hitchcockscher Schwindel - Schweizer Musikzeitung","og_description":"Das Klavierst\u00fcck \u00abVertigo\u00bb von Philipp Manuel Gutmann entwirft in kurzer Zeit ein dramatisches Geschehen.","og_url":"https:\/\/www.musikzeitung.ch\/it\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo\/","og_site_name":"Schweizer Musikzeitung","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-12-03T10:11:17+00:00","article_modified_time":"2023-12-07T13:43:07+00:00","og_image":[{"width":918,"height":677,"url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/12\/Vertigo.jpeg","type":"image\/jpeg"}],"author":"pia.schwab","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"pia.schwab","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo#article","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo"},"author":{"name":"pia.schwab","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b"},"headline":"Hitchcockscher Schwindel","datePublished":"2023-12-03T10:11:17+00:00","dateModified":"2023-12-07T13:43:07+00:00","mainEntityOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo"},"wordCount":348,"publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/12\/Vertigo.jpeg","keywords":["Alfred Hitchcock","Bagatelle","Bernard Herrmann","Klavier","Philipp Manuel Gutmann","Vertigo"],"articleSection":["Noten","Rezensionen"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo","url":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo","name":"Bufala hitchcockiana - Schweizer Musikzeitung","isPartOf":{"@id":"https:\/\/www.musikzeitung.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo#primaryimage"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo#primaryimage"},"thumbnailUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/12\/Vertigo.jpeg","datePublished":"2023-12-03T10:11:17+00:00","dateModified":"2023-12-07T13:43:07+00:00","description":"Il brano per pianoforte \"Vertigo\" di Philipp Manuel Gutmann crea un evento drammatico in un breve lasso di tempo.","breadcrumb":{"@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo#primaryimage","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/12\/Vertigo.jpeg","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/12\/Vertigo.jpeg","width":918,"height":677},{"@type":"BreadcrumbList","@id":"https:\/\/www.musikzeitung.ch\/rezensionen\/noten-rezensionen\/2023\/12\/vertigo#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.musikzeitung.ch\/"},{"@type":"ListItem","position":2,"name":"Hitchcockscher Schwindel"}]},{"@type":"WebSite","@id":"https:\/\/www.musikzeitung.ch\/#website","url":"https:\/\/www.musikzeitung.ch\/","name":"Giornale musicale svizzero","description":"Il principale mensile interdisciplinare della Svizzera per le questioni musicali.","publisher":{"@id":"https:\/\/www.musikzeitung.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.musikzeitung.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.musikzeitung.ch\/#organization","name":"Giornale musicale svizzero","url":"https:\/\/www.musikzeitung.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","contentUrl":"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2023\/01\/SMZ_Schriftzug_Sprache.png","width":1400,"height":279,"caption":"Schweizer Musikzeitung"},"image":{"@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/"]},{"@type":"Person","@id":"https:\/\/www.musikzeitung.ch\/#\/schema\/person\/ea3d7b86bd7157c78c7ddd37f2f82b5b","name":"pia.schwab","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d39d170de4c2d07e897fbc26cf9d890fc046285c742207b86d8ebabe5fcde2c4?s=96&d=mm&r=g","caption":"pia.schwab"},"url":"https:\/\/www.musikzeitung.ch\/it\/author\/pia-schwab"}]}},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/50052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/comments?post=50052"}],"version-history":[{"count":7,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/50052\/revisions"}],"predecessor-version":[{"id":50063,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/posts\/50052\/revisions\/50063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media\/50056"}],"wp:attachment":[{"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/media?parent=50052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/categories?post=50052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musikzeitung.ch\/it\/wp-json\/wp\/v2\/tags?post=50052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}